AGENT SPOTLIGHT INTERVIEW WITH KRISTY HUNTER AND QUERY CRITIQUE GIVEAWAY

Today I’m thrilled to have agent Kristy Hunter here. She is an associate literary agent at The Knight Agency.

FYI as of April 2021, Kristy was promoted to an agent.

Status: Open to submissions.

Hi­ Kristy! Thanks so much for joining us.

About Kristy:

1. Tell us how you became an agent, how long you’ve been one, and what you’ve been doing as an agent.

I graduated from undergrad and knew I wanted to get involved in the publishing industry—I just wasn’t sure how. I attended the Columbia Publishing Course and fell in love with the industry and New York. Upon completing the course, I interned in Bloomsbury Children’s Books’ editorial department before working in publicity at Grove/Atlantic and Random House Children’s Books. There is something so rewarding about acting as a book’s publicist and being an advocate for an incredibly special project. Still, I was eager to get back to the creative process I experienced on the editorial side of things. I’ve now been with The Knight Agency for six years and love being a champion for my clients and their work, and I’m grateful for the additional perspective I can bring to their careers thanks to my previous publishing experience.

About the Agency:

2. Share a bit about your agency and what it offers to its authors.

Since 1996 The Knight Agency (TKA) has focused on comprehensive client services and hands-on management to guide countless writers from query letter to published book, in the process developing a powerhouse roster of bestselling authors.

Our team has placed well over 2,000 titles across the entire spectrum of New York publishers, as well as at independent houses throughout the country. Though we have represented clients in virtually all genres, our areas of fiction expertise include women’s, romance, young adult, middle grade, literary, mystery, fantasy, and science fiction, as well as multicultural and inspirational/religious fiction.

The agency focuses on a broad range of client services, addressing all aspects of our clients’ careers. TKA agents bring their extensive experience and knowledge of subsidiary rights management in the areas of foreign, motion picture and television, audio, merchandising, and electronic rights. Additionally, our marketing and publicity department offers wide-ranging support in the areas of book promotion and branding.

In the continually evolving world of publishing, TKA remains committed to providing cutting-edge services and scouting for fresh, unique voices to bring to the forefront. Yet what truly sets us apart are the lasting relationships between our authors and our team; ultimately, for us, it’s all about people. 

What She’s Looking For:

3. What age groups do you represent—picture books, MG, and/or YA? What genres do you represent and what are you looking for in submissions for these genres?

I represent upmarket/ book club fiction, commercial fiction (with an emphasis on what would be considered beach reads and/or rom-coms), Young Adult and Middle Grade (no picture books). For YA and MG, I am open to all genres including, but not limited to contemporary, historical, fantasy, mystery, speculative, and horror. For submissions, it all comes down to voice and concept, but I particularly love projects that put a fresh spin on a much-loved trope and/or leave me looking at the world through a different lens.

4.  Is there anything you would be especially excited to seeing in the genres you are interested in?

Right now, I’d really love to see more adult fiction that straddles the line between commercial and upmarket fiction, especially those by BIPOC writers. I’m always interested in stories that explore complicated truths or that feature family dynamics, long held secrets, and/or female friendships. I’d also love to see more rom-coms and beach reads with exciting new hooks.

For YA and MG, I’m open to all genres, but I’m especially looking for high concept contemporary projects, fun, witty rom-coms, atmospheric fantasy (really all fantasy), as well as horror with fantastical elements and historical projects with a modern sensibility. I’d especially love to see more ownvoices projects in my inbox, as well as stories that explore a unique perspective. For me, it really comes down to a fabulous voice and a fresh concept—give me those two things, and I’ll be eager for more!

What She Isn’t Looking For:

5. What types of submissions are you not interested in?

This is always a difficult question because with the right voice, anything has the potential to hook me. That said, I’m not the right agent for projects that present suicide in a thoughtless or glamorized manner, especially when it comes to YA.

Agent Philosophy:

6. What is your philosophy as an agent both in terms of the authors you want to work with and the books you want to represent?

Like many agents and editors, I see books as such an important part of everyday life. Whether they provide entertainment, shape someone’s outlook, or transport readers to worlds beyond their imagination, books really are invaluable to society. I hope to continue to represent books that do all this and more. I’m looking for authors who recognize that, in some ways, they’ve been given a great responsibility, but who also greet the task with as much enthusiasm as I do. I feel very lucky to be working in such an incredible industry and I like partnering with authors who feel the same way.

Editorial Agent:

7. Are you an editorial agent? If so, what is your process like when you’re working with your authors before submitting to editors?

When it comes to editing, I’m hands-on. But the process varies greatly from project to project. It’s not unusual for projects to need several rounds of edits before they’re ready to go out on submissions (we want the project to be in the best shape possible before introducing it to editors!). That said, I never edit a project just for the sake of editing—or so that I can have my ‘stamp’ on it. When I offer on a project, I’m always very upfront about any edits that may be needed. I see the author/agent relationship as a collaborative one and, because of that, I want to be sure I’m the right person to help the author fully realize their vision.

Query Methods and Submission Guidelines: (Always verify before submitting)

8. How should authors query you and what do you want to see with the query letter?

The Knight Agency uses Query Manager. Interested writers can query me using the submission form found here: https://querymanager.com/query/Kristy_Hunter_TKA

For queries, it’s important that I know the main character(s), the stakes, the genre and the word count. More details on how to create a strong query letter can be found our website here: https://knightagency.net/query-letter-tips/

9.  Do you have any specific dislikes in query letters or the first pages submitted to you?

Query letters should be compelling, short and sweet—no need to have every single character and plot point explained. Our website has some great tips for writing strong query letters (http://knightagency.net/query-letter-tips/ ).

I have no specific dislikes, but I do really appreciate writers who take the time to follow the submission guidelines. It demonstrates a clear interest in wanting to partner with me, and I personally feel it starts the potential relationship off on the right foot.

Response Time:

10. What’s your response time to queries and requests for more pages of a manuscript?

For queries, I typically respond within one to two weeks. Response times for requested material typically fall between 2-4 months. With Covid-19, my response times have been a little bit longer, but writers are always free to follow up if they have not heard from me within these timeframes. I’m happy to provide an update or reconfirm that the material is still in my queue.

Self-Published and Small Press Authors:

11. Are you open to representing authors who have self-published or been published by smaller presses? What advice do you have for them if they want to try to find an agent to represent them?

I’m open to authors being self-published or published by a smaller press. Sometimes I see queries for the second (or third) book in a self-published series. This is a hard sell for agents because publishers are typically looking to represent the full series. I’d encourage writers to think about how they’d like to see the series published as a whole before making any decisions with the first title.

12. With all the changes in publishing—self-publishing, hybrid authors, more small publishers—do you see the role of agents changing at all? Why?

Agents act as partners to their clients. They offer support and provide critical insight to help their authors navigate the tricky waters of creating a successful writing career. As the publishing landscape changes, what ‘navigating a successful career’ looks like may change (and has changed), but at its core, the agent’s role has by and large remained the same. Hybrid author or not, your agent is there to help guide you and your career as you strive to reach your goals.

Clients:

13. Who are some of the authors you represent?

Kelly Powell (Songs from the Deep, Magic Dark and Strange), Loriel Ryon (Into the Tall, Tall Grass), Liselle Sambury (Blood Like Magic).

Interviews and Guest Posts:

14. Please share the links to any interviews and guest posts you think would be helpful to writers interested in querying you.

http://knightagency.net/about-us/
http://www.michelle4laughs.com/2016/09/query-questions-with-kristy-hunter.html
http://www.literaryrambles.com/2020/04/loriel-ryon-and-kristy-hunter-guest.html
https://kathytemean.wordpress.com/2019/04/12/agent-of-the-month-kristy-hunter-interview-part-one/
https://kathytemean.wordpress.com/2019/04/19/april-agent-of-the-month-kristy-hunter/
https://www.scbwi.org/scbwi-exclusive-with-kristy-hunter-associate-agent-the-knight-agency/
http://www.kidlit411.com/2020/04/Kidlit411-agent-spotlight-kristy-hunter.html
http://knightagency.net/about-us/
http://www.literaryrambles.com/2020/06/chelsea-ichaso-and-kristy-hunter-guest.html

Links and Contact Info:

15. Please share how writers should contact you to submit a query and your links on the Web.

@KristySHunter on Twitter and Instagram

To submit a query to me, use the Query Manager form found here: https://querymanager.com/query/Kristy_Hunter_TKA

Additional Advice:

16. Is there any other advice you’d like to share with aspiring authors that we haven’t covered?

In the words of Stephen King, “If you don’t have the time to read, you don’t have the time (or tools) to write. Simple as that.” There’s no better way to put it. When I’m pitched at a conference or receive a query, I know immediately who’s familiar with the genre they’re working in—and it’s always an avid reader. I can’t stress how important it is to read in order to succeed at writing.

Thanks for sharing all your advice, Kristy.

­Kristy is generously offering a query critique to one lucky winner. To enter, all you need to do is be a follower (just click the follower button if you're not a follower) and leave a comment through April 8th. If your e-mail is not on your Google Profile, you must leave it in the comments to enter either contest. If you do not want to enter the contest, that's okay. Just let me know in the comments.

If you mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This is an international giveaway.

Profile Details:
Last updated: 5/9/2020.
Agent Contacted For Review? Yes.
Last Reviewed By Agent? 7/6/2020

Have any experience with this agent? See something that needs updating? Please leave a comment or e-mail me at natalieiaguirre7@gmail.com

Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change.