Upcoming Agent Spotlight Interviews & Guest Posts

  • Riley Jay Davis Agent Spotlight Interview and Query Critique Giveaway on 11/11/2026
  • Hannah Teachout Agent Spotlight Interview and Query Critique Giveaway on 11/23/2026
  • Michaela Whatnall Agent Spotlight Interview and Query Critique Giveaway on 11/30/2026
  • Hollie Michaels Agent Spotlight Interview and Query Critique Giveaway on 12/7/2026
  • J.D. Myall Agent Spotlight Interview and Query Critique Giveaway on 12/16/2026

Agent Spotlight & Agent Spotlight Updates

  • Agent Spotlights & Interviews were all edited in 2021. Every year since then, I update some of them. I also regularly add information regarding changes in their agency as I find it. Agents spotlights and interviews been updated through most of the letter "R" as of 5/12/2026 and many have been reviewed by the agents. Look for more information as I find the time to update more agent spotlights.

SHOWERS OF BOOKS GIVEAWAY HOP


Happy Friday  Everyone! I’m thrilled to be part of the Showers of Books Giveaway Hop sponsored by Book Hounds. I’ve got lots of newly released YA books that I've read or want to read. There are SO many good ones right now. If you’re reading a different book in the series listed or want a different book by one of the authors listed, I’m glad to get you that book instead as long as it doesn't cost more than the book I've chosen.

Don’t see a book you like? You can win a $10.00 Amazon Gift Card instead. I hope you'll all enter to win a book or gift card for yourself or as a gift for someone.

So here are your choices. Click on the title to read a blurb from Goodreads.

 




 




 




 

A COURT OF MIST AND FURY
FLAMECASTER
GLASS SWORD
SOLDIER
SWORD AND VERSE
THE CROWN'S GAME
THE GLITTERING COURT
THE MIRROR KING
THE RAVEN KING
THE STAR-CROSSED QUEEN
THE WINNER'S KISS

If you haven't found a book you want, you can win a $10 Amazon Gift Card.



To enter, all you need to do is be a follower (just click the follow button if you’re not a follower) and leave a comment through April 30th telling me the book you want to win or if you want to win the Gift Card instead. If your e-mail is not on your Google Profile, you must leave it in the comments.

If you mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. You must be 13 or older to enter. International entries are welcome as long as  The Book Depository ships to you for free.

Here's what's coming up:

Next Monday I have a guest post by debut author Dee Romito and a giveaway of her MG contemporary THE BFF BUCKET LIST.

Next Wednesday I'm participating in NY Times bestseller  author Lauren Oliver's blog tour and interviewing her (Pinch me! I'm so excited!) for her new MG THE SCREAMING STATUE with a giveaway of the first book in this series.

The following Monday I have a guest post with debut author Tobie Easton and her agent Jennifer Unter and a critique giveaway by Jennifer and a giveaway of EMERGE, Tobie's YA contemporary fantasy.

Monday the next week I have a guest post by debut author Janet Taylor and a giveaway of her YA magical realism WANDERING WILD

Wednesday that week editor L. Diane Wolfe from Lemur Press and Freedom Fox Press will be doing a guest post with a five page critique

Hope to see you on Monday!

Here are all the other participating blogs:




LINDSAY EAGAR INTERVIEW AND HOUR OF THE BEES GIVEAWAY

Happy Monday Everyone! Today I’m excited to have debut Lindsay Eagar here to share about her magical realism MG HOUR OF THE BEES. It has just the right combination of magic and contemporary that makes it sound really good.

Here’s a blurb from Goodreads: 

While her friends are spending their summers having pool parties and sleepovers, twelve-year-old Carolina — Carol — is spending hers in the middle of the New Mexico desert, helping her parents move the grandfather she’s never met into a home for people with dementia. At first, Carol avoids prickly Grandpa Serge. But as the summer wears on and the heat bears down, Carol finds herself drawn to him, fascinated by the crazy stories he tells her about a healing tree, a green-glass lake, and the bees that will bring back the rain and end a hundred years of drought. As the thin line between magic and reality starts to blur, Carol must decide for herself what is possible — and what it means to be true to her roots. Readers who dream that there’s something more out there will be enchanted by this captivating novel of family, renewal, and discovering the wonder of the world.

Hi Lindsay! Thanks so much for joining us!

1. Tell us about yourself and how you became a writer.
            I am a twenty-something (for one more year!) born and raised in Utah, and I’ve always been a writer and a storyteller. I wrote picture books as a young kid, I wrote plays and ballets (and directed my poor siblings in them) when I was an older kid, I wrote short stories as a preteen, and in junior high and high school I carried a notebook everywhere, which I filled with fairy tale retellings and outlines for gigantic, Tolkien-scaled fantasy series.
            When I became a mother at 22, it was a huge wake-up call. Never had I felt so empowered. If I can give birth and keep a newborn alive, I reasoned, there was nothing I couldn’t do—including finishing a book and getting published. Within six months I had finally written a novel all the way through to the end. It was terrible, but I had done it!

2. That was an empowering realization. Where did you get the idea for HOUR OF THE BEES?
            BEES came in a flash—ten days, to be exact, from the time I wrote down the title (which I had no context for) to the time when I wrote the final paragraph. It was June 4, 2013. I had just trunked another middle grade manuscript after rewriting it seven or eight times. I was desperate to start something new, and desperate to work on something utterly different—so I wrote about a girl and her grandfather, about the southwestern desert, about the relationship between life and death, and about heritage and family and stories.
            Before I really had time to consider its influences, or even where the kernel of the idea came from, I was finished with the first draft. It was a very magical genesis, one I have not been able to replicate since.

3. Sounds like it was a story that was meant to be told. Carol’s relationship with Grandpa Serge sounds so cool and transformative for Carol. Share how that developed as you wrote the story.
            I always knew theirs would be the central relationship. My own grandfather and I were very
close—I was the oldest grandchild, and also his piano student, and when he died, it was unexpected and jostling. I was thirteen. I was terrified. It was the first time I’d ever experienced death in a personal way, and it set me on a lifelong path to accept that death is a part of the life cycle.
            Of course Carol and Grandpa Serge’s relationship was nothing like my own relationship with my grandfather—my characters are just meeting for the first time, and they are both very unsure of each other. Carol is unsure of how to deal with Serge’s prickliness and his dementia; Serge isn’t certain this granddaughter of his will understand the legacy she carries in her blood. After all, her father, Carol’s dad, never did—and that right there is what strengthened the central relationship in edits. I fleshed out the other characters and relationships, and the final product is a spider’s web of anger and resentment and history and introductions that bind an entire family together.

4. What can you share about the magical realism aspects of your story? What tips do you have about writing in this genre?
            The magical realism aspects were the easiest and most rewarding to write. Since I was drafting so quickly (ten days!) I didn’t really allow myself to stop and wonder, “Is this too weird?” I just went for it, and the result is this magnificent, strange book that really came straight from my subconscious without judgment or constraint.
            I think that might be my first tip for writing magical realism—go with the weird. If your initial idea seems too weird to work, that might be an indication that it is perfect and exactly what the genre needs on its shelf. Magical realism is such a wonderful opportunity to release expectations and be as strange as you want to be.
            Another tip is to ground your magical realism in a strong “real life” world. One of the differences between magical realism and fantasy is this idea that the magic takes place in a feasible setting. The stronger I made my contemporary New Mexico setting, the stronger the magical realism aspects became in contrast. They counterbalance each other. That’s important.

5. Those are great tips. I read that you write much of your work longhand. Is that still true? Share a bit about your writing process and how you squeeze it in being a single mom.
            I do write longhand! I dread staring at computer screens, and my eyes easily strain so I do as much of the work with pen and paper as possible. I love longhand for many reasons—it’s battery-less, for one. It’s much less fragile than a laptop—my pages are often coffee-stained, chocolate-smudged, and water-warped, and still usable. Most importantly, longhand forces my brain to slow down and be thoughtful with my words. I’m a fast writer, so I can still go into word-vomit mode and successfully unhinge for that raw material that is so important for my first drafts. But when I type up the word-vomit and print it out, and begin scouring the material for the story underneath the muck and pretention… That’s when my writing magic happens. Me and my blue Cristal Bic pens. (Always blue.)
            I also love my paper and pen because they remind me about flexibility and patience. I was a single mother for the first five years of my daughter’s life, including the days when I worked on BEES. During those days, I walked my daughter to a park, sat under a tree with my notebook, and just worked—no Internet access, no electric outlet, just me and blank pages waiting to be filled. I still work this way, even though I’m married and much of my daily life has changed—my daughter is in kindergarten now, which allows me three blissful hours a day to devote to writing in solitude. Writing a few sentences here and there, even on days that seem far too busy for writing… They add up. This is how books are written, my hard copies remind me. One page, one sentence, one word at a time.
            The other important part of my process is layering through revision. My editor recently told me she loved looking back at all my drafts on our projects, because she can see how well I can add details, expand emotionally, and find new connective tissue between characters with every new round of edits I do. If only there were an easier way for me to revise!

6. Glad you like writing like that. I can't imagine not doing everything on the computer. Sarah Davies is your agent. How did she became your agent and what was your road to publication like?
            The story of how Sarah became my agent goes like this.
            Once upon a time, when I had first finished a book and was researching how this whole publishing thing worked, anyway, I googled children’s literary agents. Sarah Davies’ blog was one of the first things that popped up, and I stayed up all night reading her entire archive. Sarah is a special agent. She’s highly editorial, and her guidance helped me not only polish BEES for submission to publishers, but also ponder my own connection with the book and my writing process. She knows what makes a good story. She works hard to ensure her titles are the kind of timeless, quality work that will still be on shelves for years to come. Plus, she’s killer at the business side of agenting—one of the top sellers in both YA and MG fiction.
            Suffice it to say, when I was ready to query BEES, she was the dream agent at the top of the list. I became her client the old-fashioned way—the query trenches. We edited BEES for a good six months before submitting it to publishers, and in a real Pinch Me! moment of my life, several editors were interested in buying my book. Kaylan Adair at Candlewick Press won BEES in auction, and I am so grateful, because my editor is my better half. She and I work so well together. I am very lucky.

7. How awesome you went to auction! What was something that has surprised you about the time from signing your contract with your publisher to your book being published?
            The emotional whiplash of debuting was a huge surprise. I feel like I entered the publishing arena with gratitude and low expectations, and yet the ups and downs of debuting still got to me. I don’t think anyone is immune, and I don’t think there’s any way around it. There will be highlights, and great news, and terrible news, and stretches of radio silence where you wonder if you made this whole I-sold-a-book thing up in your head. There will be jealousies and friendships and lists you make and lists you don’t make, and tweets about you and lukewarm reviews. No emotion is off-limits and none of them make you a black-hearted ingrate—but some of them can really wrench you inside-out. Above all this noise, a debut author has to find her center, tune out the world, and get back to writing. This is the answer, no matter the question—if your debut book soars and succeeds, you still have to get back to writing. If your debut book tanks, you still have to get back to writing.  
            BEES has been out for a month, and some days it is still a struggle to remember why I wanted to do any of this: because I am a storyteller, and I have still so many stories to tell.

8. Yes, I think all authors experience similar highs and lows. How are you promoting your book? Are you networking with other authors?
            I joined the Sweet Sixteeners right after I sold my book, and it was honestly one of the best things for my book’s promotion and also for my mental health! As much as I liked to scour the Internet for advice from well-seasoned authors, it was so beneficial to learn with a group of other newbies—we share together, we soar together, we fall together, we comfort one another, we rant to one another, and we cheer each other on.

9. What are you working on now?
            Right now I am wrapping up developmental edits on my second middle grade with Candlewick Press. I’ve spoken about it many times online already, so I won’t rehash old material, but it is the book I trunked the night before I started BEES. It’s called RACE TO THE BOTTOM OF THE SEA, and it is the culmination of all things ten-year-old Lindsay would have wanted to read. It has sharks, pirates, marine biology, death, star-crossed love, and candy. If HOUR OF THE BEES was the book of my soul, RACE TO THE BOTTOM OF THE SEA is the book of my heart. Working on this book has been the exact opposite experience as BEES was—I have rewritten this book so many times, I could wallpaper Vatican City with all the drafts. But I am so excited to finally get it right and see this book on shelves. It is also weird, but in an entirely different way.
            After that, I begin edits on my third middle grade with Candlewick Press. It is currently untitled, but it is a mother/daughter story and it is also about Bigfoot. That’s all I can say about it right now!
            I’m also due to have a baby in the summer, so I’ll be fast-drafting a YA project that has been plaguing me for years, gearing up for another boost of empowerment after I squeeze a human being out of my body! It’s amazing how motherhood can put so many things into perspective, isn’t it?

Thanks for sharing all your advice, Lindsay. Enjoy your new baby this summer! You can find Lindsay at: Twitter: @lindsaymccall 

Marvelous Middle Grade Monday was started by Shannon Messenger. You can find the participating blogs on her blog.

Lindsay has generously offered an ARC of HOUR OF THE BEES for a giveaway. To enter, all you need to do is be a follower (just click the follow button if you’re not a follower) and leave a comment through April 23rd. If your e-mail is not on your Google Profile, you must leave it in the comments to enter the contest.

If you mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This giveaway is for U.S.

Here's what's coming up:

On Friday I'll be participating in the Showers of Books Giveaway Hop!

Next Monday I have a guest post by debut author Dee Romito and a giveaway of her MG contemporary THE BFF BUCKET LIST.

Wednesday next week I'm participating in NY Times bestseller  author Lauren Oliver's blog tour and interviewing her (Pinch me! I'm so excited!) for her new MG THE SCREAMING STATUE with a giveaway of the first book in this series.

The following Monday I have a guest post with debut author Tobie Easton and her agent Jennifer Unter and a critique giveaway by Jennifer and a giveaway of EMERGE, Tobie's YA contemporary fantasy.

Monday the next week I have a guest post by debut author Janet Taylor and a giveaway of her YA magical realism WANDERING WILD


Wednesday that week editor L. Diane Wolfe from Lemur Press and Freedom Fox Press will be doing a guest post with a five page critique

Hope to see you on Friday!


AGENT SPOTLIGHT INTERVIEW WITH ELANA ROTH PARKER AND QUERY CRITIQUE GIVEAWAY

Today I’m thrilled to have agent ­­­­­­­­­­­­­­­­­­­­­­­­­­­Elana Roth Parker here. Elana is a literary agent at Red Tree Literary.

Status: Update on 5/21/2020: As of 6/2016, Elana Roth Parker has closed Red Tree Literary. She is now an agent at Laura Dail Literary. See Laura Dail Literary's website for information on her submission guidelines and how to query her.
Update on 1/3/2026: Elana is currently closed to submissions. Check the agency website to learn when she reopens to queries.

Hi­ Elana! Thanks so much for joining us.

About Elana:

1. Tell us how you became an agent, how long you’ve been one, and what you’ve been doing as an agent.

Thanks for having me! I became an agent after first being an editor at a children’s book packager for 5 years. I was working on a lot on developing proposals for new book series and looking for writers for those projects, and in doing so, started to be in touch with lots of literary agents. The work sounded really interesting, so I took the leap. I’ve been an agent now for 8 years—the first 4 working at Johnson Lit Agency, and the last 4 for myself. As an agent, I’ve been doing all the usual agenty things: reading a lot, signing clients, selling books, negotiating contracts, etc. 

About the Agency:

2. Share a bit about your agency and what it offers to its authors.

Red Tree Literary a small, specialized agency focusing entirely on children’s and young adult books. It’s so small, it’s just me! And I’m incredibly selective in my client list. I’m a quality-over-quantity person, and never want a list so large that I can’t spend a lot of time on each author. I’m very editorial and developmental, always wanting to make sure we send things out to editors in their best possible shape. So my clients get all the benefits of a very curated list—lots of personal attention, lots of guidance, and lots of careful strategizing.

What She’s Looking For:

2. What age groups do you represent—picture books, MG, and/or YA? What genres do you represent and what are you looking for in submissions for these genres?

I rep picture books, middle-grade, and young adult. For picture books, I really prefer author/illustrators, because I love working on the entire book—but I do make exceptions for exceptional manuscripts. As for the novels, I’m not picky on genre and will generally look at everything from contemporary to sci-fi. I will say that I’m not your best bet for horror or anything too bloody or creepy (I have nightmares really easily!).
I’m also looking for more non-fiction for kids. For picture book and middle-grade, more “interesting topic” non-fiction; for YA, I’d love some narrative non-fiction as well.

3.  Is there anything you would be especially excited to seeing in the genres you are interested in?

I mostly want more breadth of experience and point-of-view. We see a lot of the same thing (i.e. type of character) over and over again, and I am really interested in getting rich backgrounds from characters that aren’t so prevalent. Voice is really the best vehicle to do that, so whatever a wonderful voice can lend to a genre to freshen it up would be amazing.
Also, I really read to escape, and not to get punched in the face. So transporting work, either to a faraway place or just listening to a really inviting character, is what I really want to see.

What She Isn’t Looking For:

4. What types of submissions are you not interested in?

Overtly educational or message-y books; saccharine-sweet picture books; Christmas books; depressing problem novels; horror/thriller.

Agent Philosophy:

5. What is your philosophy as an agent both in terms of the authors you want to work with and the books you want to represent?

My philosophy is based on the idea that my clients should be picking me as much as I’m picking them. It’s a close, collaborative relationship, so the best ones are where we enjoy and respect each other as human beings and have constructive conversation about putting out the best work possible. I’m here to help as much as possible, and I’m not the boss—we should be working together.
As for the books…well, I think I covered a lot of that already. But basically, I want authors who write books with legs, who understand the timelessness of children’s books, and want to grow over the course of their careers.

Editorial Agent:

6. Are you an editorial agent? If so, what is your process like when you’re working with your authors before submitting to editors?

I’m very editorial. I almost always do at least 2 revisions before submitting to editors. The first round is bigger picture edits—plot, pacing, etc. Then we usually do a clean-up round so it reads nicely. Sometimes a book needs more, sometimes less. I just like to make sure nothing is really bugging me before submitting (if something bugs me and I don’t fix it, it always ends up biting me in the rear end when editors start responding). I always give my authors as much creative leeway as they need. I make suggestions, but nothing is a mandate, as long as the solution they come up with solves the problem.

Query Methods and Submission Guidelines: (Always verify before submitting)

7. How should authors query you and what do you want to see with the query letter?

Email email email! I have all the details up on my website: www.redtreeliterary.com/submissions

8.  Do you have any specific dislikes in query letters or the first pages submitted to you?

Queries should be as short as possible and as clear as possible. I don’t need a dissertation about why you wanted to be a writer, but I do need entry-level access to your world. (Have someone who knows nothing about your work read the query before you send it!)
First pages have a tougher job of giving me sense of voice and quick entry into the story—at least so I can see if the prose matches up to the pitch. There are a million and a half things people overdo in the first few pages, so I can’t get into all of them now, but generally I’d avoid the cliché “My stomach dropped”/ “My heart fell” / “I gasped” first lines. There’s zero context for the reader. Let’s get to know your character a little first. Let me see a little bit of their world as you get the story started.

Response Time:

9. What’s your response time to queries and requests for more pages of a manuscript?

I’m in the 2-4 week range on query responses (usually closer to 2 weeks), and about 8-10 weeks on manuscript requests. I only request full manuscripts, also. I found that the added “partial manuscript” stage just drags things out. If I want to keep reading, I can. If I want to stop, I’ll stop.

Self-Published and Small Press Authors:

10.  Are you open to representing authors who have self-published or been published by smaller presses? What advice do you have for them if they want to try to find an agent to represent them?

Totally open to those authors. Kiera Cass self-published her first novel! But I can’t take something you already self-published and get it traditionally published. So if you’ve had work published that way or through a small press, that’s fine, but better to be querying me (or any other agent) with a fresh novel and let go of the old one. If things go swimmingly well for you, we may be able to approach that older work some day in the future. But no promises. Every step you take in publishing is an opportunity to learn. But you always want to be taking steps forward.

11. With all the changes in publishing—self-publishing, hybrid authors, more small publishers—do you see the role of agents changing at all? Why?

I think agents need to be more open-minded to creative opportunities and new methods of reaching audiences, but I don’t think the role of agent is inherently changing. We’re still here to make sure authors get the best deals possible and be an advocate and a guide for the business end of the publishing process. I’m all for exploring new options and non-traditional paths if it means connecting an author with readers. And as new methods come up, it’s all the more reason to have someone with specialized knowledge to consult and review with.

Clients:

12. Who are some of the authors you represent?

Kiera Cass
Andy Marino
Vern Kousky
Matt Blackstone

Interviews and Guest Posts:

13. Please share the links to any interviews and guest posts you think would be helpful to writers 

This is actually the freshest interview I’ve done in several years, so I hesitate in pointing you to the old ones, which might be pretty stale. The best way to get to know me is to follow me on Twitter.

Elana Roth Parker and Alexa Donne Guest Post at Literary Rambles (04/2018)

Links and Contact Info:

14. Please share how writers should contact you to submit a query and your links on the Web.

Everything you need to know is here:

www.redtreeliterary.com/submissions

Update on 2/13/2025:

Interviews and Podcasts
Podcast interview at Middle Grade Ninja (07/2019)

Additional Advice:

15. Is there any other advice you’d like to share with aspiring authors that we haven’t covered?

Read, read, read. And don’t just read—devour. The biggest mistake I see in queries is when writers are obviously not in tune with the market. The more you read, the better you will see what works and doesn’t work.

Thanks for sharing all your advice, Elana.

­Elana is generously offering a query critique to one lucky winner. To enter, all you need to do is be a follower (just click the follower button if you're not a follower) and leave a comment through April 23rd.  If your e-mail is not on your Google Profile, you must leave it in the comments to enter either contest. If you do not want to enter the contest, that's okay. Just let me know in the comments.

If you mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This is an international giveaway.

Profile Details:
Last updated: 5/21/2020
Agent Contacted For Review? Yes
Reviewed By Agent?  N/A


Have any experience with this agent? See something that needs updating? Please leave a comment or e-mail me at natalieiaguirre7@gmail.com

Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change.

Profile Details:
Last updated: 2/12/2025.
Agent Contacted For Review? Yes.
Last Reviewed By Agent? N/a



ELIZABETH BRIGGS INTERVIEW AND FUTURE SHOCK GIVEAWAY



Happy Monday Everyone! I want to let you know that I'm at follower Karen Lange's blog, Write Now, today talking about blogging. Hope you'll stop by and say hi.

FOLLOWER NEWS

I have some fantastic news. Follower Jen Petroy-Roy sold her MG contemporary debut. Here's the blurb from PW Children's Bookshelf:

Jean Feiwel at Feiwel and Friends has bought P.S. I Miss You, an epistolary middle grade debut by teen librarian Jen Petro-Roy. The story follows Evie, whose beloved teenage sister disappears after getting pregnant. Evie has to unravel the mystery of where her sister is and what happened to her, while navigating her first crush on a girl, her complicated relationship with her religious parents, and universal growing pains. Publication is slated for fall 2017; Brianne Johnson of Writers House brokered the two-book, six-figure deal, in a three-house auction, for North American English rights. 

Congrats, Jen! And look for Jen on the blog in 2017!

Today I’m thrilled to have debut author Elizabeth Briggs here to share about her YA science fiction FUTURE SHOCK that sounds really good. And it’s got mystery and time travel too—two other genres I love. Elizabeth is a hybrid author like some of you, having self- published her adult series, Chasing the Dream.

Here’s a blurb of FUTURE SHOCK from Goodreads:


Elena Martinez has hidden her eidetic memory all her life--or so she thinks. When powerful tech giant Aether Corporation selects her for a top-secret project, she can't say no. All she has to do is participate in a trip to the future to bring back data, and she'll be set for life.

Elena joins a team of four other teens with special skills, including Adam, a science prodigy with his own reason for being there. But when the time travelers arrive in the future, something goes wrong and they break the only rule they were given: do not look into their own fates.

Now they have twenty-four hours to get back to the present and find a way to stop a seemingly inevitable future from unfolding. With time running out and deadly secrets uncovered, Elena must use her eidetic memory, street smarts, and a growing trust in Adam to save her new friends and herself.

Hi Elizabeth! Thanks so much for joining us. 

1. Tell us about yourself and how you became a writer.

I always wanted to be a writer, but I had a lot of first chapters and wasn’t able to finish a book until I did NaNoWriMo many years ago. After that I wrote more novels and kept trying to hone my craft with each one. I got my agent with my third book (which didn’t sell), self-published my fifth book (MORE THAN MUSIC), and then sold my fourth book (FUTURE SHOCK) after that.
 
2. How cool that NaNo helped you start completing your stories. How did you get the idea for your story?

Agent Kate Testerman of KT Literary had a contest on her website where you had to answer the question, “If you could travel in time for 24 hours, where would you go and why?” My answer was that I would go to the future to see what would happen to myself and to the world. But then I wondered, what would happen if I saw something horrible? Would I be able to change it? Funny enough, Kate became my agent a short while later with a different book, so I guess it was fate!

3. That is such an awesome story of how you got your idea. I never heard of anyone getting their story inspiration that way. You have a lot going on in this book—science fiction, mystery, and time travel. What were some of the challenges in incorporating all these elements into your story and how did you overcome them?

The hardest part was getting the time travel right while also balancing the mystery elements such as clues and foreshadowing. I had to create a lot of very detailed timelines and outlines in order to make sure it all made sense!
 
4. It sounds complicated. A number of reviews of FUTURE SHOCK commented on the fast pace of the story. Share your tips on making a story a page turner like yours.


My goal when writing any book is to make readers stay up all night reading it, and I try to keep that
in mind at all times. I make sure every single scene is moving the plot or the characters forward, and cut out all the boring stuff. I also try to end each chapter with a hook that makes them say, “okay, just one more chapter before bed…”
 
5. You also write for adults. What are differences you found in writing a YA verses an adult novel?


For me, the main difference is with the issues and challenges the characters face due to their age. Young Adult is more focused on, “I’m no longer a kid but not quite an adult, now what?” whereas New Adult is, “I’ve just become an adult, now what?” Both NA and YA focus on a time of transition and change, where characters are starting to figure out who they want to be for the rest of their lives—which is why I love writing both!

 6. Your agent is Kate Testerman. That is so amazingly cool since you got your story idea from her website. How did she become your agent and what was your road to publication like for FUTURE SHOCK?


I queried Kate in late 2011 with a different YA sci-fi novel and signed with her in early 2012. Unfortunately, that book never sold, although it came close a few times. We were on submission with FUTURE SHOCK for many months, but most publishers told us they weren’t looking for YA sci-fi. I self-published MORE THAN MUSIC during that time and was ready to give up on FUTURE SHOCK ever selling, but Kate wanted to try again one more time – and it sold a month later to Albert Whitman & Co in a two book deal.
 
7. You’re a hybrid author and have self-published your adult series. What made you decide to self-publish it? Was your agent involved in this decision and project?

I was really interested in the freedom, control, and higher royalties that come from self-publishing, even though I also wanted to pursue traditional publication. I decided to try self-publishing an adult romance novel because the romance market sells almost entirely in ebooks, so you don’t really need a publisher to reach a large number of readers. My agent wasn’t involved in the process, but has been completely supportive of my decision to self-publish some of my books, and now she represents the foreign, film, and audio rights on them.
 
8. That's great you picked a genre that worked really well for self-publishing. What advice do you have for other hybrid authors?

First, if you’re considering going the hybrid route (as either a self-published author or a traditionally published one), go for it. I think being a hybrid author is the best long-term strategy for authors, especially with how quickly publishing changes all the time now. It gives you freedom and control along with publisher support, allows you to do marketing you wouldn’t be able to do otherwise, and helps you to reach a much wider audience.

Second, if you’re already a hybrid author, find ways to use your traditionally published books to market your self-published books, and vice versa. For example, it’s much easier to get into events (panels, signings, etc) with a traditionally published book, but during the event you can often hand out swag for your self-published books too. On the other side, you can put links and excerpts of your traditionally published books in the backmatter of all your self-published books. You can also schedule price promotions for your self-published books in conjunction with your traditionally published books’ releases. For example, I’ve made MORE THAN MUSIC free during FUTURE SHOCK’s release in the hopes of bringing in a lot of new readers to both series.

9. That's all such good, practical advice. What have you learned from marketing your adult series that is helping you in marketing your new YA one? Are there ways you’re marketing these two books differently?

One thing I learned from marketing my adult books is the importance of building a newsletter early. I started one before MORE THAN MUSIC came out and had a whopping 2 subscribers (my husband and my mom). Two years later and I have about 5000 subscribers now. While many of them are only interested in my romance novels, I know some of them will pick up my YA too – and I’m really glad I started building that list early.

I use many of the same marketing tactics for all my books, but there are some differences. Since my adult books sell mostly in ebooks I focus a lot on Facebook ads, newsletter building, and price promotions. My YA books have a much larger print audience so I’m doing more in-person events and also reaching out directly to libraries.

 10. What are you working on now?

I just finished FUTURE THREAT, the sequel to FUTURE SHOCK, which features an all new time travel mystery and some of the characters from the first book. Now I’m working on the final book in my NA series, MORE THAN DISTANCE, which I hope to have out later this year.
 
Thanks for sharing all your advice, Elizabeth. You can find Elizabeth at:


Elizabeth has generously offered an ARC of FUTURE SHOCK for a giveaway. To enter, all you need to do is be a follower (just click the follow button if you’re not a follower) and leave a comment through April 16th. If your e-mail is not on your Google Profile, you must leave it in the comments to enter the contest.

If you mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This giveaway is for U.S.

Here's what's coming up:

On Wednesday I have an agent spotlight interview with Elana Roth Parker and a query critique giveaway. 

Next Monday I have an interview with debut author Lindsay Eager and a giveaway of her MG magical realism HOURS OF THE BEES.

On Friday that week I'll be participating in the Showers of Books Giveaway Hop!

The following Monday I have a guest post by debut author Dee Romito and a giveaway of her MG contemporary THE BFF BUCKET LIST.

Wednesday that week I'm participating in NY Times bestseller  author Lauren Oliver's blog tour and interviewing her (Pinch me! I'm so excited!) for her new MG THE SCREAMING STATUE with a giveaway of the first book in this series.

The following Monday I have a guest post with debut author Tobie Easton and her agent Jennifer Unter and a critique giveaway by Jennifer and a giveaway of EMERGE, Tobie's YA contemporary fantasy.

Hope to see you on Wednesday!


KRISTY ACEVEDO GUEST POST AND CONSIDER GIVEAWAY

Happy Monday Everyone! I have some good news. Literary Rambles made Global English Editing's Top 120 Most Helpful Websites for Writers. You can check it out and see other great resources if you want.

Today I'm excited to have debut author Kristy Acevedo here to share about her YA science fiction CONSIDER. It sounds really good and is on Barnes and Noble's 13 Most Anticipated Science Fiction YA of 2016 list.

Here's a blurb from Goodreads:


As if Alexandra Lucas’ anxiety disorder isn’t enough, mysterious holograms suddenly appear from the sky, heralding the end of the world. They bring an ultimatum: heed the warning and step through a portal-like vertex to safety, or stay and be destroyed by a comet they say is on a collision course with earth. How’s that for senior year stress?

The holograms, claiming to be humans from the future, bring the promise of safety. But without the ability to verify their story, Alex is forced to consider what is best for her friends, her family, and herself.

To stay or to go. A decision must be made.

With the deadline of the holograms’ prophecy fast approaching, Alex feels as though she is living on a ticking time bomb, until she discovers it is much, much worse.

So here's Kristy!


My Excited and Frazzled Debut Author Experience: In 10 Stages

This year has been the most amazing year of my life. Here's my brutally honest and wonderful experience so far.  My one year journey to publication.

*Please note that these stages are not linear and may return at any time.

Stage 1: The Call to Adventure

This is the first stage, arguably the best stage, when you get the call every writer waits to hear.  Either by an agent or editor, who raves about your manuscript and offer a publication contract. For me, it all started with Brenda Drake's #PitMad in March 2015.

#PitMad is a Twitter hashtag that runs four times a year where writers pitch their edited manuscripts in 140 characters, and if any editors, publishers, or agents favorite their pitch, they should submit according to that person's guidelines ASAP.

My Twitter pitch: If a hologram said it could save your life, would you believe it? #YA #SFF #PitMad

One little favorite led to a publishing offer ten days later. (This is rare, but it's also why you should only participate if your manuscript is finished.)  I sent the first three chapters, and two days later got an email to send the full manuscript.

It was a Saturday morning when I received THE CALL. TJ da Roza said that Jolly Fish Press was offering to publish my YA sci-fi manuscript, Consider and its unwritten sequel. My brain stopped functioning at that point. 

If that wasn't awesome enough, less than a week later, I got another phone call that my manuscript was one of the winners of the PEN New England Susan P. Bloom Children's Book Discovery Award . Talk about an amazing week!

I hired a Literary Contract Consultant to review the terms and negotiate on my behalf.  And in April 2015 I signed with Jolly Fish Press. I framed the original contract near my desk, a reminder that this was real.

Stage 2: The Fog

Immediately following the call and contract, a mental fog rolls in. In this stage, you become
completely unaware of your body. You live in your daydreams. The fog stage messes with your sense of gravity. I started walking into walls.  If I tried to drive somewhere, I took the scenic, I-forgot-where-I-was-going route.

No one in my daily life other than a handful of people knew yet.  It felt weird that something could shift my world so dramatically and not affect others.  I reminisced about my weekly trips to the library as a child, reading books at a campsite when everyone else was playing. Writing poetry and stories and dreaming that someday I could be an author.  And now I was actually going to be a published author.  My mind could not wrap around this new reality.

So it started worrying, Was it a dream? Is something gonna fall apart? Will my publisher go under, or my editor switch jobs before my book releases? This can't possibly be my life.

Stage 3: Public Exposure

Then comes the press release and people in your community discover the news.  They will treat you like you could be the next J.K. Rowling, like you won the lottery, or like you are a space alien living among them.  Or they won't care. Or they will ask for an immediate copy, as if publishing a book is a magical, overnight process.

On a Sunday during teacher appreciation week, my two-book publishing deal was huge news sprawled across the front page of the local Standard Times since I'm an English teacher at a large, urban high school.

At Dunkin' Donuts that morning, the drive-thru girl said, "Aren't you the lady in the paper?"
I nodded, and she yelled to her co-workers, "See! I told you she comes here in the morning. That's so awesome!"

At work, colleagues and students also voiced their congratulations.  Social media congratulations. Neighbors and old friends and local radio stations. Your emotions swing from inner pride to utter embarrassment. You will ask yourself, What have I done to my life? I just wanted to write.

Stage 4: Imposter Syndrome

You will suddenly have clout as a writer. People will ask you for tips and advice as if you've become an expert in the creative writing field overnight.  You begin to get requests for blog interviews and to read in public.

It's unnerving at first, even as an English teacher for over fifteen years with a master's degree in English. Students never listened to me like this before when I talked writing. 

For my first interviews, I remember thinking,  You want to interview me? Me, from my little basement apartment with four of us crammed inside?

In May, I was asked to read from Chapter 1 at Simmons College in Boston for the award ceremony. It was the first time I had to read my writing in public. Yikes.  The whole time my book vacillated from genius to stupid in my mind.

Stage 5: Joining the Club

As a traditional, debut author, you have access to join that year's debut group to help support each other through the ups and downs of publishing your first book.  I highly recommend it.

I joined the Sweet Sixteen group for 2016 YA and MG authors, and they have been amazing people to know online.  Last I checked there were over 150+ of us. I love seeing their debut books appear in bookstores as they release. There's nothing more valuable than having other debut authors share the behind-the-scene experience with you so you, and your book, don't feel so alone.

Stage 6: Editing Stage

There's a worry in beginning the editing stage that even though your editor loved your manuscript enough to publish it, that he or she will expect major changes which affect the integrity of your story.  I've heard such nightmares about the editing stage, and I wondered if my editor really understood the project.

Thankfully, my editor and I click creatively. He truly understood the project and respected my vision for it. He listened to my concerns.  He had no major overhauls or deleted scenes and offered great ideas to make the story shine.  But yes, I went through several rounds of Word files with over 400+ comments to address from him. By the end of it, I was so sick of my manuscript I never wanted to read my story again.  This helped me separate emotionally from it.

Stage 7: Disillusionment

This stage begins slowly with insults disguised as compliments, such as "Oh, it's a young adult novel. For teens. So it's not a real novel."

And the entitled, "Can you hook me up with your publisher once I finish my draft?"

As your anger builds, family members start to roll their eyes at the mere mention of your book. You have been living with a one track mind, and the people who live with you have had enough. 
Then something happens during the marketing, social media, interviews, working on next book stage, ARCs, first reviews, endless trips to the post office, lack of money, growing stress, barely functioning in the day job, squeezing in family life and forgetting friends...

You crack. You cry. You tell your loved ones you can't do it. You are not a superhero. You feel like you are working three jobs, and you can't afford to quit your day job.  You are spending more money on marketing than you've made so far on writing.

You have the existential crisis: Is the dream worth it?
And you come up with the immediate answer: Totally.

I embraced the messy artist in my failing life stage.  I skipped showers, stopped doing household chores, rocked the frizzy bun.  Yes, I felt like the worse mom ever, but we lived.  I kept reminding myself that this short stage in my life living in chaos was just that--short term.

I started a bullet journal which allowed me to set daily and monthly tasks on an ever-evolving list rather than using a standard agenda.  It helped me survive the organized chaos. I learned to create balance in my life and say no. I learned to practice mindfulness and go for walks.

Stage 8: Cover Reveal

You dream of what your book cover will look like, the same way you wonder what your children will look like. You can't really picture it, but you still catch yourself daydreaming about the possibilities.
And then...your cover appears in your email. 

I fell in love at first sight, and even months later when my publisher tweaked the colors, I only fell deeper.

Stage 9: Wearing the Author Cloak

This stage sneaks up on you.  It's the antidote to the Imposter Stage.  You slowly start to accept being a published writer as part of your identity.  It's not an arrogant phase; it's a humbling and grateful sense of embracing a new chapter in your life as a writer. When you set time in your schedule for writing, others respect it more.  You delegate tasks to others who have been dying to help share in the journey.  You read a great, early review and smile.  You are invited to attend events as an author.  People ask for your autograph on bookmarks and ARCs.

I knew I hit this stage when I no longer had an embarrassing sense of fear and rejection when I approached a local librarian with a handful of promo materials and introduced myself and my book. Students asked me advice on how to write novels, and I responded with instant, practical advice wearing my invisible author cloak.

Stage 10: Debut Book Launch

As I write this, I haven't reached this stage yet. Consider, my debut YA sci-fi, releases on April 19, 2016 with Jolly Fish Press. The sequel, Contribute, is set for November 2016.  Of course, I imagine it to be a place of rainbows and happiness, where crowds line up outside a store to get a signed copy of my debut.

In reality, I'll be grateful to have a small crowd of eager readers.
In reality, I might experience all stages simultaneously.

Thanks for all your advice, Kristy! You can find Kristy at:

Read first, full chapter preview of Consider at kristyacevedo.com

Kristy has generously offered a copy of CONSIDER when it comes out in April. To enter, all you need to do is be a follower (just click the follow button if you’re not a follower) and leave a comment through April 9th. If your e-mail is not on your Google Profile, you must leave it in the comments to enter the contest.

If you mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This giveaway is for U.S.

Here's what's coming up:

Next Monday I have an interview with debut author Elizabeth Briggs and a giveaway of her YA science fiction FUTURE SHOCK.

Wednesday that week I have an agent spotlight interview with Elana Roth Parker and a query critique giveaway. 

The following Monday I have an interview with debut author Lindsay Eager and a giveaway of her MG magical realism HOURS OF THE BEES.

Friday that week I'll be participating in the Showers of Books Giveaway Hop!

Hope to see you on Monday!