Literary Agent Interview: Saritza Hernández and 45-Minute Ask Me Anything Session Giveaway

Today I’m thrilled to have agent Saritza Hernández here. She’s an agent at Andrea Brown Literary Agency. 

Status Update: Saritza is open to queries the first 15 days of each month.

Hi Saritza! Thanks so much for joining us.

Hi! Thank you for having me! 

About Saritza: 

1. Tell us how you became an agent, how long you’ve been one, and what you’ve been doing as an agent.

 

I think my trajectory is likely similar to others who’ve realized their path in publishing is led by a desire to protect creators’ rights while being excited about ways to usher works into the literary canon. While working in textbook publishing, a friend of mine wrote a great novel that I thought should be traditionally published, but it was also the rise of digital publishing (2008), and I was seeing many writers from underrepresented communities being relegated to that space with little to no support. But many literary agents were not working in that space so there was a need that I felt compelled to fill. I reached out to agents for remote mentorship opportunities. I was a young parent of pre-teens at the time and not living in New York City, so I knew it was going to be an uphill climb but eventually found the L. Perkins Agency where I interned remotely for a few years then moved to another agency where I grew my list. In 2020, I was blessed to have the opportunity to join the Andrea Brown Literary Agency where I’ve continued to grow my list in the KidLit market as well as Adult genre fiction and nonfiction. 

For the past 18 years, I’ve worked with authors and illustrators at various stages of their writing career and am proud to have helped usher their works into the world. 

About the Agency: 

2. Share a bit about your agency and what it offers to its authors. 

Andrea Brown Literary Agency has been around for over 40 years, and a big part of what has made us a success is our philosophy of making sure that our clients are not only published, but published well! We work collaboratively instead of in direct competition with each other which means our clients get the collective strength of our various areas of expertise. While the company began with Andrea representing children’s book authors in 1981, we now have more than a dozen agents representing HUNDREDS of creators whose works span all categories across children’s and adult literature. 

What She’s Looking For: 

3. What age groups do you represent—picture books, MG, and/or YA? What genres do you represent, and what are you looking for in submissions for these genres?

The bulk of my client list consists of authors and illustrators whose commercial and upmarket work spans across children’s and adult categories. 

My client list consists of creators from the global majority or who identify with a traditionally underserved or underrepresented community. So, I am always looking for more stories for these readers by members of those communities whose stories have been traditionally neglected or dismissed. 

In the young adult space, I’m seeking speculative science fiction that is propulsive, immersive, and inclusive; spacefaring novels with twists that keep you turning pages; romance that feels fresh and funny. 

I’m currently looking for more middle grade fiction and select nonfiction that is fun, funny, quirky and inclusive. In middle grade, I’m eagerly seeking a rom-com approach to a first love story. I love friendship and sibling stories as well and science fiction like The Last Cuentista. I’m also actively seeking more graphic novels in middle grade, young adult, and adult fiction by author-illustrators with a proven track record in this space. 

4.  Is there anything you would be especially excited to seeing in the genres you are interested in? 

Send me all of the queer, Latiné, and neurodivergent rep in genre fiction across all categories. I’m always looking to highlight the joy in our intersectional communities and prefer to focus on stories that highlight those moments rather than our pain. 

What She Isn’t Looking For: 

5. What types of submissions are you not interested in? 

I’m not currently looking for any Christian fiction, memoirs, or super literary work. I’m just not the right agent for these types of projects. 

Agent Philosophy: 

6. What is your philosophy as an agent both in terms of the authors you want to work with and the books you want to represent? 

While I enjoy working with new authors, I like to see that they’re knowledgeable about the industry enough to know their target audience and the voice of the category they’re writing in. I like to work with authors who understand that we’re partners in their success and are constantly learning and improving their craft. 

I also need to feel like I have a vision for the client’s career as well as the manuscript they’ve submitted. If, for example, they hope to write a memoir or super literary adult novel after the middle grade novel they’ve queried, I’m likely not the right agent for them. 

Editorial Agent: 

7. Are you an editorial agent? If so, what is your process like when you’re working with your authors before submitting to editors? 

I don’t consider myself an editorial agent, no. I tell my clients that I have two (2) strong editorial rounds in me. My most successful clients have strong critique partners and editorial support so that when I get the manuscript, I’m giving them high-level, or big picture edits to get the manuscript out as quickly as possible. That’s not to say I don’t give line edits when needed, of course but I aim to get work out on submission as quickly as possible. 

Query Methods and Submission Guidelines: (Always verify before submitting) 

8. How should authors query you and what do you want to see with the query letter? 

We use QueryTracker at the agency so all queries must come through my query form. I like to see a professional approach to the query letter with a clear hook. 

9.  Do you have any specific dislikes in query letters or the first pages submitted to you? 

I consider the query letter similar to a cover letter for a resume. I like to see a good attitude about the industry, their role in that industry, and a professionalism that lets me know they take the business of publishing seriously. I don’t like to see things like, “you’re probably not going to read this” or being negative about publishing as a whole. 

Response Time: 

10. What’s your response time to queries and requests for more pages of a manuscript? 

I respond to every query so it can take some time to get back to folks. At the moment I’m running about 12-14 weeks on novel-length works. But I’m also not averse to a nudge from folks after 6-8 weeks or when they’ve received an offer of representation or publication. 

Self-Published and Small Press Authors: 

11.  Are you open to representing authors who have self-published or been published by smaller presses? What advice do you have for them if they want to try to find an agent to represent them? 

Yes, absolutely as long as it’s not previously published then I’d be happy to consider it. 

Clients: 

12. Who are some of the authors you represent?

I rep a ton of amazing authors and author-illustrators working on everything from picture books to adult genre fiction. You can get to know them and their works better here. 

Interviews and Guest Posts: 

13. Please share the links to any interviews, guest posts, and podcasts you think would be helpful to writers interested in querying you. 

I have a Resources page on my website with links to tons of great publishing information including my agency sibling, Jennifer Laughran’s Ask-Me-Anything Tumblr that has even MORE great information about the industry including the query process. 

Links and Contact Info: 

14. Please share how writers should contact you to submit a query and your links on the Web. 

All queries should come in through QueryTracker. 

You can learn more about me and links to my website and Manuscript Wishlist from my agency page here. 

Additional Advice: 

15. Is there any other advice you’d like to share with aspiring authors that we haven’t covered? 

Writing can be a lonely profession, but authorship requires community. Be sure to build your community as a writer through critique groups and writing organizations like SCBWI. The relationships you create at the start of your career can be lifelong, make sure that they fuel your creativity as well as your success. 

Thanks for sharing all your advice, Saritza! 

Giveaway Details 

­Saritza is generously offering a 45-minute Ask Me Anything session query critique to one lucky winner. To enter, all you need to do is be a follower (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment through April 18th. If you do not want to enter the contest, that’s okay. Just let me know in the comments. If I do not have your email (I can no longer get it from your Google Profile), you must leave it in the comments to enter the contest. Please be sure I have your email address.

If you follow me on Twitter or Bluesky or mention this contest on Twitter, Facebook, or your blog, mention this in the comments, and I'll give you an extra entry. This is an international giveaway. 

Have any experience with this agent? See something that needs updating? Please leave a comment or email me at natalieiaguirre7@gmail.com 

Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change. 

Upcoming Interviews, Guest Posts, and Blog Hops 

Monday, April 13th, I’m reviewing Jennifer Nielsen’s MG The Free State of Jax and Magnitude with a book giveaway 

Thursday, April 16th, I’m participating in the Rain Drop on Roses Giveaway Hop 

Monday, April 20th, I have an interview with Van Hoang and a giveaway of her MG Auntie Q’s Golden Claws Nail Salon 

Monday, April 27th, I have an interview with Gareth P. Jones and a giveaway of his MG Solve Your Own Mysteries 

Wednesday, April 29th, I have an agent spotlight interview with Erica Bauman and a query critique giveaway 

I hope to see you on Wednesday!

 

 

 

 

 

Literary Agent Interview: Analía Cabello Interview and Query Critique Giveaway

Today I’m thrilled to have agent Analía Cabello here. She’s an associate agent at Andrea Brown Literary Agency. 

Hi­ Analía! Thanks so much for joining us. 

About Analía: 

1. Tell us how you became an agent, how long you’ve been one, and what you’ve been doing as an agent.

 

Hi Literary Rambles! Thanks so much for having me. J 

Well, it’s funny—I didn’t start out intending to become an agent, but as I’ve been reflecting on my career in publishing so far, my first experiences in the industry were at literary agencies! My initial goal was to become an editor. I’ve been a huge reader for my whole life but knew I’d rather support authors than be one myself, and I love editorial work—but I also knew most of those jobs were located on the East Coast, and I was based in California at the time. Literary agencies were some of the only parts of publishing who were offering remote internships at that time, and I was super lucky to have the opportunity to connect with great folks at a couple different agencies who taught me a ton. 

I did eventually move to the East Coast briefly for a short stint at Candlewick—where I gained invaluable experience and worked with a lot of wonderful, talented people—but I was homesick and wanted to be closer to my family in California. That’s how I ended up at ABLA in 2021 as Kelly Sonnack’s assistant, and the rest is history! I’ve been an associate agent since January of 2025, so I’m very much in a building phase. I’ve been reading a ton of queries, doing work behind-the-scenes with my clients to get their work ready for submission, and trying to introduce myself to the industry a bit. 

About the Agency: 

2. Share a bit about your agency and what it offers to its authors.

The Andrea Brown Literary Agency is a mid-sized agency specializing in both kidlit and adult literature. It was founded in California over 40 years ago, and we now have agents in all different parts of the country. You can read more about the agency on our website and see more from us on Instagram and Bluesky. Our agents are so talented, hardworking, kind, and collaborative, and are excellent advocates for all ABLA clients. I’m so grateful to have joined them and to call them my colleagues! 

What She’s Looking For: 

3. What age groups do you represent—picture books, MG, and/or YA? What genres do you represent and what are you looking for in submissions for these genres?

I’m looking for anything from picture books through YA. In picture books, I’m particularly wanting narrative-driven stories featuring human characters. For novels, I’m primarily looking for contemporary stories with literary-leaning writing. I love characters who feel in-between in any sense (identity, friend groups, transitional period of life, etc.); stories of self-discovery and character growth; explorations of sibling relationships and intergenerational families; and stories from creators whose voices have been traditionally underrepresented in the industry. In illustrators, I look for art that I’d want to live in: pieces that are rich in texture, detail, and narrative, with joyful characters and color palettes that pop. 

4.  Is there anything you would be especially excited to seeing in the genres you are interested in?

Give me all the sapphic romances, please! I would love something with the vibes of Bend It Like Beckham or Ice Princess but queer. I also appreciate ensemble stories with high stakes (like The Bear or Vampires Vs. The Bronx). And I love the gorgeous, dreamy feel of Makoto Shinkai’s recent movies. I would love to see something with those vibes. 

What She Isn’t Looking For: 

5. What types of submissions are you not interested in?

I am typically not the right agent for the following types of projects:

·       Science fiction and most fantasy (particularly high fantasy and portal fantasy)

·       Graphic novels and nonfiction

·       Stories where trauma is part of the primary conflict (particularly trauma around coming out)

·       Rhyming picture book texts

·       Picture book texts about anthropomorphic animals

·       Novels told from the perspective of an animal 

Agent Philosophy: 

6. What is your philosophy as an agent both in terms of the authors you want to work with and the books you want to represent?

It's important to me that I’m connecting with the submitted manuscript and have a vision for how to help the creator bring it to readers. I’ve read gorgeous texts that, after much deliberation, I’ve ultimately decided that I wouldn’t be the right agent to work on them, even though I would absolutely grab them off the shelf in the future. (And, trust me, this is always a disappointing realization!) I also have a conversation with prospective clients about their other works and/or future career goals. If an author submits a YA contemporary to me, for example, but also aspires to write high fantasy novels, I’m probably not the best agent for them, even if I really love their YA contemporary manuscript. Ultimately, this is a partnership, and I want to make sure that I’ll be the best partner for a prospective client and their work! 

Editorial Agent: 

7. Are you an editorial agent? If so, what is your process like when you’re working with your authors before submitting to editors?

I do consider myself an editorial agent. I love the editorial process—there’s something so rewarding about digging into a manuscript and getting to work alongside the author to identify where the story is already singing and where it can be strengthened to give it the best chance once it’s in an editor’s inbox. The exact process varies from project to project but I generally aim to do revisions in two phases: tackling developmental edits, which can take a couple rounds depending on the project, and then a light line edit to polish everything up before going out. 

Query Methods and Submission Guidelines: (Always verify before submitting) 

8. How should authors query you and what do you want to see with the query letter?

Please query me via QueryTracker! The materials will vary based on the type of submission; for illustrators, for example, I’d like to see either a portfolio uploaded or linked, in addition to a website link. For picture book texts, just paste your manuscript into the form where instructed. For novels, I’d like to see the first 20 pages of your manuscript in addition to a synopsis. (These instructions should also be present in the query form at the link.) 

9.  Do you have any specific dislikes in query letters or the first pages submitted to you?

Not necessarily! Of course, a polished query letter definitely helps make a good first impression, but we’re all human and mistakes aren’t the end of the world. I will also say that if your query materials are externally linked (for example, a link to a portfolio/website), please check your links, check your share settings, and make sure agents will be able to access your work! Broken links, links to locked website portfolio pages (without passwords included in the query letter), or links to file-sharing platforms (like Google drive/docs) that don’t allow folks to view unless they expressly have permission can be tough. 

Response Time: 

10. What’s your response time to queries and requests for more pages of a manuscript?

I make it a point to respond to every query in my query box, but my response time varies greatly and depends on when something is received and what else I have going on. Sometimes I answer a query the day it lands in my inbox because I happen to be in there already; sometimes it takes a bit longer. And sometimes I hold on to things for longer because I’m still making a decision, of course! 

Self-Published and Small Press Authors: 

11.  Are you open to representing authors who have self-published or been published by smaller presses? What advice do you have for them if they want to try to find an agent to represent them?

When I’m considering a client, the most important thing to me is whether I’m connecting with their work; I don’t see things like being self-published or previously published by smaller presses as a deterrent at all, as long as you’re querying with new, unpublished work. I wouldn’t necessarily recommend doing anything differently in your query process; just be honest and up-front about this when you’re querying. One of the really cool things about this industry is all the various paths people have taken on their journey; this is just another type of path!

Clients: 

12. Who are some of the authors you represent?

I currently represent about a dozen super cool, super talented creators. They range from picture book authors to MG authors to illustrators, and I’m so thrilled they’ve trusted me with their work. You can see more about them here. 

Interviews and Guest Posts: 

13. Please share the links to any interviews, guest posts, and podcasts you think would be helpful to writers interested in querying you.

None yet, but keep an eye on my website—I hope to be adding some links in the coming months! 

Update on 5/23/2025:

Agent of the Month at Writing and Illustrating Part 1, Part 2 (5/2025)

Links and Contact Info: 

14. Please share how writers should contact you to submit a query and your links on the Web.

I only accept queries via QueryTracker. You can see more about what I’m looking for on my website and my ABLA page. I’m also on Bluesky and Instagram. (I’m not super active in either place yet, but I’m trying to get better about it!) 

Additional Advice: 

15. Is there any other advice you’d like to share with aspiring authors that we haven’t covered?

Find community—writing/creating and querying can feel isolating, and it can be helpful to connect with other folks who are on this journey. But also—easier said than done, I know—try to avoid the comparison game. Everyone’s path looks different. Keep writing, keep revising, get connected, find critique partners, and remember that it just takes one yes. J 

Thanks for sharing all your advice, Analía.

Giveaway Details 

­Analía is generously offering a query critique to one lucky winner. To enter, all you need to do is be a follower (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment through May 24th. If you do not want to enter the contest, that’s okay. Just let me know in the comments. If I do not have your email (I can no longer get it from your Google Profile), you must leave it in the comments to enter the contest. Please be sure I have your email address.

If you follow me on Twitter or mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This is an international giveaway. 

Have any experience with this agent? See something that needs updating? Please leave a comment or email me at natalieiaguirre7@gmail.com 

Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change.

Upcoming Interviews, Guest Posts, and Blog Hops

Friday, May 16th I’m participating in the Moms Rock Giveaway Hop

Monday, May 19th I have a guest post by author Carol L. Pauer and a giveaway of her MG Rowley Peters and the Lumberjack Ghost

Wednesday, May 21st I have an agent spotlight interview with Isabel Lineberry and a query critique giveaway

Sunday, June 1st I’m participating in the Berry Good Giveaway Hop

Wednesday, June 4th I have an interview with author Aaron Starmer and a giveaway of his YA Night Swimming and my IWSG post

Monday, June 9th I have an interview with author Nancy McCabe and a giveaway of her MG Fires Burning Underground 

Wednesday, June 11th I have an agent spotlight interview with Mark O’Brien and a query critique giveaway

Monday, June 16th I’m participating in the Dad-o-Mite Giveaway Hop

Monday, June 23rd I have an interview with author Michael Spradlin and a giveaway of his MG Threat of the Spider

I hope to see you on Friday!

Literary Agent Interview: Sally Kim and Query Critique Giveaway

Today I’m thrilled to have associate agent Sally Kim here. She’s an agent at Andrea Brown Literary Agency.

Status Update on 12/19/2025: Sally is open to queries on the 1st through the 15th of each month.

Hi Sally! Thanks so much for joining us.

About Sally:

1. Tell us how you became an agent, how long you’ve been one, and what you’ve been doing as an agent.

In 2023, after many years working in children’s book marketing I took a moment to regroup, think about my career path thus far, and determine what the future might hold for me. I felt that there was another proverbial mountain to climb but I wasn’t sure what that might be. Thankfully, I’m surrounded by brilliant friends and colleagues who nudged me in the direction of agenting. Fast forward to several incredible conversations with agents at Andrea Brown Literary Agency and the rest is history! Depending on what you count as my start date, it’s been roughly a year since I joined ABLA, and I’m thrilled with how it’s going so far. I’m learning every day, and I am so happy with my growing client list.

About the Agency:

2. Share a bit about your agency and what it offers to its authors.

I couldn’t be more biased, but I think Andrea Brown Literary Agency is the absolute best, and I count myself lucky to have joined this incredible group of talented agents. All my colleagues are wise, hardworking, and uber collaborative.

ABLA was founded more than 40 years ago here in California. Today, our agents span the country and represent hundreds of gifted authors and illustrators of both children’s and adult literature. To learn more, please go to https://www.andreabrownlit.com/ and follow us on Instagram and Bluesky. 

What She’s Looking For:

3. What age groups do you represent—picture books, MG, and/or YA? What genres do you represent and what are you looking for in submissions for these genres?

I am open to authors and illustrators of board books, picture books, chapter books, and middle grade, fiction and nonfiction. As a newer agent, I am actively looking to grow my client list and find talented people from all walks of life. Lots more below.

4.  Is there anything you would be especially excited to seeing in the genres you are interested in?

My taste leans a bit more literary and it’s not surprising that my current client list is strong in that category. To balance things out, I’m also looking for authors and illustrators whose projects have a more commercial bent. But ask me again in a couple months and that could change!

I’ve been telling folks that I’m hungry for smart or goofy (or smart AND goofy!) humorous picture book projects from authors and author-illustrators. I’m also eager to find an author who really understands what it takes to craft an exceptional chapter book story—this is high on my wish list. Also, my profile states I’m not the best fit for rhyming picture books but it’s more accurate to say that I’m waiting for the right one. I feel like it’s coming for me soon! Oh, and I also have a soft spot for wordless picture books.
Lastly and most importantly, I’m trying very hard to build a client list that is diverse in all possible ways. I jump for joy inside when I see someone with a unique background or underrepresented perspective.
What She Isn’t Looking For:

5. What types of submissions are you not interested in?

I’m pretty quick to pass on submissions that fail to center the child’s perspective or those that try to teach a lesson or reinforce a common platitude like ‘just believe in yourself.’

Agent Philosophy:

6. What is your philosophy as an agent both in terms of the authors you want to work with and the books you want to represent?

I remind myself pretty often that there are many talented writers and artists out there, but that’s not reason enough to offer representation. Equally important are 1) my connection with the work. Not only should the project be publishable, but I must also feel genuine and enduring enthusiasm for it; and 2) a connection with the creator. When we meet and get to know each other in that first Zoom call, it’s important that we’re compatible in how we communicate, how we envision working together, and a similar vision for their future in publishing.

Editorial Agent:

7. Are you an editorial agent? If so, what is your process like when you’re working with your authors before submitting to editors?

If you had asked me this a year ago when I first started, I would’ve said no. But I’ve been rapidly developing my own approach to editorial feedback. While I’ll probably never be that agent that gives you a 10-page editorial letter, I do strive to give thoughtful feedback on both the big picture and smaller details of any given project. The format in which this feedback is delivered varies, depending on the project and the client and can include email, in-line comments, and/or video conference call.

Query Methods and Submission Guidelines: (Always verify before submitting)

8. How should authors query you and what do you want to see with the query letter?

Please query me through QueryTracker (link here). I read and reply to every query!

A standard query letter is great. Tell me about yourself, about the project, a short pitch and/or positioning statement, and comps. Anything more is great, but not necessary.  

9.  Do you have any specific dislikes in query letters or the first pages submitted to you?

I don’t have hard rules against anything, but I’ll admit I notice when folks skip over the letter, if there are multiple typos, and it’s also not uncommon that people mistakenly query me with an adult book or re-query me with the exact same manuscript, maybe hoping I don’t notice.

Response Time:

10. What’s your response time to queries and requests for more pages of a manuscript?

This varies wildly depending on what else in happening in my world. There are times when I can respond within a few days. Other times, it’ll take 6-8 weeks. In rare exceptions, I take even longer but that’s usually when I’m on the fence about a project and I want to give myself a break to come back and get a second, first impression.

Self-Published and Small Press Authors:

11.  Are you open to representing authors who have self-published or been published by smaller presses? What advice do you have for them if they want to try to find an agent to represent them?

Yes, I’m open to authors who have been published before, and I don’t recommend they do anything differently in the querying process. Honesty and fully transparency about one’s background is recommended for everyone.

Clients:

12. Who are some of the authors you represent?

My author clients include Britt Crow-Miller, Amy Reitz, Emilie Boon (author-illustrator), Talitha Morena Moniz, Nicola Schofield (author-illustrator), and Tom Witkowski. I look forward to adding to this list in 2025!

Interviews and Guest Posts:

13. Please share the links to any interviews, guest posts, and podcasts you think would be helpful to writers interested in querying you.

N/a

Links and Contact Info:

14. Please share how writers should contact you to submit a query and your links on the Web.

Read about me on Andrea Brown Literary Agency: https://www.andreabrownlit.com/Team/sally-m.-kim

Query me at https://querymanager.com/query/sallyabla

Follow me at
Bluesky: https://bsky.app/profile/did:plc:lh7ha7unltwskpvaqh27yzo3
Instagram: https://www.instagram.com/sallymkim

Thanks for sharing all your advice, Sally.

Giveaway Details

Sally is generously offering a query critique to one lucky winner. To enter, all you need to do is be a follower (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment through April 5th. If your email is not on your Google Profile, you must leave it in the comments to enter the contest. If you do not want to enter the contest, that’s okay. Just let me know in the comments.

If you follow me on Twitter or mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This is an international giveaway.

Have any experience with this agent? See something that needs updating? Please leave a comment or email me at natalieiaguirre7@gmail.com

Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change.

Upcoming Interviews, Guest Posts, and Blog Hops

Tuesday, April 1st I’m participating in the Honey Bunny Giveaway Hop

Wednesday, April 2nd I have an interview with debut author Lucia Damisa and a giveaway of her YA A Desert of Bleeding Sand and my IWSG post

Monday, April 7th I have an agent spotlight interview with Etsy Loveing-Downes and a query critique giveaway

Monday, April 14th I have an interview with author Mia Araujo and a giveaway of her MG Afia In the Land of Wonders

Wednesday, April 16th I’m participating in the Raindrop in Roses Giveaway Hop

Monday, April 21st I have an agent spotlight interview with Carey Blankenship-Kramer and a query critique giveaway

Wednesday, April 23rd I have an agent spotlight interview with Rebecca Eskildsen  and a query critique giveaway

Monday, April 28th I have an interview with debut author Alby Williams and a giveaway of their MG Where There Be Monsters

I hope to see you on Tuesday!

GAIL SHEPHERD INTERVIEW AND THE TRUE HISTORY OF LYNDIE B. HAWKINS GIVEAWAY ANDS IWSG POST

Happy Wednesday Everyone! Today I’m excited to have debut author Gail Shepherd here to share about her MG historical THE TRUE HISTORY OF LYNDIE B. HAWKINS. It’s got a great setting—1985 Tennessee—and sounds like a story that will really pull at your heart. It releases on March 26

Before I get to today's interview, I've got my IWSG post.

Purpose: To share and encourage. Writers can express doubts and concerns without fear of appearing foolish or weak. Those who have been through the fire can offer assistance and guidance. It’s a safe haven for insecure writers of all kinds!

Posting: The first Wednesday is officially Insecure Writer's Support Group Day.

The co-hosts this month are:  Fundy Blue, Beverly Stowe McClure, Erika Beebe, and Lisa Buie-Collard!

Optional Question: Whose perspective do you like to write from best, the hero (protagonist) or the villain (antagonist)? And why?

I have never written from dual POVs and have always written from the hero's perspective. I think it's easier to get close to the protagonist, at least for me. But I do think about my villain and like to know about his life and not just make him the bad guy because I need a villain. I want that person to be a complex character too and have motivations for doing what he/she does.

What about you? Whose perspective do you write from?

Now let's to Gail's interview. Here’s a blurb of her book from Goodreads: 

Everyone you meet is fighting a battle you know nothing about.

A Southern MG debut about a history-loving girl, Lyndon Baines Hawkins, whose relentless, hilarious, and heartbreaking search for the truth puts her in direct opposition to her fusspot grandmother’s need to keep up appearances. Lyndie knows lots about history: she can tell you who President Lincoln’s best friend was, the gruesome diseases of Civil War soldiers, and where her Hawkins ancestors built log houses near her home town of Love’s Forge, Tennessee. But when it comes to her Ma and Daddy, her knowledge is full of holes. Nobody talks about what happened to her veteran Daddy during the Vietnam war and why he “came home different,” or why her Ma stays locked in her room for days, or how come they had to sell the house Lyndie grew up in and move in with her strict grandparents. And Lyndie’s grandma, Lady, is determined to mold Lyndie into a “nice” southern girl who knows how to keep quiet about family secrets.

Lyndie struggles with universal questions: How can you help your daddy fight a battle with himself? What’s the difference between charity and love? When can you tell your grandmother exactly where she can stick all her well-I-nevers and don’t-you-dares? For fans of THREE TIMES LUCKY, BECAUSE OF WINN DIXIE, THE EVOLUTION OF CALPURNIA TATE and WISH, this is an affecting novel with an irresistible and irrepressible voice.

Hi Gail! Thanks so much for joining us.

Hi Natalie, I’m thrilled to be here!

1. Tell us about yourself and how you became a writer.

My first literary effort was the school Thanksgiving play, Poor Mr. Turkey, presented to the whole school in 4^th grade, to mixed reviews. I wrote a lot of pretty good poetry in elementary school, lots of bad poetry in high school, and finally ended up with a creative MA in poetry/creative writing. After that I wrote anything anybody would pay for: book reviews, articles about rebar, ads for ladies’ underwear, catalogue copy for skateboards. I did some real journalism as a stringer for People magazine and Agence France-Presse. I published an indie newspaper with my brother, and then I got hired at Village Voice Media. I wrote long form crime stories and investigated our local white supremacist group for them; my favorite job there was as a restaurant critic. But I gained 20 pounds and regularly got food poisoning, so that was not a great long-term career option. The whole time I was writing fiction. When I got laid off from the paper eight years ago, I turned to writing a middle grade novel.

2. Awesome that you've always written. Where did you get the idea for THE TRUE HISTORY OF LYNDIE B. HAWKINS?

I started this story about 30 years ago as an adult novel. I grew up in the shadow of the Vietnam

War, which profoundly influenced my view of American history. I wondered what it would be like to grow up as the child of a veteran who was still suffering in the aftermath of that war. My mom’s family is deep south, from Alabama and Florida, so I wanted to put Lyndie in a southern family grappling with notions of truth, loyalty, and secrets that can be dangerous to keep.

3. Your story is set in Love’s Forge, Tennessee in 1985. What made you decide on this setting and time period? How did it shape your story?

The fictional town of Love’s Forge in the Smoky Mountains sits right at the crossroads of some pretty contentious history—The Trail of Tears, the vast Cherokee lands, white settlement, the Civil War where families were often split and fighting on opposite sides. Lyndie is struggling to make sense of that history—she knows what she’s been reading in her school textbooks doesn’t tell the whole story of her town or her country. And similarly, she’s not getting the real story about what happened to her daddy in the war, either. She’s a kid beginning to make sense of the world, to figure out who her family is and how she fits into it, and to find her own truth. Love’s Forge is riddled with historical conflict, with pride of place, so it mirrors what Lyndie is feeling.

4. This story is definitely character-driven and about Lyndie’s struggles with her family situation and her relationships with friends. How did you plot out her character growth or did that come to you as you wrote her story?

I’m definitely a pantser (or a plodder, although I’d love to be what my friend Maika Moulite calls a “prancer”). In other words, I really never know where a book is going until I’ve written the first (or sometimes second or third) draft. Lyndie was composed over several years, and questions about what knowledge is true, and how we shape our telling of history, became more and more pressing over time. So I wanted to show how she grappled with those questions. I’m also interested in how we misjudge or misunderstand people, even people we are very close to. And what charity is required of us. And how our friends can help us find the best parts of ourselves. I kind of grew with Lyndie as I wrote and revised her story, so I was making emotional and personal discoveries right along with her.

5. I love your term "prancer." What was a challenge you faced when writing this? How did you overcome it?

Originally I conceived Lyndie as Vietnamese American; her mom was a Vietnamese woman evacuated at the end of the war. As time went on and the #ownvoices movement began to evolve, I realized that writing a story about a biracial child of war was not my story to tell. And in fact, I’d been using that filter as a way to distance myself from my own story. You have to dig deep to write middle grade fiction as much as adult fiction, and it requires you to revisit some sad and confusing childhood places you may prefer not to. So the challenge was to let go of my original conception and go to places in my own history that were less than comfortable. My editor, Kathy Dawson, encouraged me to take up that challenge, and I’m boundlessly grateful to her for it.

6. That's great that you could make such a drastic change. Share about your road to publication. Did you represent yourself or do you have a literary agent?

I queried my first book, a middle grade sci-fi, widely and was signed by a generous and intelligent young agent, Kristin Miller, at D4EO, when the agency had a satellite group of kidlit agents. Kristin got out of the business to focus on her own writing—she’s now a successful MG author herself, writing as K.D. Halbrook. The head of the agency Bob DiForio kindly agreed to take me on when she left.

7.What social media platforms have you decided are the right ones for you? Why? How are you connecting with authors, bloggers, and readers on them?

I’m still working out my relationship with social media. I decided to be active on Twitter just with author-related content—craft stuff, writing news, giveaways, boosting other authors. I’m mainly connecting with authors, teachers, and librarians on that platform. But social media can, at times, make me feel a kind of existential nausea—it’s a lot of information to process. It’s kind of the opposite of the deep work you have to do as a writer. So balance is important, and it can be tough to maintain. I have to be very strict with myself to keep from being sucked into the vortex. But I’ve made a ton of online friends who have opened up countless opportunities for me. I’m particularly grateful to the ARC tour groups of teachers, authors and librarians, groups like #bookexcursion, #bookvoyage, and many others, who pass advance copies from reader to reader and are a bedrock of support for middle grade authors.

8. I"ll have to check them out. How are you planning to market THE TRUE HISTORY OF LYNDIE B. HAWKINS? What advice do you have for other authors who are planning for the release of their debut book?

I think debut authors tend to swing wildly at first—trying to do it all, marketing-wise, until they find that’s completely untenable. But the number one thing debut authors MUST do is join a debut group. The Novel19s (novel19s.com) have been invaluable. I’ve learned so much about the publishing business from that group, I haven’t even been able to absorb all of it yet. The Novel19s have a subgroup for middle grade writers, and we are pretty much all madly in love with each other. I’m also a member of the Class of Y2K Books (classY2kbooks.com), twenty YA and MG authors who have pooled financial resources to market our books—including placing ads, creating mailings, running social media contests and giveaways, and organizing events and conference proposals. They are an incredibly generous and talented group of people. And some Latinx debuts are also in yet another group, Las Musas (lasmusasbooks.com). I can’t recommend connecting with these groups highly enough. They will save your sanity in your debut year and give you all the tools you’ll need to market yourself and your books for years to come.

9. What are you working on now?

I’m drafting what I hope will be my next published middle grade novel, a historical story set in a Florida sawmill town in 1937. It’s about a trio of kids—a herbalist, a forensics nerd, and a young WPA photographer--who set off to rescue a mysterious creature and save the swampland they love. I’m also planning to write some short-ish middle grade stories to dramatize as podcasts with my sister, who is an amazingly talented screenwriter. And I have a couple of ideas for picture books I may fool around with. I was lucky to hear the novelist Sarah Aronson talking about the power of author “play” recently. I plan to do a lot of playing.

Thanks for sharing all your advice, Gail. You can find Gail at:

Website: www.gailshepherdauthor.com

Twitter: @gailshepherd@gailshepherd

Facebook: https://www.facebook.com/gail.shepherd.fiction/

Instagram: https://www.instagram.com/gailshepherdauthor/

Gail has generously offered an ARC of THE TRUE HISTORY OF LYNDIE B. HAWKINS for a giveaway. To enter, all you need to do is be a follower (just click the follow button if you’re not a follower) and leave a comment through March 23rd. If your e-mail is not on your Google Profile, you must leave it in the comments to enter either contest.

If you mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. You must be 13 years old or older to enter. This giveaway is U.S. and Canada.

Here's what's coming up:

Monday, March 11th I have a  guest post by debut author Victoria Lee and her agents Holly Root and Taylor Haggerty with an ARC giveaway of Victoria's YA fantasy THE FEVER KING and a query critique giveaway by Holly and Taylor

Thursday, March 14th I'm participating in the Lucky Leprechaun Giveaway Hop

Monday, March 18th I have an interview with debut author Sabina Khan and a giveaway of her YA contemporary/multicultural the love & lies of rukhsana ali 

Monday, March 25th I have an agent spotlight interview with Katelyn Uplinger and a query critique giveaway

Wednesday, April 3rd I have an interview with debut author Gillian McDunn and a giveaway of her MG contemporary CATEPILLAR SUMMER and my IWSG post

Hope to see you on Monday!