Upcoming Agent Spotlight Interviews & Guest Posts

  • Jenny Lewis Agent Spotlight Interview and Query Critique Giveaway on 10/14/2026
  • Cate Hart Agent Spotlight Interview and Query Critique Giveaway on 10/19/2026
  • Riley Jay Davis Agent Spotlight Interview and Query Critique Giveaway on 11/11/2026
  • Hannah Teachout Agent Spotlight Interview and Query Critique Giveaway on 11/23/2026
  • Michaela Whatnall Agent Spotlight Interview and Query Critique Giveaway on 11/30/2026
  • Hollie Michaels Agent Spotlight Interview and Query Critique Giveaway on 12/7/2026
  • J.D. Myall Agent Spotlight Interview and Query Critique Giveaway on 12/16/2026

Agent Spotlight & Agent Spotlight Updates

  • Agent Spotlights & Interviews were all edited in 2021. Every year since then, I update some of them. I also regularly add information regarding changes in their agency as I find it. Agents spotlights and interviews been updated through most of the letter "R" as of 5/12/2026 and many have been reviewed by the agents. Look for more information as I find the time to update more agent spotlights.

Debut Author Interview: Dannie Olgiun on Creating Realistic Characters and Between Safe and Real Giveaway and IWSG Post

Happy Wednesday Everyone! Today I’m excited to have debut author Dannie Olgiun here to share about her YA contemporary Between Safe and Real. It sounds like a gripping story with a protagonist you can’t help sympathizing with. I’m excited to read it.

Here’s a blurb from Goodreads:

Fifteen-year-old Zoe Wilkes has ninety-nine problems, and a boring life ain't one. With two hungry siblings, an empty fridge, and a violent mother to tip-toe around, Zoe can't slow down enough to catch a breath. When she discovers Mama’s been reading her diary, Zoe realizes she has to stop writing in it. Trouble is, if she stops, Mama’s sure to think she’s hiding something, and will tear through her room like a tornado—again—to find out what. Her solution: write Mama-safe entries in the first diary, while writing her real thoughts in a plain-old composition book.

The more entries she makes, the fuzzier the line between safe lies and terrifying truths becomes, and it’s not long before Zoe fears she’s just as unstable as Mama. After all, the apple never falls too far from the tree. If there’s even a shred of truth to her safe journal, then maybe her real journal’s just a hot mess of made-up horrors. When things at home escalate, Zoe must face reality in order to keep herself and siblings safe. But facing reality means taking steps that could shatter her family. Can her friends, Cheryl and Nate, help her understand that love shouldn’t hurt and blood doesn’t make a family?


Before I get to my interview with Dannie, I have my IWSG Post.

Posting: The first Wednesday is officially Insecure Writer's Support Group Day.

Purpose: To share and encourage. Writers can express doubts and concerns without fear of appearing foolish or weak. Those who have been through the fire can offer assistance and guidance. It’s a safe haven for insecure writers of all kinds!

The awesome co-hosts this month are Joylene Nowell Butler, Jemima Pett, Patricia Josephine, Louise - Fundy Blue, and Kim Lajevardi!

I'm going to skip the optional question because it doesn't apply to me. I want to share my exciting news instead. Literary Rambles was just selected as one of Feedspot's Top 25 Literary Agent Blogs and Websites. I'm so honored and happy to have been included in their list. And I'm hoping that the exposure will help me reach more writers who I can help on their journey to publication. 

Here's a new tool you might find helpful. Kindlepreneur created a new free hashtag generator for Instagram, Twitter, Pinterest, and Tiktok. You might want to checknit out.

Interview with Dannie Olgiun

Hi Dannie! Thanks so much for joining us.

Thank you! I’ve been a loyal Literary Rambles reader for years, so I’m thrilled to finally be here!

1. Tell us about yourself and how you became a writer.

In second grade, I discovered my love of storytelling when our teacher had us do a semester-long project. Each week, we’d write a story about a classic monster, like King Kong or Godzilla. There were only two rules. Our monsters couldn’t be mean or hurt people, and anyone who didn’t finish that week’s story on time had to skip P.E. to finish. Needless to say, I missed P.E. every week for a semester!

It wasn’t until I was a month from my thirteenth birthday that I realized being an author was something I could actually achieve. I read Lightning by Dean Koontz and saw a character who reminded me a lot of myself achieve her lifelong dream of becoming a published author and I thought, if she can do it, so can I!

I wrote my first novel that summer. When I was fifteen, I got a typewriter for Christmas and taught myself how to type by revising that manuscript. I sent it, unsolicited, to some poor editor at a publishing company I no longer recall. Months later, I received my very first personalized rejection letter. Looking back, it was such a kind and encouraging thing for them to do. They told me I had promise and I had a way with words, but I needed to learn a lot before they could publish me. They finished off by saying they’d look forward to seeing my manuscripts in the future. At the time, I didn’t realize what a gift that was. All I saw was a letter telling me I wasn’t good enough. Instead of nailing it to the wall to stoke my writing fires, I threw it away, cried for a solid month, and vowed never to write again. That was an awful month and I realized when I’m not writing, I feel like I can’t breathe. Writing is a part of me and since I can’t give it up any more than I can give up swallowing when I drink water, I might as well work hard at it and make it my career. I wish I knew who sent me that letter so I could thank them.

2. That’s great that you were already writing as a kid. Where did you get the idea for Between Safe and Real?

We were at Ikea the day Mama lost her mind.

That sentence, spoken by a girl with a Texan accent, popped into my head one day while my husband and were walking our dogs. I had no context, no name, no idea what that meant, but the voice just repeated that sentence over and over for months. Eventually, I pulled out a notebook and asked who the voice belonged to. Zoe Wilkes introduced herself and told me she had a story we needed to tell. I asked her a few more questions and then opened a new document and let her tell me her story.

I’m a pantser, so I really didn’t know exactly what kind of story this would turn out to be, but I quickly realized that Zoe and I had similar stories. Not the same, but similar enough that it made sense she’d choose me to tell hers.

On Creating Realistic Characters

3. Your story has been described as gritty and very realistic. What research, if any, did you do on how a character like Zoe would relate to having an abusive mother and neglectful father? How did you know you could portray her situation so realistically?

As I said earlier, Zoe and I have similar stories. Like Zoe, my mother was abusive and my father was a doormat who didn’t do anything to protect me or my brother. Because of my upbringing, I’ve spent my entire adult life learning and reading books to help me better understand why my mother and father did the things they did. I’ve read countless books on mental health. One book, which I’m uncomfortable naming, has been a source of validation and education since about 2005, and I referenced this book frequently as I drafted Between Safe and Real. It was important to me that I portray Mama accurately, and that book helped.

For Zoe, I did a lot of journaling and remembering. I dug into my own memories and relived some of my experiences to get at the root of how going through those things felt emotionally. I drew a lot on my own reactions to stress and trauma for authenticity. I never questioned whether or not I could portray an abused kid accurately because I am a child abuse survivor.

It's terrifying to admit that simple truth, and I actually seriously considered saying this book is one-hundred percent fiction and that my childhood was all rainbows and ice cream, but that’s not the case. Being authentic and honest with myself and others has been a guiding principle for my life and I decided I didn’t want to start by published career off with inauthenticity and lies.

4. It sounds like you did a lot of research and pulling from your own experiences in writing your story. Share a bit about your process of creating Zoe as a character. What advice do you have for other writers who struggles with character development?

Although I’m a pantser and I never know what I’m going to write before I actually sit down to write, I always do a lot of journaling and interview questions with my main characters during the drafting stages. Zoe Wilkes was no different. I asked her questions about what she likes, what she’s afraid of, and what she wants to say. I asked her to tell me her favorite memory and a memory she wishes she could forget. With each revision, and there were many, I learned new things that made Zoe feel like a real person instead of a cardboard cutout.

5. What did you learn about deepening Zoe as a character and your plot from working with your editor?

I knew when I was on the first draft that I’d have a lot of work to do in order to deepen the plot of Between Safe and Real. That original draft was much, much shorter, and far more graphic. That was okay, though, because I knew Zoe just had to tell me her story in her own way and that I’d be able to add layers in and fill in the gaps in subsequent drafts. By the time my editor got her hands on it, it was a much deeper story, but there was still a lot of work to do. Sybelle helped me identify holes I could fill with world and character building, but ultimately, I learned that no character is ever done. Just as I never stop learning and growing, neither do my characters. At a certain point, you just have to recognize when you’ve developed a character or plot as much as you can and then stop mussing around with it.

6. It’s great that your editor helped you fill in the holes in your story. What was the biggest challenge in writing your story? How did you overcome it?

Without a doubt, my biggest challenge was keeping my own mental health intact while telling an incredibly painful and triggering story. There were days when writing upset me so much I cried or lashed out at my family. The things that got me through were the belief that I was working on something that had potential to help adults and kids in or from similar situations. I leaned heavily on long walks, taking breaks when necessary, yoga, and jogging. I also powered through by reminding myself that whatever situation Zoe was in when I stopped writing, she’d be stuck there until I got her out. That guilt alone was usually enough to get me fire up my laptop again.

On Your Road to Publication and Marketing Your Book

7. Your agent is Tina Schwartz. How did she become your agent and what was your road to publication like?

I pitched the concept of Between Safe and Real at Dallas Fort-Worth Writers Conference in 2018. She loved the concept and told me to send the full as soon as I felt it was ready. A year later, in June 2019, I sent her the full and started my querying journey for this book. It felt like Tina had my manuscript for a million years, but I kept myself busy querying and living life. In March 2020 I got offers of representation from Tina and one other agent. I went with Tina because I liked her and she made me feel safe, which was incredibly important to me considering how scary and painful this book was to write! We got to work on revisions right away and in, I believe, July 2020 we went on submission. I signed my publishing contract in November 2020.

8. It’s cool that you met your agent at a conference. What have you done pre-release to promote your book? Would you have done anything differently in retrospect?

I’ve done my best to build buzz on social media by sharing things like unboxing videos and cover reveals. I also plugged into my 2022 Debut group and learned so much about marketing from them. Marketing is not my strong suit and my debut group was and continues to be invaluable. Plus, it’s really, really fun to watch and cheer on my debut year siblings as they release and succeed.

I did have one local indie bookstore who agreed to host an author event for my launch, but I never heard back from them and after several attempts, I scratched them off my list.

One of the coolest things I’ve done is help develop a panel with four other authors. The four of us who debut in 2022 are the panelists and the 2016 debut author is the moderator for our discussion about how to reach and engage at-risk youth through kidlit. On March 4, we presented our panel at the Association of Independent School Librarians’ virtual conference and at the end of June, we’ll present our panel at the American Library Association’s in-person conference in Washington D.C

This is a dream come true for me because I’ve always measured writing success not by hitting bestseller lists or making six-figure advances (though I wouldn’t sniff at those!), but by having my books in libraries so the kids who need them can access them for free. Because my publisher for this book is small, they don’t have the resources to help me market or get me on librarians’ radars, so the AISL and ALA conferences are my best shot at getting any attention from librarians.

9. It’s great how the 2022 Debut Group has helped you. What did you do to market your book when it was released in March? What plans do you have for promoting it in the upcoming months?

Between Safe and Real actually released a month earlier than I expected and I had a lot of personal things going on that kept me from being able to give it the marketing it deserved, and I feel so bad about that.

But as I said above, I’ve put a ton of work into our panel for the AISL and ALA. I also created a press release. Oh, and I talk about my book constantly at my day job. I work retail and I’ve had a surprising number of people ask for my card. I don’t know if chatting with people in person is translating into sales, but word of mouth is a marketing strategy, right?

10. What are you working on now?

I have a completed first draft of a YA horror that’s screaming for my attention, but I’ve been so consumed with personal stuff, work, and launching that I haven’t had time to look at it in what feels like seventy-three years. It’s still too rough for me to describe the plot, but it’s basically about trauma, sibling love, and learning to forgive yourself. Right now, I’m calling it The Devil’s Woods, but who knows if I’ll change the title in the next draft.

Thanks for sharing all your advice, Dannie.

Thank you, Natalie! It’s been a pleasure! You can find Dannie at

https://www.dmolguin.com/

https://twitter.com/DannieMOlguin

https://www.facebook.com/DannieMOlguin

Giveaway Details

Donnie has generously offered a paperback of Between Safe and Real for a giveaway. To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by April 23rd. If your e-mail is not on your Google Profile, you must leave it in the comments to enter the contest. Please be sure I have your email address.

If you mention this contest on Twitter, Facebook, or your blog and/or follow me on Twitter, mention this in the comments and I'll give you an extra entry for each. You must be 13 years old or older to enter. This giveaway is U.S.

Upcoming Interviews and Giveaways

Monday, April 11th I have and agent spotlight interview with Kari Sutherland and a query critique giveaway

Wednesday, April 13th I have a guest post by editor Mary Kole with a giveaway of one of her books

Saturday, April 16th I’m participating in the Raindrops on Roses Giveaway Hop

Monday, April 18th I have an agent/debut author guest post with Andrea Somberg and Carolyn Tara O’Neil and a giveaway of Carolyn’s YA historical fiction Daughters of a Dead Empire and a query critique by Andrea

Monday, April 25th I have a guest post by debut author Christina Matula with a giveaway of her MG contemporary The Not-So-Uniform Life of Holly-Mei

Wednesday, May 4th I have an interview with debut author Betty Yee and a giveaway of her YA historical Gold Mountain

Monday, May 9th I have an agent spotlight interview with Jennifer Unter and a query critique giveaway

Hope to see you on Monday!

 

 

 

April Showers Giveaway Hop



Happy Tuesday Everyone! Today I'm thrilled to be participating in the Life’s a Beach Giveaway Hop hosted by The Mommy Island and The Kids Did It. I'm so excited it's April. It's finally getting in the 40's and 50's in Michigan, which means it's warm enough for my dog and I to enjoy walking outside. I don't mind the winter, but I always feel more upbeat when it's sunnier and warmer. And it's my daughter's and her boyfriend's birthdays in April, which will be fun to celebrate. Hope you're all enjoyng better weather and good times too.

Here are the newly released MG and YA books I'm offering in this giveaway hop. You can also choose another book in the series by these authors. You can find descriptions of these books on Goodreads. Here are your choices:

 











If you haven't found a book you want, you can win a $10 Amazon Gift Card.


Giveaway Details

One lucky entrant selected by the entry form will receive a book of their choice listed above or a $10 Amazon Gift Card. Open to entrants internationally as long as Book Depository ships to you for free, 13 years and older. Open for entry from 4/05 – 4/19/2022 at 11:59 pm EST. NO PURCHASE NECESSARY. The selected winner will have 48 hours to respond to the notification email to claim this prize or a new winner will be selected.

Please note that you must be a blog follower and leave a blog comment to enter the contest. 

a Rafflecopter giveaway

Upcoming Interviews and Giveaways

Wednesday, April 6th I have an interview with debut author Dannie Olgiun with a giveaway of her YA contemporary Between Safe and Real and my IWSG Post

Monday, April 11th I have and agent spotlight interview with Kari Sutherland and a query critique giveaway

Wednesday, April 13th I have a guest post by editor Mary Kole with a giveaway of one of her books

Monday, April 18th I have an agent/author guest post with Andrea Somberg and Carolyn Tara O’Neil and a giveaway of Carolyn’s YA historical fiction Daughters of a Dead Empire and a query critique by Andrea

Hope to see you tomorrow!

And here are all the other blogs participating in this blog hop:




Debut Author Interview: Ann Fraistat on Writing a Page Turner and What We Harvest Giveaway

Happy Monday Everyone! Today I’m excited to have debut author Ann Fraistat here to share about her YA contemporary fantasy What We Harvest. It sounds like a riveting tale and one I’d really like.

Here’s a blurb from Goodreads:

For fans of Wilder Girls comes a nightmarish debut guaranteed to keep you up through the night, about an idyllic small town poisoned by its past, and one girl who must fight the strange disease that's slowly claiming everyone she loves.

Wren owes everything she has to her home, Hollow’s End, a centuries-old, picture perfect American town. Tourists travel miles to marvel at its miracle crops, including the shimmering, iridescent wheat of Wren’s family farm. Until five months ago.

That’s when the quicksilver mercury blight first surfaced, poisoning the farms of Hollow’s End one by one. It began by consuming the crops--thick, silver sludge bleeding from the earth. Next were the animals. Infected livestock and wild creatures alike staggered off into the woods by day—only to return at night, their eyes, fogged white, leering from the trees.

Then, the blight came for the neighbors.

Wren is among the last locals standing. And the blight has finally come for her, too. Now, the only one she can turn to is the last person she wants to call: her ex, Derek. They haven’t spoken in months, but Wren and Derek still have one thing in common—Hollow’s End means everything to them. Only there’s much they don’t know about their hometown and its renowned miracle crops. And they’re about to discover that miracles aren’t free.

Their ancestors have an awful lot to pay for, and Wren and Derek are the only ones left to settle old debts.

Hi Ann! Thanks so much for joining us.

1. Tell us about yourself and how you became a writer.

Thanks so much for having me! I’m an author, playwright, and narrative designer, who loves all things monsters and magic. Outside of writing, I’ve worked on stages in the Washington, D.C.-area as an actor and director. Other loves include reading, gaming, baking, and drinking as much tea as humanly possible.

While being an author has been my dream since I was ten, it was a long journey. My big break came through Pitch Wars, an author mentorship program that culminates in an agent showcase. I was a mentee in 2018 and then again in 2019—that time with the book that would become my debut, What We Harvest.

2. It’s so interesting that you’re a director and actor too. Where did you get the idea for When We Harvest?

Growing up, I always loved horror, but I hadn’t considered fully embracing the genre in my own writing until I read Claire Legrand’s Sawkill Girls. I was so inspired by the hope in that book. Another big inspiration was Midsommar, which sets horror alongside vivid flowers and sunshine. The dichotomy was fascinating to me. That’s when I knew what I wanted to create—beautiful, hopeful horror.

But the specific seed of What We Harvest was planted by a dream. Honestly, I was between projects at the time. Deeply burned out. And this image stuck with me: a glimmering field of rainbow-colored wheat. When I sat down to explore it as a freewriting exercise, that wheat became the inspiration for Rainbow Fields, one of the four founding farms of Hollow’s End. In a place that was touched by magic—that needed to be protected—blight was the natural enemy.

And the book sprouted a life of its own from there. It grew so organically, I think, because this was the story I needed to hear. The horror. The beauty. The endless grit of its characters, and the hope to be found in that perseverance.

On Writing a Page Turner

3. What is your plotting process like? Do you think this helped in making your story a page turner?

Oddly enough, What We Harvest was the book that converted me from a plotter to a pantser. I’d always thought of myself as the type to plan and outline my plots, but I was in a creative rut and wanted to try something different. At the time I was reading Julia Cameron’s The Artist’s Way, which recommends a freewriting exercise in which the goal is to keep moving your pen (or your fingers over the keyboard) as quickly as possible, not stopping to judge anything. Essentially, letting the writing flow from the back of your brain, not the front.

As I wrote What We Harvest, that was my goal—to let my unconscious do the driving. I deliberately tried to surprise myself. And I do think that helped to make it a page turner. In that first draft, I was discovering the story in the moment, as a reader might, having no idea what would happen next and making decisions based on whatever choice I found most compelling. When I got stuck, my go-to prompt was: “Okay, now what’s the worst thing that can happen?” I wanted to see just how many obstacles I could throw at these characters. Just how much they could overcome.

It also didn’t hurt that I was familiar with structural guidelines from craft books like Save the Cat (my personal go-to!). For instance, when I reached what felt like the midpoint, I knew I needed an earth-shattering beat. And planned a big attack by the blighted horde accordingly.

4. It’s funny that you went from a plotter to pantser. Most writers make the opposite transition. People who have read your story say they couldn’t put it down. Share your top three tips on writing a story that makes readers keep wanting to turn the page.

First and foremost, you need your scenes to build on each other. One craft tip I found really helpful was to think about structuring the manuscript with scenes (Goal-Conflict-Disaster) and sequels (Reaction-Dilemma-Decision). This method was recommended to me by one of my 2018 Pitch Wars mentors, Laura Lashley, and this article by Randy Ingermanson has a great breakdown: https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/.

The second tip comes courtesy of one of my 2019 Pitch Wars mentors, Kylie Schachte, who talked about the importance of building two kinds of tension in a book: fast-paced action and slow-paced dread. It can be easy to remember the former and forget the latter, but, as Kylie pointed out, they’re both critical! For example, in What We Harvest, there are visceral chase sequences with the blighted horde. But the slower dread comes from Wren’s creeping fear that her exposure to the blight in Chapter One is leading to an irreversible infection. The dread also mounts with the blight’s progress through her farm, Rainbow Fields. At first, only the violet wheat at the back of the field is infected. From there, slowly but surely, the blight devours each and every shade of wheat: indigo, blue, green, etc., until it reaches the red at the front. (Nerdy little tidbit: I write in Scrivener and color-coded the chapters based on how far into the wheat the blight had eaten, which helped me remember the book’s current level of urgency.)

Third, another easily overlooked aspect of writing page turners: establish that emotional connection between the reader and your characters. This is part of why it helps me to remember that structure of Goal-Conflict-Disaster followed by Reaction-Dilemma-Decision. Those Reaction-Dilemma-Decision points bake in time for the characters to respond to the plot—to build their relationships and reaffirm their personal stakes. These intimate moments are opportunities for valuable bonding time with your reader. And the more emotionally invested the reader, the more they want to turn those pages to see if the characters can escape whatever sadistic situation you’ve written them into!

5. Those tips are great. What did you learn from working with your editor that made your plot stronger and the stakes higher?

My editor is so sharp and amazing to work with—I adore her! Since What We Harvest had already undergone multiple revisions between my Pitch Wars mentors and agent, my editor was less focused on the plot and more on pulling deeper themes to the surface and bringing the world of the book into sharper focus. She poked all the holes she could find, so that we could fill them. And she was excellent at anticipating which worldbuilding questions readers would want answers to, and when those answers should land.

The more effortlessly the reader can follow along with the world and story, the better they can connect with the plot and understand the stakes. So, I do believe it’s all related!

On Your Road to Publication and Marketing Your Book

6. Tell us how Christa Heschke became your agent and what your road to publication was like.

Although I’ve been writing books since I was a kid—and quietly stockpiling them on my hard-drive—I only began to seriously search for an agent in 2017, with the third manuscript I’d written. I wasn’t getting many bites. Then came Pitch Wars, that author mentorship program I mentioned. Laura Lashley and Ian Barnes rescued me from the slush pile and mentored me over a period of four months. I gave it more than everything I had—stayed up past 3 AM way too many nights, writing and editing and writing and editing until I burnt myself all the way out. I grew so much in the process, but my book wasn’t one of the splashy Pitch Wars break-outs.

Some fellow mentees who weren’t having quick luck with agents started talking about reapplying to the next round of Pitch Wars. My previous book had taken me ten years to write, so that seemed impossible to me. But, with nothing to lose, I tried Julia Cameron’s freewriting technique. That’s when What We Harvest was born. And I was selected by mentors, Kylie Schachte and Aty Behsam, for Pitch Wars 2019.

This time, What We Harvest did get a big response from agents in the showcase. My first offer came a week or two later. I notified the other agents considering the book and was lucky enough to talk to several before making a decision. Christa Heschke was the last one I spoke with, the day before my deadline. But from her first email, I’d felt an instant click. Christa and her assistant, Daniele, loved the same things I loved about the book, had a specific and well-considered submission plan, and answered every question to my more-than-complete satisfaction. Combine that with kindness, professionalism, excellent experience, glowing client reviews, and . . . yep, I’d found my agent!

As soon as I submitted my next round of edits, Christa sent the book out on submission. We got quick interest and even went to auction. But again, one person stood out to me from the start—Krista Marino from Delacorte Press. She was actually the one who’d proposed the biggest changes to the book, but her reasoning was so smart and clear, and when we chatted via phone, I felt such a friendly and inspiring connection.

So, overall, there was a definite whiplash effect. The road to publication was slow and bumpy . . . until it became shockingly smooth. Technically, my debut is the fourth book I’ve written.

7. What are your plans for marketing your book? What did you do in the year leading up to its release to spread the word about it?

The most important thing I’ve done is to connect with the online writing community. Making author friends is such a joy, and it’s so moving to see how folks support each other. I’ve also really loved getting to chat with readers and bookstagrammers, once the advanced review copies came out.

Beyond that, there are some specific things I did, like overhauling my website, starting a newsletter, and getting a Canva Pro subscription to make promotional graphics. I also collaborated with a couple of artist friends to create swag for What We Harvest’s preorder campaign. And I partnered with a fabulous local bookstore—shout-out to One More Page Books in Arlington, VA—to coordinate a launch event.

A couple of more in-depth resources I found really valuable, while navigating the process:

https://www.aiden-thomas.com/survival-guide

http://www.rachelsolomonbooks.com/blog/my-promo-breakdown

Highly recommend those tips! But, I admit, I didn’t manage to follow all those recommendations, and definitely not on those timelines. I’ve heard many times from other authors that, in truth, what we can do for our book’s visibility is such a small fraction of what a publisher is capable of. The advice I’ve gotten is to do what I can handle promotion-wise and what brings me the most joy—and to try not to freak out over all the things I can’t control. Mixed success on that front, but I’m doing my best!

8. I bookmarked your links. They look really good. It can be overwhelming to become a debut author. Have there been any groups or individuals that have given you guidance as you’ve navigated the process?

Yes. Definitely overwhelming. I connected early on with the #22debuts group, which has been an indispensable support network. And I’m still in touch with the Pitch Wars community, including my former mentors. My agent and editor are always available to answer questions and help where they can. I’m also lucky to have such supportive critique partners, friends, and family, who have been rocks throughout.

9. What are you working on now?

My upcoming book is another standalone YA horror/supernatural thriller. It’s a mental health recovery story set against the backdrop of a haunted house, full of seances and mysterious masks, and crawling with bugs and blue roses. Very excited to share more about that soon!

Thanks for sharing all your advice, Ann. You can find Ann at annfraistat.com, and on Instagram and Twitter @annfrai.

Giveaway Details

Ann has generously offered an ARC of What We Harvest for a giveaway. To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by April 9th. If your e-mail is not on your Google Profile, you must leave it in the comments to enter the contest. Please be sure I have your email address.

If you mention this contest on Twitter, Facebook, or your blog and/or follow me on Twitter, mention this in the comments and I'll give you an extra entry for each. You must be 13 years old or older to enter. This giveaway is U.S.

Upcoming Interviews and Giveaways

Tuesday, April 5th I’m participating in the April Shows Giveaway Hop

Wednesday, April 6th I have an interview with debut author Dannie Olgiun with a giveaway of her YA contemporary Between Safe and Real and my IWSG post.

Monday, April 11th I have and agent spotlight interview with Kari Sutherland and a query critique giveaway

Wednesday, April 13th I have a guest post by editor Mary Kole with a giveaway of one of her books

Saturday, April 16th I’m participating in the Raindrops on Roses Giveaway Hop

Monday, April 18th I have an agent/author guest post with Andrea Somberg and Carolyn Tara O’Neil and a giveaway of Carolyn’s YA historical fiction Daughters of a Dead Empire and a query critique by Andrea

Monday, April 25th I have a guest post by debut author Christina Matula with a giveaway of her MG contemporary The Not-So-Uniform Life of Holly-Mei

Wednesday, May 4th I have an interview with debut author Betty Yee and a giveaway of her YA historical Gold Mountain

Monday, May 9th I have an agent spotlight interview with Jennifer Unter and a query critique giveaway

Hope to see you on Tuesday, April 5th!

 

Top Three Tips to Finding Your Author Voice by Debut Author J.C. Peterson and Being Mary Bennet Giveaway

Happy Monday Everyone! Today I’m excited to have debut author J.C. Peterson here to share about her YA rom-com Being Mary Bennet. It sounds like a fantastic story about a teen girl who’s a bookworm trying to reinvent herself. I wish I had this book when I was a bookworm teen.

Here’s a blurb from Goodreads:

Acerbic and delightful, this YA rom-com about a girl who resolves to become the main character of her own story is perfect for fans of Jenny Han and Becky Albertalli.

It is a truth universally acknowledged that every bookworm secretly wishes to be Lizzie Bennet.

A less acknowledged truth is that Mary Bennet might be a better fit.

For seventeen-year-old Marnie Barnes, who’s convinced she is the long-suffering protagonist of her life, this revelation comes at the end of a series of self-induced disasters that force her to confront a devastating truth: Marnie has more in common with Mary Bennet—the utterly forgettable middle sister—than the effervescent Lizzie.

Determined to reinvent herself, she enlists the help of her bubbly roommate and opens herself up to the world—leading lady style. And between new friends, a very cute boy, and a rescue pup named Sir Pat, Marnie realizes that being the main character doesn’t mean rewriting your life entirely. It’s about finding the right cast of characters, the love interest of your dreams, and, most important, embracing your story, flaws and all.

With a hilariously sharp voice, a sweet and fulfilling romance that features a meet-cute in an animal shelter, and a big family that revels in causing big problems, this charming comedy of errors will have readers cheering for Marnie during every step of her obstacle-ridden journey toward embracing who she truly is.
 

Top Three Tips to Finding Your Author Voice

The first book I attempted was a mess. It was like one of those laminated fold-out menus that has fourteen sections and none of them seem to go together. Portal world? Yup. Nineteenth century boarding school. Of course. A dude who spoke to birds? Why not.

You know what it didn’t have? Any discernible voice. It was a barrel of ideas with nothing to bind it together. I did the same thing for book two. (Magic island, breathing underwater, also … trolls? I’ve blocked it out.) And the same for book three. (Best not to talk about it.)

And then I tried something totally different, a YA rom-com. Writing it was joyful and satisfying. Not necessarily easier, but a gut-level, this-is-true right. Because my voice—the thing that marks who I am as an author—is banter and humor and quippy sentences.

So. What have I learned? (Other than I don’t want to write trolls again.) I’ve learned to develop—and trust—my voice. Here’s how.

Write. Write a lot.

Look. I’m sure some of you sprint out of the gate with a sparkling voice and a genre-defining story. Love that for you. Truly.

For the rest of us, developing your voice takes time. It takes practice, failure and experimentation. You know how they say there are only a handful of story types? It’s true! And the thing that makes your story stand out is the particular way you craft it.

Maybe your voicey home is lush description or sentences that jolt. Perhaps it’s quiet and thoughtful or shouty and fun. But you’ll never know if you don’t continue writing. The more you do, the easier it becomes.

No matter the specifics of each separate story, your voice will be the thing that unites everything.

Read. Also a lot.

When you visit the library, what sort of story are you drawn to?

Read deeply within your favorite categories or genres with an eye toward what is drawing you in. Was it the fast-paced dialogue between characters or the wandering descriptions that pulled you in deeper? Was it a certain way it made you feel? Pinpointing what you love most about your favorite authors may help you define where your voice lives.

For me, I always loved YA fantasy (which is why I tried writing that at first) but if I’d been paying attention, I would have realized what I loved most were stories that were sharp-tongued and witty. (Think: Buffy, less Interview with a Vampire)

Don’t be afraid to experiment

First person. Third person. Second person for those of you who really want to live dangerously.

Try out some different styles and see what feels natural to you. And yeah, this definitely goes back to writing a lot.

On the sentence level, locating your voice may come down to the way you structure each paragraph and the choice of individual words. The difference in tone a single word can make is huge. Perhaps writing first person feels too immediate, or third too remote. Calling a portal “an ethereal passage to parts unknown” might make you roll your eyes when you really want to say “that strange as hell swirling mist thingy.”

Read your writing out loud and ask yourself, would I like to read that … would my character say that? Remember, you’re writing for your ideal reader, but that should definitely include you. Right? 

When it comes down to it, developing your author voice means the difference between a passable story, and an unforgettable one. It takes work and practice, but it’s worth it.

LINKS

Website: https://www.jcpetersonwrites.com/

Twitter: https://twitter.com/JenC_P

Instagram: https://www.instagram.com/jcpwrites/

Bookshop: https://bit.ly/3bEPPw7

Thanks for sharing your fantastic tips, J.C.!

Giveaway Details

J.C. has generously offered a hardback of Being Mary Bennet for a giveaway. To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by April 9th. If your e-mail is not on your Google Profile, you must leave it in the comments to enter the contest. Please be sure I have your email address.

If you mention this contest on Twitter, Facebook, or your blog and/or follow me on Twitter, mention this in the comments and I'll give you an extra entry for each. You must be 13 years old or older to enter. This giveaway is U.S. and Canada.

Upcoming Interviews and Giveaways

Monday, March 28th I have an interview with debut author Ann Fraistat and a giveaway of her thriller/horror What We Harvest

Tuesday, April 5th I’m participating in the April Shows Giveaway Hop

Wednesday, April 6th I have an interview with debut author Dannie Olgiun with a giveaway of her YA contemporary Between Safe and Real and my IWSG Post

Monday, April 11th I have and agent spotlight interview with Kari Sutherland and a query critique giveaway

Wednesday, April 13th I have a guest post by editor Mary Kole with a giveaway of one of her books

Monday, April 18th I have an agent/author guest post with Andrea Somberg and Carolyn Tara O’Neil and a giveaway of Carolyn’s YA historical fiction Daughters of a Dead Empire and a query critique by Andrea

Hope to see you on Monday!