Today
I’m so thrilled to have Chuck Sambuchino here to share about his new
book, CREATE YOUR WRITER PLATFORM: THE KEY TO BUILDING AN AUDIENCE,
SELLING MORE BOOKS AND FINDING SUCCESS AS AN AUTHOR, which was released
November 23, 2012. This is such a fantastic book that tells you why it’s
important to have writer platform and how to use avenues like blogging,
Twitter, and Facebook to build your platform. It’s definitely got me
thinking about what I need to do and I know that I’ll be referring to
this book in the future. I can’t recommend it enough.
His 2010 humor book, HOWTO SURVIVE A GARDEN GNOME ATTACK, was optioned by Sony Pictures. His second humor book, RED DOG / BLUE DOG (2012), is a humorous photo collection of dogs doing liberal and conservative things. His books have been mentioned in Reader’s Digest, USA Today, the New York Times, The Huffington Post, Variety, and more.
Chuck has also written the writing guides FORMATTING & SUBMITTING YOUR MANUSCRIPT and CREATE YOUR WRITER PLATFORM (2012).
Besides that, he is a freelancebook & query editor, husband, sleep-deprived new father, and owner of a flabby-yet-lovable dog named Graham. Find Chuck on Twitter and on Facebook.
Here’s a description of CREATE YOUR WRITER PLATFORM from Goodreads:
Creating
a platform isn't just beneficial--"it's essential"!In today's world of
blogging, websites, Twitter feeds, and Facebook updates, building a
writer platform from the ground up can seem a daunting task. Never
fear--author and editor Chuck Sambuchino provides expert, practical
advice for increasing your visibility, selling more books, and
launching a successful career. In "Create Your Writer Platform," you'll
learn: The definition of a platform--and why you should start building
one "now."How to harness the 12 Fundamental Principles of
Platform."Old School" and "New School" approaches to platform, from
article writing and conference speaking to website development, blog
posts, and social media avenues.How to develop a platform for
nonfiction, fiction, and memoir. In addition to Chuck's invaluable
insights, you'll also find 12 case studies from authors with effective
platforms, as well as professional advice from literary agents. If
you're serious about building a platform tailored to "you" and "your
writing"--a platform that's going to help you succeed as a writer--look
no further than "Create Your Writer Platform.
Hi Chuck. Thanks so very much for joining us.
1. Tell us a bit about yourself, how you started working at Writer’s Digest, and how you became a writer.
I started at Writer’s Digest magazine in 2005. A year later, a position opened up on the books side of WD working on their annual market books. My job since then has evolved to handling whatever they ask me to do—including e-commerce stuff, tweeting, blogging, speaking at conferences, and editing my two market books. It’s a grand adventure, but all aspects of my job focus on helping writers get published—something I enjoy deeply.
I started at Writer’s Digest magazine in 2005. A year later, a position opened up on the books side of WD working on their annual market books. My job since then has evolved to handling whatever they ask me to do—including e-commerce stuff, tweeting, blogging, speaking at conferences, and editing my two market books. It’s a grand adventure, but all aspects of my job focus on helping writers get published—something I enjoy deeply.
I
started writing seriously when I was in college. I began in journalism
and playwriting. Now I just try to write whatever I can, be it books or
screenplays or articles or anything else. I’ve also started a freelance editing business for queries, synopses and manuscripts. I think the variety of assignments helps keep me interested. (I have mad A.D.D.)
2. I
think you have a dream job for a writer. Share about your blog and how
you’ve made it grow over the years you’ve been blogging.
The Guide to Literary Agents Blog began 5 years ago and has been quite a journey. I feel like I’ve learned so much along the way, so I’ll just be short. As the years went on, I started to pay attention to different things, such as what readers responded to, what kinds of posts generated more page views, and how to get others to contribute content to me. These 3 things, along with a ton of other factors, have helped it grow from nothing into one of the biggest blogs in publishing. Every month, I get e-mails from multiple people saying they used the blog to get an agent.
The Guide to Literary Agents Blog began 5 years ago and has been quite a journey. I feel like I’ve learned so much along the way, so I’ll just be short. As the years went on, I started to pay attention to different things, such as what readers responded to, what kinds of posts generated more page views, and how to get others to contribute content to me. These 3 things, along with a ton of other factors, have helped it grow from nothing into one of the biggest blogs in publishing. Every month, I get e-mails from multiple people saying they used the blog to get an agent.
For
people out there considering creating a blog, one easy tip I can share
with you is to simply look at what other similar bloggers are doing and
learn from them. If they have success with book reviews, can you do the
same? If they have success holding contests, can you do the same? If
they get more comments on posts that end with a question, can you do the
same? Don’t reinvent the wheel. Study why others find success and mimic
them in some way.
In
your book, you differentiate between publicity and platform. What are
the differences between the two and why is developing a platform so
important?
Platform is the connections & avenues you develop before you need help spreading the word about your book. Publicity is when your book is out and you ask other people, many of whom you do not know well, to cover your book in the media.
Platform is the connections & avenues you develop before you need help spreading the word about your book. Publicity is when your book is out and you ask other people, many of whom you do not know well, to cover your book in the media.
Publicity
is very hit & miss—almost alarmingly so. You never know when or
where someone will discuss your book. Platform is guaranteed. If you’ve
created a newsletter with 10,000 subscribers, that is your platform to
control, and it is guaranteed that you can mention your book every
newsletter.
Think about it like this: When your book comes out, what options are available for you right now that are guaranteed to help you? That’s platform. What options exist that you hope will help you when you contact them? That’s publicity. The difference between the former and latter is huge
.
The first two are pretty darn important. #1 is “It is in giving that we receive.” In other words, you must offer other people distinct value to get them to follow you. Make them smile; inform them; cull together information; teach them how to change a tire; create some website that makes their lives easier. If you can do this on a website or in person or through social media, then you will gain followers and fans and contacts. Thus, you will create networks of people who trust you and will consider buying your book(s). That’s platform! Most people simply tweet about what’s happening in their day because that is the easiest thing to do. But that information is of no mass value to people, so a platform never materializes. Remember that providing real value to people is often difficult.
#2
is “You don’t have to go it alone.” Team up with others to accomplish
your goals. Contribute to existing websites and blogs and magazines if
starting your own seems too daunting. Co-write with people. Get people
to contribute to your site/blog. Help other people with their endeavors
so they will help you with yours. Rise together with other rising
writers.
5. Those
two principles are so important to focus on. Wow! I can attest to how
great it is to team up with other bloggers. Joining Casey as a blog
partner was one of the best things I've done. She's been a great mentor
in my blogging and already had followers.
You
stress in your book that it’s essential for a nonfiction writer to have
a strong platform before trying to find a publisher while it is less
important for fiction writers, who need to finish the best book they can
write. Most of us here are aspiring middle grade and YA fiction writers
trying to build our platform. What are the essential steps we should
take now to build our platforms?
First,
I advise you not to step into this world half-heartedly. If you are
going to reluctantly blog or reluctantly tweet or reluctantly speak to
local groups of people, then this is not the best path for you. Your
dispassion will come through in your work, and a following will not
manifest. And that’s OK. After all, fiction writers don’t need platform…
First,
I advise you not to step into this world half-heartedly. If you are
going to reluctantly blog or reluctantly tweet or reluctantly speak to
local groups of people, then this is not the best path for you. Your
dispassion will come through in your work, and a following will not
manifest. And that’s OK. After all, fiction writers don’t need platform…
…But they should want platform. Because platform = book sales, and book sales = a long and successful writing career.
One
of the first things you need to do is figure out what you will talk
about when online or in person. In other words, what value/information
will you try to share/provide? In my platform book, I lay out the three
most common approaches of fiction writers in the platform arena:
- The “loose connection” niche: This is where you talk about a subject that has a loose connection to your book(s). An example would be an author who writes crime fiction with a Native-American protagonist. This author could blog about legislation and news affecting Native communities.
- The “altogether different” niche. This is where you develop a platform focusing on whatever you like—perhaps something like a capella singing or mountain biking. You attempt to develop a platform large in size, so that some of your large following will also have an interest in books—and those people will buy your novel.
- The “writing focus” niche. This is where you discuss writing and books and publishing. Beware, though. Many people take this approach, and only the hardest working, most original approaches succeed. Remember that talking about your own publishing journey is often not of high value. You must bring more to the table—reviews, news, interviews, etc.
6. For
most of us aspiring authors who don’t have a big name behind us like
Writer’s Digest or aren’t experts in a nonfiction field, the way we
increase our blog followings (besides providing good content) is
following other blogs. Many who get a fair amount of comments offer
giveaways (like I do with my author interviews) and/or spend hours a day
following other blogs and commenting on them. Many bloggers are saying
that the blogging is taking too much time and are cutting back on their
blogging to allow more time for writing, which is of course very
important. I also see a lot of authors who stop following blogs once
they get their publishing contract and then they lose many of their
followers. What are your thoughts on this trend of cutting back and what
are your recommendations for making our blogs grow and increasing our
blog followings?
If it’s too much trouble to blog, start a blog with multiple people so you all work together. Or
contribute to an existing blog. That will help you get some visibility but cut back on your workload.
If it’s too much trouble to blog, start a blog with multiple people so you all work together. Or
contribute to an existing blog. That will help you get some visibility but cut back on your workload.
If commenting on many blogs is an issue, then simply stop commenting on so many blogs.
And
yes, you cannot stop your platform building and social media once you
get a contract. This perplexes me. What’s the point of making
connections and friends if you’re going to give up on those connections
in the timeframe right before you need them the most (when your book
comes out)?
This all comes down to a lack of time for people. And the answer to that problem is to always be trying to work smarter.
7. I
so agree with you that you can't give up on the connections you make,
which is why I think it's a mistake to stop blogging and reading blogs
if you have a following. Working smarter sounds like a great approach to
handling the time constraint issues.
How should we define whether our blogs are successful—comments or page views—and why?
Both. Page views show your wide reach. Comments are more reflective of how many hardcore followers you have. Obviously, hardcore followers will be shoo-ins to buy your book, and that’s great. (They will also spread the word about your book when it comes out to help you—this proving Fundamental Principle #2.) But you can’t just market your book to the same 50-200 loyal readers. You’ve got to meet new readers and show up on Google searches. That kind of success is reflective in growing page views.
Both. Page views show your wide reach. Comments are more reflective of how many hardcore followers you have. Obviously, hardcore followers will be shoo-ins to buy your book, and that’s great. (They will also spread the word about your book when it comes out to help you—this proving Fundamental Principle #2.) But you can’t just market your book to the same 50-200 loyal readers. You’ve got to meet new readers and show up on Google searches. That kind of success is reflective in growing page views.
8. I hadn't thought of the importance of page views, but I'm going to focus on them more in the future.
Let’s
talk about Twitter for a bit. I confess that I’m not on Twitter yet
because I spend a lot of time already on my blog and reading other
people’s blogs. I work full-time and have a family and barely have time
to write with all this. But you’ve convinced me in your book that I need
to join Twitter soon. Share what are the best ways aspiring authors can
utilize Twitter to build our platforms and how to use it once we have a
book being released. How much time should we spend on this and
blogging, especially if we have other jobs?
One thing people need to understand is that your first goal when joining Twitter is to listen. It is an information-sharing site, so go on there, follow people, and read what they are sharing. There is more great tutelage and instruction going around than can be consumed.
One thing people need to understand is that your first goal when joining Twitter is to listen. It is an information-sharing site, so go on there, follow people, and read what they are sharing. There is more great tutelage and instruction going around than can be consumed.
If
you want to join Twitter to build your platform and expand your
influence beyond the hemisphere of friends & relatives, then
it’s very simple … you must provide value and give people an incentive
to follow you. You can’t just talk about yourself. You have to share
good info or make people laugh or teach people something. We’re back to
all-important Fundamental Principle #1. If you give people a reason to
follow you on Twitter, they will indeed follow you. A lot of writers
find success by passing around good Internet articles on writing. That
is incentive for other writers to follow them. To see examples of this
in action, check out the Twitter accounts of Joanna Penn, Debbie Ohi,
Jane Friedman and myself.
9. I'm going to check them all out before I go on Twitter. Share how we can use some of the tools like Google analytics to gauge how successful we are in growing our platform.
Google Analytics can start to show you which posts are getting the most attention. From there, you can try to analyze why this is so. Perhaps you had a great blog post title; perhaps someone famous blogged about your article and sent new people your way; perhaps you happen to be the only person on the planet blogging about left-handed writers born in Romania (so you should continue on the topic!).
Google Analytics can start to show you which posts are getting the most attention. From there, you can try to analyze why this is so. Perhaps you had a great blog post title; perhaps someone famous blogged about your article and sent new people your way; perhaps you happen to be the only person on the planet blogging about left-handed writers born in Romania (so you should continue on the topic!).
A
big part of building your platform is to evolve and analyze. See what’s
working, and learn from that. Also, continue to make small tweaks to
work more effectively.
10. What books are you working on now?
I’m editing the 2014 GUIDE TO LITERARY AGENTS and the 2014 CHILDREN’S WRITER’S & ILLUSTRATOR’S MARKET. Outside of that, my agent and I are shopping proposals for my next guide on writing as well as my next pop humor book. Hopefully I will have good news to share in 2013. I love meeting writers, so please stay in touch with me through Twitter (@chucksambuchino) and my website, chucksambuchino.com
I’m editing the 2014 GUIDE TO LITERARY AGENTS and the 2014 CHILDREN’S WRITER’S & ILLUSTRATOR’S MARKET. Outside of that, my agent and I are shopping proposals for my next guide on writing as well as my next pop humor book. Hopefully I will have good news to share in 2013. I love meeting writers, so please stay in touch with me through Twitter (@chucksambuchino) and my website, chucksambuchino.com
Okay,
I’ll stop here because I’ve asked you a ton of questions. Thanks so
much for all your great advice. You have got me really thinking about so
much about my platform. I hope everyone else has gotten as much out of
Chuck's advice.
Chuck generously offered a copy of CREATE YOUR WRITER PLATFORM for a giveaway. To enter, all you need to do is be a follower (just click the follow button if you’re not a follower) and leave a comment by midnight on March 2nd. I’ll announce the winner on March 4th. If your e-mail is not on Blogger, please list it in your comment.
If you mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. International entries are welcome.
Here's what's coming up:
Tomorrow I'll be doing a cover reveal for my friend Terry Johnson. I hope you'll stop by and congratulate her on her awesome cover.
Friday Casey has a guest post on love and romance in YA books.
Tomorrow I'll be doing a cover reveal for my friend Terry Johnson. I hope you'll stop by and congratulate her on her awesome cover.
Friday Casey has a guest post on love and romance in YA books.
Next Monday I have an interview with a high school teen for my ASK THE EXPERT series and will be sharing and giving away THE CADET OF TILDOR, a fantastic debut fantasy and OBSIDIAN MIRROR, an urban fantasy by Catherine Fisher, one of my favorite authors. Even if you don't love the fantasy genre, I think you'll really enjoy these books because they don't have much magic and just great stories.
And next Wednesday, Casey and I have a super awesome 3000 follower mega giveaway. You won't want to miss it.
The following Monday I'm interviewing Carrie Harris about writing humor and platform and giving away her new book BAD HAIR DAY and BAD TASTE IN BOYS. Carrie has a great knack in creating funny, really likeable characters. I went to her book signing for BAD HAIR DAY and discovered she lives in my town. I was SO excited to find that out and I'm excited to share her books with you.
And Wednesday that week I'm thrilled to interview Shannon Messenger about her new YA book LET THE SKY FALL. I'm part of her blog tour and the tour is sponsoring a giveaway. And because Shannon's my friend and I loved her book, I have a giveaway too.
And don't forget our Tuesday Tips and Casey's Thursday agent spotlights.
Hope to see you on Monday!
