Today I’m thrilled to have agent Chelsea
Eberly here. She is a literary agent at The Greenhouse Literary Agency. Since her interview, she has become the director of the agency.
Status Update on 11/10/2024: Chelsea is closed to submissions except for referrals. Check the agency website to find out when she reopens to queries.
Status Update on 1/13/2026: The Greenhouse Literary Agency has been purchased by Folio Literary. Chelsea is a vice president and agent at Folio Literary. She continues to be closed to submissions except by referral. Check the agency website to learn when she reopens to queries.
Hi
Chelsea! Thanks so much for joining us.
About
Chelsea:
1.
Tell us how you became an agent, how long you’ve been one, and what you’ve been
doing as an agent.
I was an editor at Random House Books for
Young Readers for over a decade and loved so much about my job, but I realized that
the more I was promoted, the more I was feeling distant from the part of
publishing that I love most, namely working closely with authors to grow their
careers. When Sarah Davies, the founder of the Greenhouse Literary Agency,
called me about a position opening at Greenhouse, she wanted to know if there
were any agents who I would recommend, and instead I surprised her and said
that I would love to hear more about the role. I’ve always admired how
Greenhouse supports their clients. The agency has an extremely positive
reputation within the industry. I joined in 2019 and was thrilled to be
mentored by Sarah until her retirement at the end of 2021, at which time I was
promoted to Director.
There’s a great deal of crossover in the
role of editor and agent. I now use my editorial knowledge to help my clients
polish their manuscripts before going on submission, and then I use my background
writing acquisition memos to inform on those submission emails. I know how busy
editors are, and so I try to use my skills to take as much off their plate as
possible to increase my clients’ chances for success. I’ve always loved
negotiating, but I enjoy it even more now that I’m fully representing authors’
best interests. And understanding the in-house publisher milestones helps me to
ask questions about marketing and publicity at key moments. In turn, I hope
that I can explain the publishing process to my clients because I understand the
nuts and bolts of it.
I’ve witnessed first-hand how a good agent
can advocate to help their clients succeed, and after working with numerous
agents over the years and taking note of which strategies were most effective
during auctions and beyond, I’m thrilled that I can bring that knowledge to
representing my own clients at Greenhouse. I am also a proud member of the Association of
American Literary Agents.
I represent a diverse list of award winners
and New York Times bestsellers. My focus is middle grade, young adult, graphic
novels, illustrators who write picture books, and select upmarket adult book
club fiction.
About
the Agency:
2.
Share a bit about your agency and what it offers to its authors.
Greenhouse Literary Agency is where authors
can put down roots and grow their careers. We’re passionate publishing professionals
who put our clients and their stories at the center of everything that we do. Our
clients benefit from our agents’ backgrounds as former editors at Big 5
publishing houses, which gives them tremendous industry connections and a deep
understanding of how to best advocate for our clients.
As part of our larger business, we have an
unusual business structure that gives us exceptional support behind the scenes
with our sister companies, Contracts People and Rights People, as well as a dedicated Finance team which
has decades of experience reviewing royalty statements and advising on
international taxation. With our sister companies all under one umbrella, we
feel we can be the best of both worlds for our clients: a nimble boutique
agency with the back-of-house resources of a larger, more corporate agency.
Contracts People is a dedicated team of
three contracts advisors, each with over a decades’ worth of experience on both
the publisher and agency side of the desk, negotiating a wide variety of
publishing contracts. I always know that beyond my own close read of each
contract, Contracts People will bring their expertise to bear so that
Greenhouse clients have favorable contractual language.
Rights People is a team of seven—that’s
right, seven!—foreign rights agents who sell children’s and adult titles direct
in all but a few territories to foreign publishers (i.e., no subagents). This
means that Greenhouse clients are well positioned for success around the world.
Rights People is headquartered in the UK and attend all the major rights fairs,
such as Bologna, Frankfurt, and London Book Fair. Rights People is routinely
ranked #1 in Publishers Marketplace as the top agency selling children’s
international rights. Greenhouse is fortunate to have their expertise in the international
market.
Greenhouse is obsessed with selling every
possible right associated with our clients’ work, and so we partner with all
major book-to-film agencies to exploit dramatic rights as well. Our ethos is
that passion for an author’s work is what sells it, so we partner with the
film/TV co-agent who is most passionate about the work, rather than having a
single co-agent for all our clients’ works.
What
She’s Looking For:
3.
What age groups do you represent—picture books, MG, and/or YA? What genres do
you represent and what are you looking for in submissions for these genres?
I represent middle
grade and YA fiction and nonfiction as well as illustrators. Typically my
illustrator clients also write graphic novels and picture books as well as
create jackets and illustrate others’ work. I’m not actively seeking clients
who only write picture books. I also selectively represent clients in
upmarket/book club fiction.
4. Is there anything you would be especially
excited to seeing in the genres you are interested in?
I’d love to see more magical realism in middle
grade along the lines of WHEN YOU TRAP A TIGER by Tae Keller, which is a book
I’m extremely proud to say that I edited while still at Random House. I like
when authors play with structure and there are stories within stories. Across
all age categories, I am always interested in authors who can successfully
employ mixed media, such as journal entries, letters, podcast scripts,
interview transcripts, group text chains, emails, and so forth.
I love witty banter, clever twists, high
stakes, and ticking clocks, whether in a fantasy world like Leigh Bardugo’s SIX
OF CROWS or a contemporary thriller in the vein of Karen McManus and Tiffany D.
Jackson. I’m always on the hunt for the next high-stakes, epic love story,
especially if it’s playing with genre. An interesting genre mashup is always
intriguing! I love fantasy and am always interested in it, but I’m highly selective
in this category, so please send me a new take and diverse worldbuilding.
I love a great ensemble cast and a story with
a found family vibe. I want to see projects that evoke strong emotions and book
club conversations. I recently loved THE THURSDAY MURDER CLUB, which had a ton
of humor, great twists, a found family, and poignant moments of heart. ANXIOUS
PEOPLE by Fredrik Backman is another adult favorite and is high stakes with a found
family and a ton of heart as the connections between each character are slowly
revealed. The setting is also essential to the success of each of those books
(a retirement home and a vacant apartment being viewed by prospective buyers).
I love when setting is another character on the page. And I’d love to see those
kinds of story in the MG and YA space.
I am always dying to see a middle grade
mystery like THE WESTING GAME and books with clever puzzles and clues like
ESCAPE FROM MR. LEMONCELLO’S LIBRARY. I love to see queries from BIPOC authors
and illustrators as well as those marginalized identities that include
sexuality, gender identity, and disability. My family has a history of Type 1
diabetes and so main characters with T1D (particularly where it’s just a part
of life) are always intriguing to me.
For graphic novels and picture books, I am
always thinking, why does this story need to be in this medium? How are the art
and text elevating each other to become something more? I love to feel strong emotions
and would like to be crying (whether through humor or sadness, your call!) and
feeling uplifted and/or surprised by the final page turn.
What
She Isn’t Looking For:
5.
What types of submissions are you not interested in?
I’m not interested
in picture book manuscripts, adult nonfiction, and adult fiction outside of
upmarket/book club fiction. I hate to put boundaries on what I’m looking for
because the minute I say I’m not looking for something I read the exact book
that breaks that rule, but I will say that books focusing on sexual assault,
suicide, and eating disorders are often not the right fit for me. I’m also
generally not the right fit for gross-out humor, violent/gory horror, or books
that feature alien invasions.
Agent
Philosophy:
6.
What is your philosophy as an agent both in terms of the authors you want to
work with and the books you want to represent?
I love literary
ambition and authors who are striving to write the book of their heart. Often
this means authors who are extremely well-read in their category who are taking
risks and writing the book that they know they would have loved or needed at a
certain time in their life. I’d like to help authors publish books that will
start conversations and shape the marketplace. Books that other authors will eventually
comp to. Being an author is an expression of bravery—there’s nothing harder
than putting yourself out there and exposing pieces of your heart on the
page—so why not swing for the fences?
I tend to work best
with authors who are collaborative and open to feedback. I appreciate clients
who are professional and who treat their career as a business in which they are
the CEO. I love being in the corner of any author who has exceptional talent
and a strong work ethic. Authors who understand the “hurry up and wait” of
publishing and who are comfortable asking questions and communicating their
needs—strong communication is ideal for a healthy working relationship.
Editorial
Agent:
7.
Are you an editorial agent? If so, what is your process like when you’re
working with your authors before submitting to editors?
Yes, I often work
with clients to help them bring their work more closely to their ideal vision.
Hopefully I can help them highlight the most commercial and/or literary aspects
of their work prior to submission. Each project is different, but usually I
give Big Picture feedback as needed, and then specific line edits as needed.
My editorial support
doesn’t end after the first book is sold. I work with authors to develop their
proposals and sample chapters for their next book in a series, option
materials, and new ideas. I’m always willing to hop on the phone to brainstorm
or to talk through story. Hopefully my background as a former senior editor can
be my clients’ secret weapon.
Query
Methods and Submission Guidelines: (Always verify before submitting)
8.
How should authors query you and what do you want to see with the query letter?
For the most current
information, please see the submission guidelines on the Greenhouse website
here: https://www.greenhouseliterary.com/submissions/
In query letters, I
like to see that an author is well-read in their category and up to date on the
current market. Your sample pages are the most important aspect in whether or
not I will request a full manuscript, so a concise query with a quick elevator
pitch, a brief description, and something about your background and what
inspired you to write this book is most helpful to me.
9. Do you have any specific dislikes in query
letters or the first pages submitted to you?
I prefer recent comp
titles in queries. Your book may be the next classic-in-the-making, but only
comping to classics makes me worry that you haven’t read outside your high
school syllabus, which does not bode well for your work in the current
marketplace.
Try not to open with
a scene of waking up or long descriptions of the weather or a random voice
shouting at someone—these are common openings that tend to blend in with all
the other openings agents see as we review queries. Instead, try to open with
something more specific to the story that you want to tell.
Response
Time:
10.
What’s your response time to queries and requests for more pages of a
manuscript?
My goal is to respond within eight weeks.
Previously, if we did not respond within that timeframe, it was considered a
pass, as we would only reply to those queries we wanted to pursue. We’ve recently
decided to respond to all queries as the other system felt like it was creating
confusion via Query Manager.
Self-Published
and Small Press Authors:
11. Are you open to representing authors who have
self-published or been published by smaller presses? What advice do you have
for them if they want to try to find an agent to represent them?
I am open to
representing authors who have been published by smaller presses as well as
self-published authors who have built a strong audience and are looking for
someone to represent their new projects. I am not interested in representing
previously published works. Most agents will not want to represent
self-published projects unless the sales are outstanding, so your best bet is
to work on something new.
Beyond making sure
that you’ve revised your manuscript and it is in the best shape possible for
querying, the key to finding the right agent is first evaluating your career
goals. Then search for the agent whose track record consistently accomplishes
those goals. If your goal is to be published by a Big 5 publisher, research
agents who primarily do deals with those editors. (Publishers Weekly and
Publishers Marketplace are good resources for this research.) Similarly, if you
have your eye on a small press that specializes in your genre, who is routinely
selling to that press? If you would prefer an up-and-coming agent who perhaps
has more room on their client list, then does their agency have a track record
selling to those editors and publishers? Past deals are the best indicator of
future deals.
12.
With all the changes in publishing—self-publishing, hybrid authors, more small
publishers—do you see the role of agents changing at all? Why?
The role of an agent
stays the same—being an author’s advocate and publishing resource—but the job
itself is expanding as publishing rapidly changes and there are more
innovations, avenues toward publication, and ways to exploit rights to keep
track of and advise our clients on.
Clients:
13.
Who are some of the authors you represent?
Gavin Aung Than,
Katryn Bury, Sarwat Chadda, Andrea Contos, Bill Doyle, Theanne Griffith,
Michelle Lam, Gabriela Martins, Rebecca Mock, Kelis Rowe, Ali Standish, Emily
Thiede, and Ngozi Ukazu are a few of the authors and illustrators who I
represent.
Interviews
and Guest Posts:
14.
Please share the links to any interviews, guest posts, and podcasts you think
would be helpful to writers interested in querying you.
SCBWI Interview
The Darling Axe
Interview
The Horn Book
Profile of Newbery Medal Winner Tae Keller
Update on 1/27/2023
Podcast with Journey to KidLit (04/2022)
Agent of the Month at Writing and Illustrating Part 1, Part 2, Part 3 (01/2020)
Links
and Contact Info:
15.
Please share how writers should contact you to submit a query and your links on
the Web.
Publishers
Marketplace:https://www.publishersmarketplace.com/members/ChelseaEberly/
Twitter: https://twitter.com/chelseberly
Website: greenhouseliterary.com
Instagram: https://www.instagram.com/greenhouseliterary/
Please follow the
guidelines on our submission page to query me: https://www.greenhouseliterary.com/submissions/
Update on 1/27/2023
Manuscript Wish List
MS Wish List
Query Tracker
Additional
Advice:
16.
Is there any other advice you’d like to share with aspiring authors that we
haven’t covered?
Thank you for this
wonderful interview! I don’t have much more to add except to tell authors to take
some time between drafts to get space from their work so that they can come
back with fresh eyes. It’s important to refill your creative well! When
querying, remember that alongside talent and hard work, there’s also luck and
timing. Sometimes a “no” from an agent just means that wasn’t the right project
at the right time and another project down the road will be the perfect fit.
Keep working on craft and write the book of your heart.
Thanks for sharing all your advice, Chelsea.
Chelsea is generously offering a query critique to one
lucky winner. To enter, all you need to do is be a follower (via the follower
gadget, email, or bloglovin’ on the right sidebar) and leave a comment through
March 19th. If your e-mail is not on your Google
Profile, you must leave it in the comments to enter the contest. If
you do not want to enter the contest, that's okay. Just let me know in the
comments.
If you mention this contest on Twitter, Facebook, or your
blog, mention this in the comments and I'll give you an extra entry. This is an
international giveaway.
Profile Details:
Last Updated: 1/27/2023
Agent Contacted for Review? Yes
Last Reviewed By Agent? 3/7/2023
Have any experience with this agent? See something that
needs updating? Please leave a comment or e-mail me at natalieiaguirre7@gmail.com
Note: These agent profiles and interviews presently focus on
agents who accept children's fiction. Please take the time to verify anything
you might use here before querying an agent. The information found here is
subject to change.
