Upcoming Agent Spotlight Interviews & Guest Posts

  • Kristin Ostby Agent Spotlight Interview & Query Critique Giveaway on 10/11/21
  • Agent Melissa Nasson/Author Alex Perry Guest Post + Query Critique & Book Giveaway on 10/18/21
  • Ginger Clark Agent Spotlight Interview & Query Critique Giveaway on 10/25/21
  • Danielle Chiotti Agent Spotlight Interview and Query Critique Giveaway on 11/15/21

Agent Spotlight & Agent Spotlight Updates

  • All Agent Spotlights & Interviews have been updated as of 7/15/2020, and many have been reviewed by the agents. Look for them to be fully updated in 2023.

Debut Author Interview: Jessica Vitalis and The Wolf’s Curse Giveaway

Happy Monday Everyone! Today I’m excited to have debut author Jessica Vitalis here to share about her MG fantasy The Wolf’s Curse. It sounds like a fast-paced story with characters that will pull at your heartstring. I’m looking forward to reading it.

Here’s a blurb from Goodreads:

"The path ahead isn't easy. It will be filled with darkness and despair, and you will almost certainly regret your decision, just as I regret mine."
~Narrator, The Wolf's Curse

Twelve-year-old Gauge’s life has been cursed since the day he witnessed a Great White Wolf steal his grandpap√°’s soul, preventing it from reaching the Sea-in-the-Sky and sailing into eternity. When the superstitious residents of Bouge-by-the-Sea accuse the boy of crying wolf, he joins forces with another orphan to prove his innocence. They navigate their shared grief in a journey that ultimately reveals life-changing truths about the wolf––and death. Narrated in a voice reminiscent of The Book Thief and Lemony Snicket, this fast-paced adventure is perfect for fans of literary fiction fantasy such as A Wish in the Dark and The Girl Who Drank the Moon. 

 

Hi Jessica! Thanks so much for joining us!

Thank you for having me!

1. Tell us about yourself and how you became a writer.

I’m a Columbia MBA turned children’s author; I particularly love upper middle grade fantasy and entertaining stories that are also thought-provoking, and I run a free program called Magic in the Middle that features monthly videos that educators and caregivers can use to introduce their readers to new stories. My journey to become a writer was long and twisty; I read a lot as a child and wrote an essay for a college textbook in university, but I didn’t start thinking seriously about writing a book until I was in business school and challenged to design my ideal career; the exercise helped me identify that writing was my true passion. It was still several years after that before I tried writing my first book, a memoir that will never see the light of day. At the same time, I had young children, and I was also writing picture books; every time I brought a new manuscript to the critique group I’d joined, they told me it read like the opening chapter in a middle grade novel. It’d been years (decades?) since I’d read middle grade, so I picked up Kit’s Wilderness by David Almond and immediately realized that I’d found my literary “home.”

2. That’s awesome how you found out how you were meant to be a middle grade writer. Where did you get the idea for The Wolf’s Curse?

I was standing in front of my bookshelves, searching for inspiration, when I picked up a copy of The Book Thief by Markus Zusak. Although I’d read it before, lightning struck at that moment, and I realized that I wanted to try writing a story with Death as the narrator. As I pondered what that might look like, I realized that I had to first understand how Death felt about her (yes, her!) job. I figured she probably wouldn’t like it much, and that she’d be trying to find someone to take her spot, and so The Wolf’s Curse was born!

3. Share about your world building process and how it made your story richer?

My very first draft of this story was set in a vaguely European, completely nondescript world. My first beta reader pointed out that the story was nicely written but lacked any real theme. When I realized that I was going to have to rewrite the story, I also realized that I needed to fully develop the world and understand their traditions and rituals surrounding death and grief.

Researching death rituals from around the world helped open my mind to the fact that there isn’t any one “right” way to approach this topic. Since I’d once spent a year in a fishing village in Germany and had recently returned from a trip to France, I decided to merge the two and create a French-inspired fishing village. I then used this location (and the early renaissance timeframe) to create a specific and unique mythology for my story; for example, as fishermen without access to science, the villagers naturally assume that stars are lanterns lit by their loved ones as they travel to the sea in the sky and sail into eternity. And rather than being buried in coffins, they bury their loved ones in boats along with feathers so that they can fly up to the sea in the sky. 

4. That’s awesome that you were willing to rewrite your story. You also decided to have the Wolf narrate the story, and the voice of your narrator has been described in your blurb as like The Book Thief and Lemony Snicket. Why did you decide on having the Wolf instead of Gauge narrate the story? What challenges did you face in creating her[JV1]  voice?

The Grim Reaper is typically a skeletal figure cloaked in black. I wanted to make my version of Death much less frightening­­––and more accessible––for middle grade readers, so I created a Great White Wolf (the only real white wolves are arctic wolves, which didn’t work for my setting). Since writing a story with Death as a narrator was the initial story spark, I started with her voice—she came to me so strongly from the beginning that I never seriously considered having anyone else tell the story. But writing with an omniscient voice is always a challenge, so I worked to make sure readers were connected to her and the other characters, and I also had to make sure that dipping into close 3rd person with Gauge didn’t feel like head hopping. Beyond that, the biggest challenge was not letting the Wolf’s snark (and parentheticals) run away with the story.

5. Many fantasies are either a two-book or three-book series. You decided to tell this story as a standalone. Why? Did you ever think of developing this as a series instead?

Writing one book is hard enough—writing an arc for three or more books? My brain just exploded! That’s not to say that I’ll never write a series, only that it’s not something I’ve spent much time exploring from a craft perspective. The Wolf’s Curse always felt like a stand-alone to me, but if the right idea ever came along …

6. I read that you had help from your “literary godmother” Erin Entrada[JV2]  Kelly in getting your two-book publishing contract. Share about how she helped you. What advice do you have for other writers looking for a published author to take them under their wings?

Erin and I were both mentors in Pitch Wars when I parted ways with my first agent; around that time, Erin put out a call out on the private mentor board, looking for works-in-progress to share with a class she was teaching; she offered to share their feedback and her own. Eager to make sure my pages were as polished as possible before querying, I sent them off to Erin. When she learned I was querying, she passed the story on to her agent, and the rest, as they say, is history!

In terms of mentorship, my personal experience is that the best way to cultivate relationships is by being an active participant in the literary community; my most treasured literary relationships have come organically from the contacts I’ve made volunteering and attending conferences. There are also a variety of incredible programs available (Pitch Wars, We Need Diverse Books, etc.) for more formal mentorship opportunities.

7. That’s so cool how Erin helped you. Your agent is Sara[JV3]  Crowe. How did she become your agent and what was your road to publication like?

I call Erin Entrada Kelly my literary godmother because Sara reached out to set up “the call” less than twenty-four hours after Erin sent her my story. That said, I’d written six books over the course of thirteen years by that point. After signing with Sara, we did a light round of revisions and went on submission; after years in the trenches, I expected months of waiting, but I received a two-book offer from Greenwillow/HarperCollins just three weeks later! The whole thing was particularly surreal because all of this occurred from mid-March to early May of 2020—just as the whole world had been turned upside down by the pandemic.

 

8. What a great road to publication story! You’ve also chosen to work with Books Forward to market your book. What made you choose to hire them to help you with book promotion and what has your experience been with them? What’s your advice to other debut authors about hiring them or another company to help them with the big job of marketing their book?

I’d heard that authors were expected to do much of their own publicity (not because publishers don’t care or aren’t working hard, but because they have limited resources and are being pulled in so many directions). Because the timeline for my two book deal was fairly tight, I didn’t feel that I would have the time to do my first book justice from a marketing perspective. I’d seen Books Forward work on other campaigns, and I was impressed with their professionalism.

My experience thus far has been positive. They are incredibly responsive and organized, and they have freed up my schedule to stay focused on writing and revising instead of pitching to media. My advice to others considering hiring a PR firm is to be clear about the size of your budget and to set clear expectations; do you need help developing a press kit and pitching to media? To influencers? Setting up author visits/events? Creating swag? A more comprehensive campaign? Setting realistic expectations is also important; a PR firm can pitch you, but they can’t force Oprah to invite you on her show! 

9. I saw on your website that you’ve done a podcast on street teem marketing and also talked about it at a MG book party in August. Why is having a street teem important to a marketing plan? How have you developed your own street team?

I don’t know if anybody really knows how much a street team might or might not contribute to the success of a book. My personal feeling is that I only have one chance to launch my first book, and I want to do everything I can to help it reach readers. Because I believe word of mouth is the most powerful sales tool authors have, I hope that inviting a team of passionate readers to advocate for my story in person and online helps. I recruited street team members by offering swag and a copy of my book in exchange for their participation.

10. You are a member of two debut groups, the 21ders and the Class of 2k21. How did these groups help you navigate your debut year?

The collective wisdom and support in these two groups has been invaluable! Debuting feels a bit like reinventing the wheel, and having groups that share experience and advice and cheer each other on has made the whole process so much easier. A debut group can also pool resources to make marketing and advertising opportunities more cost-effective.

11. What are you working on now?

I’m editing book two, which publishes in the fall of 2022 (the title hasn’t yet been revealed) and starting research on what I hope will become book three! 

Thanks for sharing all your advice, Jessica. You can find Jessica at www.jessicavitalis.com, on Twitter at @jessicavitalis, and on FB and IG at @jessicavauthor.

Giveaway Details

Jessica has generously offered a hardback of The Wolf’s Curse for a giveaway. To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by October 9th. If your e-mail is not on your Google Profile, you must leave it in the comments to enter the contest. Please be sure I have your email address.

If you mention this contest on Twitter, Facebook, or your blog and/or follow me on Twitter, mention this in the comments and I'll give you an extra entry for each. You must be 13 years old or older to enter. This giveaway is U.S. and Canada.

Marvelous Middle Grade Monday is hosted by Greg Pattridge. You can find the participating blogs on his blog.

Upcoming Interviews and Giveaways

Tuesday, October 5th I’m participating in the Howloween Giveaway Hop

Wednesday, October 6th I have an interview with debut author Sacha Wunsch and a giveaway of her YA psychological mystery Lies My Memory Told Me and my IWSG Post

Monday, October 11th I have an agent spotlight interview with Kristin Ostby and a query critique giveaway

Wednesday, October 13th I’m hosting Angela Ackerman to celebrate the release of the Conflict Thesaurus

Saturday, October 16th I’m participating in the Cheeky Pumpkin Giveaway Hop

Monday, October 18th I’ve got an agent/author guest post by Melissa Nasson and Alex Perry and a query critique and MG contemporary Pighearted giveaway

Monday, October 25th I have an agent spotlight interview with Ginger Clark and a query critique giveaway

Hope to see you on Tuesday!

 

 



Agent Spotlight: Crystal Orazu Interview and Query Critique Giveaway

Today I’m thrilled to have agent Crystal Orazu here. She is a junior literary agent at Context Literary Agency.

Hi­ Crystal! Thanks so much for joining us.

About Crystal:

1. Tell us how you became an agent, how long you’ve been one, and what you’ve been doing as an agent.

I started out doing an internship with a literary scout towards the end of college and from there I was sold on working in publishing in some capacity. I actually planned to continue learning by applying to the Columbia Publishing course, but, like many others found, the pandemic changed my plans. Everything going on in the world urged me to jump head first into the industry and I have not regretted making that pivot since!

About the Agency:

2. Share a bit about your agency and what it offers to its authors.

Context Literary Agency represents writers of fiction and non-fiction, from picture books up through adult novels. The agency works with a wide array of authors, providing them with extensive editorial feedback and tailored support throughout their careers. 

What She’s Looking For:

3. What age groups do you represent—picture books, MG, and/or YA? What genres do you represent and what are you looking for in submissions for these genres?

I represent MG, YA, and Adult fiction. In terms of genre, I am interested in contemporary, romance, sci-fi, and fantasy. I am especially partial to narratives that explore the complexities of interpersonal relationships and writing that centers the experiences of Black, Indigenous, and People of Color (BIPOC), LGBTQ+, and neurodivergent persons that brings joy and emphasizes subverting the status-quo.

4.  Is there anything you would be especially excited to seeing in the genres you are interested in?

I would like more stories that explore culture, identity, and mental health all intertwined within a coming-of-age narrative, especially from a first- or second-generation immigrant perspective. I’d love to see more adult characters questioning life and finding their footing like in LUSTER or THE WINDFALL.

I also want a narrative showing the sinister side of something always considered normal or sweet, in the same vein of WHEN WE WERE ANIMALS, or Peter Pan’s horrid character in LOST BOY (although it doesn’t need to be a retelling of an already existing fairytale). 

What She Isn’t Looking For:

5. What types of submissions are you not interested in?

I am not a good fit for anything that is heavily contingent on princesses or royalty/monarchical rule in general. Procedurals or anything historical set in United States, especially during slavery, is not ideal either.

Agent Philosophy:

6. What is your philosophy as an agent both in terms of the authors you want to work with and the books you want to represent?

My goal is to represent and uplift authors whose stories allow readers to feel seen and heard in new and exciting ways. I love to work with writers whose work is simple, open, and honest featuring dynamic characters who explore new territory alongside the messy gray areas of life.

Editorial Agent:

7. Are you an editorial agent? If so, what is your process like when you’re working with your authors before submitting to editors?

Yes, I am an editorial agent and I take pleasure in being able to see my client’s work through as many rounds of edits as is necessary to get it to where it needs to be prior to submission.

Typically, we work from large scale developmental edits down to smaller line edits and once that process is complete, I like to go over the pitch and other expectations for the submission process especially if it is a writer’s first time on submission.

Query Methods and Submission Guidelines: (Always verify before submitting)

8. How should authors query you and what do you want to see with the query letter?

Submissions should be emailed to querycrystal@contextlit.com 

Please send a query letter/short description, short bio, and the first 10 pages of text pasted into the body of the email. No attachments please.

9.  Do you have any specific dislikes in query letters or the first pages submitted to you?

As soon as I open a query I notice font size and formatting before I get down to reading anything. My tip for writers is to email the query to yourself to make sure the formatting is consistent and font size isn’t too tiny.

Response Time:

10. What’s your response time to queries and requests for more pages of a manuscript?

I can take up to six to eight weeks if I have a high volume of queries and up to two months or more once I have requested a full. 

Self-Published and Small Press Authors:

11.  Are you open to representing authors who have self-published or been published by smaller presses? What advice do you have for them if they want to try to find an agent to represent them?

I am open to representing authors who have self-published or published in smaller presses as long as they are querying new material. 

12. With all the changes in publishing—self-publishing, hybrid authors, more small publishers—do you see the role of agents changing at all? Why?

I think agents will continue to do what they’ve always done in terms of supporting and advocating on the part of their clients no matter how much the publishing landscape shifts over time.

Clients:

13. Who are some of the authors you represent?

I represent Deena ElGenaidi, Sara Merten, and Leo D. Martinez.

Interviews and Guest Posts:

14. Please share the links to any interviews and guest posts you think would be helpful to writers interested in querying you.

https://www.writersdigest.com/getting-published/new-agent-alert-crystal-orazu-of-context-literary-agency

Links and Contact Info:

15. Please share how writers should contact you to submit a query and your links on the Web.

You may query me at querycrystal@contextlit.com and check out my MSWL page.

Thanks for sharing all your advice, Crystal.

­Crystal is generously offering a query critique to one lucky winner. To enter, all you need to do is be a follower (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment through October 9th. If your e-mail is not on your Google Profile, you must leave it in the comments to enter the contest. If you do not want to enter the contest, that's okay. Just let me know in the comments.

If you mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This is an international giveaway.

Have any experience with this agent? See something that needs updating? Please leave a comment or e-mail me at natalieiaguirre7@gmail.com

Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change.

 

 

 

 

 

 

Being in the Query Trenches by Agent/Author by Chloe Seager and Brianna Bourne + You & Me at the End of World & Query Critique Giveaway

Happy Monday Everyone! Today I’m excited to have debut author Brianna Bourne and her agent Chole Seager here to share a guest post to celebrate the release of Brianna’s YA romance with a speculative twist You & Me at the End of the World. It sounds like it’s got a fantastic premise and compelling characters, which makes me excited to read it.

Here’s a blurb from Goodreads:

This is no ordinary apocalypse...

Hannah Ashton wakes up to silence. The entire city around her is empty, except for one other person: Leo Sterling. Leo might be hottest boy ever (and not just because he's the only one left), but he's also too charming, too selfish, and too devastating for his own good, let alone Hannah's.

Stuck with only each other, they explore a world with no parents, no friends, and no school and realize that they can be themselves instead of playing the parts everyone expects of them. Hannah doesn't have to be just an overachieving, music-box-perfect ballerina, and Leo can be more than a slacker, 80s-glam-metal-obsessed guitarist. Leo is a burst of honesty and fun that draws Hannah out, and Hannah's got Leo thinking about someone other than himself for the first time.

Together, they search for answers amid crushing isolation, but while their empty world may appear harmless . . . it's not. Because nothing is quite as it seems, and if Hannah and Leo don't figure out what's going on, they might just be torn apart forever.

And here’s another blurb: “An altogether lovely book about human connection and taking second chances—even when they might come on the heels of an apocalypse. A stellar debut. I’m already eagerly waiting to see what Bourne does next.” - Emily Henry, #1 New York Times bestselling author of  Beach Read and People We Meet on Vacation

Here's a link to the trailer: https://www.youtube.com/watch?v=E1yoKBOAAEk 

Brianna Bourne and Chloe Seager Guest Post

BRI: Thank you so much for having us on Literary Rambles, Natalie! When I was in the query trenches, this website was such a cornerstone resource for me, and I hope Chloe and I can share a few fresh insights with those of you querying.

For context, I’m from Houston, and YOU & ME AT THE END OF THE WORLD was published first in the US by Scholastic (The Hunger Games publisher!) Chloe Seager is my incredible agent, and is part of the team at Madeleine Milburn Literary, TV & Film Agency in London. https://madeleinemilburn.co.uk

Chloe being in London is convenient for me because I’m currently living in England, but don’t let location put you off querying the agency! Chloe and her colleagues rep many American authors, and they have the same connections and relationships with US editors that US agents have (and they also have valuable connections with European publishers, which comes in very handy for foreign rights!) Now that you have an idea of our agent-author relationship, let’s get into our conversation.

BRI: Chloe, I remember when I was in the trenches, there was a lot of advice going into my head, but I didn’t fully believe all of it, or really “get” it. When you’re querying, it’s so easy to think that an agent’s job is primarily about reading submissions, but there’s SO much that you do for the clients you represent, and that’s the priority of your work week. This is probably the question you get most frequently - how many submissions do you receive in a typical week? And what percentage of your work week would you say goes towards reading submissions, versus supporting the clients on your list?

CHLOE: Yes, indeed, this is a common misconception! I suppose it's the only part of the process that unagented writers hear about, but this is actually a relatively small part of our job and something we usually have to do in our own time. We are guiding and managing every aspect of our existing authors' careers and our loyalty/ commitment is with them. Of course finding new authors is something that every agent is excited about, but unfortunately it can't be the priority in our day-to-day working lives. On average I would say the children's department at MM receives about 200 submissions a week - but this can reach double that at peak times (for instance, post lockdown!) I would say that I dedicate a few hours a week to the submissions inbox and if there's something I love in there, I will carve out an evening to sit down with a full, called in manuscript, but the rest of my time has to be spent on my existing clients. 

BRI: Can you tell people a little more about the agency itself? It’s quite a large one, with 10 agents plus many incredibly knowledgeable people supporting the agents and authors. It’s one of the things I love about the agency.

CHLOE: It's funny that you say we're large as, although we've grown a lot recently, I would always have said we were small to medium size, but we often give the impression of being large!! I think that's one of the nice things about working at MM - it has a big impact and a global reach, yet retains a family feel. Our motto is to take on less authors but do more for them, which is why we do everything in-house - film & TV, foreign rights, with agents who are experts in different areas.  Rather than film & TV rights or foreign rights being sold to publishers or by external agencies, we aim to keep rights in one place with each deal and it allows for high levels of communication and coordination when it comes to building authors' careers in every aspect.

BRI: I was recently on the other side of the table, reading through a towering stack of queries, and I couldn’t believe how intense it was reading 70 entries in one week. (I mentor for WriteMentor, and I’m mentoring for PitchWars this year as well - you should absolutely consider submitting to me! https://pitchwars.org/mentor-profile/brianna-bourne/)

Reading my own one-week slush pile drove home all the advice I’d heard surrounding the query letter—it really does need to be so tight, and the book’s concept does have to be fresh and immediately gripping. What are your thoughts on what makes a query package stand out?

 CHLOE: It's as you say, making yourself stand out in the shortest amount of words possible. What makes your book different to the many others that agents will be looking at each week? Is there a gap in the market that you've spotted? This also shows me that a writer knows the market and reads current YA/children's books, which is so important in being a successful author. I'll be instantly interested if a one line pitch makes me sit up… Like yours, Bri! I love talking about your book because anyone who hears the premise, without fail, wants to know more. Two teenagers (with bags of sexual tension between them, obv) wake up to a world where they appear to be the only two people left?! I immediately want to know what happens, straightaway I see it's a clever way to talk about big, relatable themes like teen isolation/pressure to conform/working out your identity, and I know I'm in for some seriously swoony moments as well as high stakes adventure  

BRI: Thank you so much! <3 Romantic tension is one of my favorite things to write, and the book is very much a love story with a side dish of surreal suspense, instead of the other way around!

CHLOE: What about you, Bri - what would your advice be, now that you've been on the other side of the querying process?

BRI: After taking YOU & ME out on two major querying rounds one year apart, my “hindsight is 20/20” advice is that I wish I’d kept going. Both times, I stopped at around 30 agents, and I think these days it can take up to 100 agents before you can really shelve a project and know for sure it wouldn’t have been picked up. But that’s just based on my personal experience, and I always caution that you should probably be getting around a 20% full request rate for that advice to apply. If you’re not getting any requests, that probably means something needs more work, or that the concept might not be as unique as it needs to be to stand out from the crowd.

CHLOE: And how do you come up with your brilliant pitches? (Bri's second book also has a stunning premise, although I can't say more!)

BRI: Ideas for novels usually come to me as high-concept “what ifs” right out of the gate - so the specific characters, plot, and setting come after that. For YOU & ME, there’s actually an even juicier pitch underneath the “last girl and boy in the world” premise. I always wish I could shout about it, but it’s a massive spoiler! There are lots of hidden clues as to what’s really going on, but so far only one person has 100% correctly guessed the twist.

I also always check to make sure no one’s written that exact premise before. Then, while I’m building the characters and the plot, I make sure to touch base with the concept (or my “elevator pitch”) often, because sometimes adding layers to a story can dilute its original premise. Nowadays, I start every project by crafting a polished elevator pitch first, then I write a longer pitch that’s very much like a query letter, then I start plotting/outlining. It’s so easy to shift big picture things when all that exists is a pitch; you can make all the puzzle pieces fit in the most dramatic, juicy way.

BRI: Chloe, This is something I worry about a lot - do you think publishing has slowed down during the pandemic? Do you get the sense that editors are even more scrupulous about which projects they pick up?

CHLOE:  I can't speak for everybody but the pandemic certainly slowed me down at first - it was hard to concentrate on submissions, which is such a creative part of the job, when it felt like the entire world was on fire! But after a while I found the escapist joy of books meant that I rediscovered my inspiration and I would say that publishing hasn't necessarily slowed down, but there have been changes in the market regarding what's working and what people are looking for. And of course, it was a tough year for debuts across the board, although I hope that's changed again now. What was your experience of debuting into a pandemic like, Bri?

BRI: There have certainly been some surprises, and some experiences 2020/2021 debut authors have had to miss out on. Obviously in-person launch events and book conventions were off the table, but on the plus side, I got to do virtual launch events with a few of my absolute writer heroes (Stephanie Perkins! Jennifer Lynn Barnes!), and I wouldn’t have been able to do those if the entire world hadn’t shifted to virtual.

Right - last question! For Literary Rambles readers who are querying or are preparing to query, what are some things you’re hoping to see in your inbox?

CHLOE: Relating to the above, I would say more than ever I am in need of some uplifting joy! But I am still open to dark books - especially if they are 'fun' dark, like a thriller. I would say at the moment, anything that feels like a big, interesting concept, with well-drawn characters and pacy writing that can hold my attention and completely distract me from what's going on in the world.

BRI: I love writing stories that provide those much-needed slices of escapism! Thanks again, Natalie, for having us on Literary Rambles, and thank you all for reading!

You can find Bri at:

www.briannabournebooks.com 

https://www.instagram.com/brianna_bourne_writes/

https://twitter.com/BriannaBourneYA 

And you can find Chloe at:

https://twitter.com/ChloeSeager

For submission guidelines and more information about the agency, visit https://madeleinemilburn.co.uk

Thanks for sharing all your advice, Brianna and Chole!

Giveaway Details

Brianna has generously offered a hardback of You & Me at the End of the World and Chole has offered a query critique for a giveaway. To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by October 2nd. If you do not want to be included in the critique giveaway, please let me know in the comments. If your e-mail is not on your Google Profile, you must leave it in the comments to enter the contest. Please be sure I have your email address.

If you mention this contest on Twitter, Facebook, or your blog and/or follow me on Twitter, mention this in the comments and I'll give you an extra entry for each. You must be 13 years old or older to enter. This giveaway is International.

Upcoming Interviews and Giveaways

Wednesday, September 22nd I have an agent spotlight interview with Crystal Orazu and a query critique giveaway

Monday, September 27th I have an interview with debut author Jessica Vitalis and a giveaway of her MG fantasy The Wolf’s Curse

Tuesday, October 5th I’m participating in the Howloween Giveaway Hop

Wednesday, October 6th I have an interview with debut author Sacha Wunsch and a giveaway of her YA psychological mystery Lies My Memory Told Me and my IWSG Post

Monday, October 11th I have an agent spotlight interview with Kristin Ostby and a query critique giveaway

Hope to see you on Wednesday!

 

Falling Into Leaves Giveaway Hop


Happy Thursday Everyone! I hope you're having a good start to your fall. 
Today I'm excited to participate in the Falling Into Leaves Giveaway Hop hosted by MamatheFox. I’m doing this giveaway a little differently this time. 

Book of Your Choice or Amazon Gift Card

I am offering a book of your choice that is $20 or less on Amazon or The Book Depository. I’m looking forward to seeing what books everyone is looking forward to reading. If you don’t have a book you want, you can win a $10 Amazon Gift Card.

 Giveaway Details

 One lucky entrant selected by the entry form will receive a book of their choice for $20 or less at Amazon or The Book Depository or a $10 Amazon Gift Card. Open to entrants internationally as long The Book Depository ships to you for free, 13 years and older. Open for entry from 9/16 – 9/30/2021 at 11:59 pm EST. NO PURCHASE NECESSARY. The selected winner will have 48 hours to respond to the notification email to claim this prize or a new winner will be selected.

Please note that you must be a blog follower and leave a blog comment to enter the contest. 

a Rafflecopter giveaway

Upcoming Interviews and Giveaways

Monday, September 20th I have an agent/author guest post with Chloe Seager and  Brianna Bourne and giveaway of Brianna’s YA dystopian You and Me and the End of the World and a query critique by Brianna

Wednesday, September 22nd I have an agent spotlight interview with Crystal Orazu and a query critique giveaway

Monday, September 27th I have an interview with debut author Jessica Vitalis and a giveaway of her MG fantasy The Wolf’s Curse

Tuesday, October 5th I’m participating in the Howloween Giveaway Hop

Wednesday, October 6th I have an interview with debut author Sacha Wunsch and a giveaway of her YA psychological mystery Lies My Memory Told Me and my IWSG Post

Monday, October 11th I have an agent spotlight interview with Kristin Ostby and a query critique giveaway

Hope to see you on Monday!

 And here are all the other blogs participating in this blog hop:

  

MamatheFox and all participating blogs are not held responsible for sponsors who fail to fulfill their prize obligations.

 

Agent Spotlight: Nicole Eisenbraun Interview and Query Critique Giveaway

Today I’m thrilled to have agent Nicole Eisenbraun here. She is a literary agent and Translations Right Manager at Ginger Clark Literary.

Hi­ Nicole! Thanks so much for joining us.

About Nicole:

1. Tell us how you became an agent, how long you’ve been one, and what you’ve been doing as an agent.

I knew I wanted to go into publishing starting my junior of high school. Like so many in this field, I was the bookworm of my class and it just seemed like the right fit. I went to University of Nebraska – Lincoln, where I was able to do several internships. One of those internships was with Noah Ballard at Curtis Brown, Ltd. my senior year.

When I was able to make the move to NYC, I was lucky in that an assistant position had opened up at Curtis Brown. I assisted Ginger Clark and Maureen Walters for the first year. After Maureen’s retirement I transitioned into assisting Sarah Perillo – the foreign rights director. I spent my second year in agenting learning all about foreign rights.

I am now in my third year in this field. I have joined Ginger Clark Literary where I am creating my own list and handle foreign rights.

About the Agency:

2. Share a bit about your agency and what it offers to its authors.

Ginger Clark Literary is dedicated to guiding and supporting new and established authors in their literary endeavors both in North America and internationally. Based in the New York City area, the agency launched in 2021 and provides more than 20 years of agenting experience.

What She’s Looking For:

3. What age groups do you represent—picture books, MG, and/or YA? What genres do you represent and what are you looking for in submissions for these genres?

I am currently looking for MG and YA in all genres, fiction and nonfiction.

4.  Is there anything you would be especially excited to seeing in the genres you are interested in?

Fresh, colorful fairytale retellings – especially ones that haven’t been done before! I am so excited for Marissa Meyer’s upcoming novel GILDED.

Contemporary stories set in the Midwest

Family stories center around the family business (think FRONT DESK by Kelly Yang)

Stories that tackle difficult issues in an unexpected way with a strong voice – something like RIVERLAND by Fran Wilde

What She Isn’t Looking For:

5. What types of submissions are you not interested in?

I do not handle picture books.

I currently am not into animal stories for MG.

Please don’t send me any stories about a world-wide pandemic.

Agent Philosophy:

6. What is your philosophy as an agent both in terms of the authors you want to work with and the books you want to represent?

My “why” is getting great books out there to kids. I believe in the power of a good book changing your life and think it’s important for kids to have stories that reflect the world they live in – something that can comfort them or change the way the think about something.  I want to work with authors and represent books that share that belief.

Editorial Agent:

7. Are you an editorial agent? If so, what is your process like when you’re working with your authors before submitting to editors?

Every book I represent will go through at least one round of edits.

Query Methods and Submission Guidelines: (Always verify before submitting)

8. How should authors query you and what do you want to see with the query letter?

Please email queries to nme (at) gingerclarkliterary (dot) com with ‘nmequery’ in the subject line, including just your query letter and contact information.

9.  Do you have any specific dislikes in query letters or the first pages submitted to you?

Query letters that include paragraphs and paragraphs describing the plot.

Response Time:

10. What’s your response time to queries and requests for more pages of a manuscript?

For queries 2-3 weeks; 6-8 weeks on requested pages.

Self-Published and Small Press Authors:

11.  Are you open to representing authors who have self-published or been published by smaller presses? What advice do you have for them if they want to try to find an agent to represent them?

Yes. For advice, I would say query agents with something that has not already been published, unless your self-published book has been a huge break out success.

12. With all the changes in publishing—self-publishing, hybrid authors, more small publishers—do you see the role of agents changing at all? Why?

I think an agent’s role centers around having their clients’ best interests mind. That means learning and changing your role as the industry changes. Good agents are always adapting to fit the needs of their clients.

Clients:

13. Who are some of the authors you represent?

I am building my list. Ginger Clark Literary represents authors such as Ursula K. Le Guin, Karina Yan Glaser, Gretchen McNeil, Elizabeth Wein, Liz Braswell, Monica Hesse, and dozens more.

Interviews and Guest Posts:

14. Please share the links to any interviews and guest posts you think would be helpful to writers interested in querying you.

N/A

Links and Contact Info:

15. Please share how writers should contact you to submit a query and your links on the Web.

Please email me at nme@gingerclarkliterary.com.

https://gingerclarkliterary.com/About

https://www.linkedin.com/in/nicole-eisenbraun-95499511a/

Thanks for sharing all your advice, Nicole.

­Nicole is generously offering a query critique to one lucky winner. To enter, all you need to do is be a follower (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment through October 2nd. If your e-mail is not on your Google Profile, you must leave it in the comments to enter the contest. If you do not want to enter the contest, that's okay. Just let me know in the comments.

If you mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This is an international giveaway.

Have any experience with this agent? See something that needs updating? Please leave a comment or e-mail me at natalieiaguirre7@gmail.com

Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change.