How to Get Your Second Book Ready for Publication by Author Leah Stecher and A Field Guide to Broken Promises

 Happy Monday Everyone! Today I’m excited to have Leah Stecher back to share about getting her second MG, A Field Guide to Broken Promises, ready for publication. Leah shared another guest post when her debut MG, The Things We Missed, was released in 2024. Her new book deals with some issues many middle graders must deal with, and I’m looking forward to reading it. 

Here's a blurb from the book’s jacket:

 

When Evie Steinberg’s family moves right before seventh grade, she promises her dad that she’ll make sure everything goes perfectly. Maybe if she keeps her promise, he’ll finally forgive her for accidentally ruining the biggest moment of his cryptozoology career last spring.​

Perfect means taking care of her little sister, fitting in at her new school, and never complaining or causing problems. Perfect definitely doesn’t mean being bullied by a girl who’s turning the whole school against her and failing math class. 

Evie needs to fix her life before anyone finds out she’s struggling. When she uses her cryptozoologist skills to figure out the real reason her bully decided to target her, Evie realizes that she holds the key to fixing everything. She just needs proof. But how far is Evie willing to go to reveal the truth?​

This tender and imaginative middle grade novel combines a fast plot and reluctant reader appeal with explorations of perfectionism, people-pleasing, and bullying. 

Now here’s Leah! 

My second middle grade novel—A FIELD GUIDE TO BROKEN PROMISES (Bloomsbury)—published last week, on May 6, 2025. You can pick up a copy today at a bookstore near you (and I hope you do!). This was almost exactly a year after my debut novel, THE THINGS WE MISS, published on May 7, 2024. In some ways, the experiences of getting each book ready for publication were very similar: they both went through the same developmental and production steps, the same series of cover sketches with the same artist, the same lengthy back and forths about titles. But in some key ways, publishing FIELD GUIDE was both logistically and emotionally a whole different ballgame. 

Logistically, I had a deadline before I even started drafting the book. Bloomsbury had purchased THE THINGS WE MISS in a two-book deal, with a then-unnamed second book to publish a year after my debut. I owed my editor a first draft of that second book in Fall 2023, before THE THINGS WE MISSED even came out. We sent FIELD GUIDE into copyedits in July 2024, so I essentially spent the months leading up to and right after the publication of my debut in revisions and line edits. Sometimes it felt like a nice distraction from the publishing comparison game, and from that empty feeling you get after pub date. But most of the time, it was really hard. 

Start to finish, writing A FIELD GUIDE TO BROKEN PROMISES took less time than THE THINGS WE MISS—which I labored over for years before submitting to editors—but boy did it somehow take a whole lot more energy. 

Here are a few things I learned: 

Your editor isn’t going to hate you. It was hard to send my editor a draft that I considered messy and unfinished. I asked for an extension on the first draft of FIELD GUIDE and delayed hitting send for as long as I could. The truth was, the last book my editor saw had been polished to a shine for submission, and I was afraid she would be shocked by the differences in quality between the two. I was convinced she would think “oh, I’ve been hoodwinked! This person can’t actually write at all.” And it turns out that I really, really care what my editor thinks of me. Hitting send was ultimately a terrifying act of faith in the collaborative editorial process. (Spoiler: it turned out fine.) 

First drafts will become final drafts, eventually. I spent a lot of time with my debut novel, THE THINGS WE MISS, during the months before and after publication… which was the same period of time when I was throwing clumsy, half-finished ideas at the wall to see what stuck for FIELD GUIDE. Interacting with both books at the same time made it extra tough to have grace for those messy early drafts—the gap between first draft and final book honestly felt insurmountable. I drafted and deleted several emails to my agent asking her what would happen if we pulled the book. Without a deadline and a contract holding my feet to the proverbial fire, I absolutely would have given up on FIELD GUIDE.

It's still amazing to me that A FIELD GUIDE TO BROKEN PROMISES somehow became a final, polished book. I can hold it in my hands as physical proof that messy first drafts will become final manuscripts, if you don’t give up on them. 

There is no perfect version of your story. My preferred drafting process is lengthy, involving many, many drafts and plenty of time away from the story to let things marinate and let the best ideas bubble to the top. Condensing that timeline to meet my deadlines was tough. I doubted my own voice constantly and doubted every choice I made, because I didn’t have the time to let those choices breath. I was constantly worried that I was making narrative mistakes and ruining my story.

But writing A FIELD GUIDE TO BROKEN PROMISES really reenforced for me that there is no platonic ideal of your book floating out there on the horizon, waiting for you to grab it. That is, there are no narrative mistakes. Any choice can be a good choice, if you commit to it. There are an infinite number of possible versions of this exact book and so many of those possible versions would have also been fantastic. I know this, because I explored several dozens of those alternative versions during my revisions! My main character in FIELD GUIDE, Evie, holds herself to extremely high standards, and has internalized the idea that anything less than perfect is a failure. In many ways, this was an idea I had to unlearn right alongside her. Mentally putting aside the idea that there is only one “perfect” version of any given story is what let me finally put down the pen.  

Of course, writing down these “lessons” as though I’ve internalized them is nonsense. I’m in the middle of another project and somehow FIELD GUIDE—the book that I thought was the messy evidence that I’m a terrible writer who will never accomplish anything every again—is now the finished book that I’m comparing my new messy first drafts too! 

There’s probably a lesson in that, too… 

LINKS:

Leahstecherbooks.com

IG: @l.stech 

AUTHOR BIO: Leah Stecher is the critically acclaimed author of The Things We Miss (Bloomsbury, May 2024) which was an ALSC Notable Children's Book and a 2024 Shelf Awareness Best Book of the Year, and A Field Guide to Broken Promises (Bloomsbury, May 2025). She was born and raised in Southern California and currently lives in coastal Maine.  

Giveaway Details

Leah’s publisher is generously offering a hardback of A Field Guide to Broken Promises for a giveaway. To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by May 24th. If I do not have your email (I can no longer get it from your Google Profile), you must leave it in the comments to enter the contest. Please be sure I have your email address.

If you mention this contest on Twitter, Facebook, or other social media sites and/or follow me on Twitter or follow Leah on her social media sites, mention this in the comments, and I'll give you an extra entry for each. You must be 13 years old or older to enter. This book giveaway is U.S. and Canada.

Marvelous Middle Grade Monday is hosted by Greg Pattridge. You can find the participating blogs on his blog.

Upcoming Interviews, Guest Posts, and Blog Hops

Wednesday, May 14th I have an agent spotlight interview with Analía Cabello and a query critique giveaway

Friday, May 16th I’m participating in the Moms Rock Giveaway Hop

Monday, May 19th I have a guest post by author Carol L. Pauer and a giveaway of her MG Rowley Peters and the Lumberjack Ghost

Wednesday, May 21st I have an agent spotlight interview with Isabel Lineberry and a query critique giveaway

Sunday, June 1st I’m participating in the Berry Good Giveaway Hop

Wednesday, June 4th I have an interview with author Aaron Starmer and a giveaway of his YA Night Swimming and my IWSG post

Monday, June 9th I have an interview with author Nancy McCabe and a giveaway of her MG Fires Burning Underground 

Wednesday, June 11th I have an agent spotlight interview with Mark O’Brien and a query critique giveaway

Monday, June 16th I’m participating in the Dad-o-Mite Giveaway Hop

Monday, June 23rd I have an interview with author Michael Spradlin and a giveaway of his MG Threat of the Spider

I hope to see you on Wednesday!

 

 

 

On Juggling Your Writing With a Day Job: Interview With Debut Author Leah Stecher and The Things We Miss Giveaway

Happy Monday Everyone! Today I’m excited to have debut author Leah Stecher here to share about her MG contemporary The Things We Miss. I love that her story includes a magical element, which makes me want to read it even more.

Here’s a blurb from Goodreads:

J.P. Green has always felt out of step. She doesn't wear the right clothes, she doesn't say the right things, and her body…well, she'd rather not talk about it. And seventh grade is shaping up to be the worst year notorious bully Miranda O'Donnell won't stop offering unsolicited diet advice and her mom keeps trying to turn J.P. into someone she's not.

When J.P. discovers a mysterious door in her neighbor's treehouse, she doesn't hesitate before walking through. The door sends her three days forward in time. Suddenly, J.P. can skip all the worst parts of seventh Fitness tests in P.E., oral book reports, awkward conversations with her mom…she can avoid them all and no one even knows she was gone.

But can you live a life without any of the bad parts? Are there experiences out there that you can't miss?

This moving middle grade novel about mental health, body acceptance, and self-confidence asks what it truly means to show up for the people you love-and for yourself.

Hi Leah! Thanks so much for joining us.

1. Tell us about yourself and how you became a writer.

Hi Natalie! Thank you for having me. Professionally, I was an editor before I became I writer. I’ve always loved books and I love the puzzle-solving element of editing a narrative. I was an editor at the nonfiction publishing imprint Basic Books for about eight years, and I never really thought I would cross to the other side of the desk. But after spending time with so many other talented writers’ voices, I got curious about what my own writing would sound like and slowly revived that childhood dream of writing a book. Cut to about a decade later, and my debut novel THE THINGS WE MISS just came out on May 7!

2. That’s so cool that you started as an editor. Where did you get the idea for The Things We Miss and the door that J.P. goes through?

I originally wanted to write a scifi/fantasy novel—some big galaxy-spanning time travel adventure like the ones I used to love reading when I was in middle school. But even as a reader, I never really resonated with the plucky, brave heroines of those stories. The truth is, I never would have said yes to going on a galaxy-spanning time travel adventure when I was twelve. I would have been way too scared. And when I tried to write that big adventure story, I couldn’t get inside the head of a main character who would be excited to hop on board a spaceship—every time I put pen to paper it felt hollow.

So, in many ways this book started with J.P., who the opposite of that plucky, brave heroine. She is full of self-doubt and feels like everything about her is wrong (from the TV show she loves to the body she exists in). And if that’s your main character, what kind of magical invitation would she say yes to?

Something small. Something easy. Something seemingly without consequences. That’s where the three-day time jump came from. I wanted to keep that original element of time travel but shrank it way, way down. To a kid like J.P., a three day jump doesn’t seem scary—it seems like a wish come true. Of course—spoiler alert—you have to be careful what you wish for.

Your Writing Process and Juggling Writing and a Day Job

3. Were you a panster or a plotter when you wrote The Things We Miss? Has your process changed since you wrote this story?

I’m a plotter, but absolutely the worst and least efficient one you’ve ever met! I think that the point of plotting is to try and work out the kinks of the story before you start writing? Annoyingly, my brain has to see the whole story on the page before I can start to identify what’s wrong with it. Which means that my “process” (which is a generous term for it) is to outline and then write an entire draft, read it through, grimace, and start over from zero. And then do that about three or four times before I get a workable/editable draft. Unfortunately, my process has not changed since writing THE THINGS WE MISS, which I suspect has been a bit of a roller coaster for my poor editor. She keeps offering edits on drafts of my next book and then is surprised when I show up to the next round with essentially a whole new book.

0/10, cannot recommend this process to anyone else.

4. That’s dedication to getting it right to keep starting over like you do. In your bio, you mention that you edit policy papers for an environmental nonprofit as your day job and write middle grade stories at night. What’s your writing schedule like and how do you stay productive in your writing with your day job?

I’m extremely lucky to have a day job that I love that is emotionally fulfilling, provides a steady paycheck, and is also pretty regularly 9-5ish, so I can count on having other hours in my day available to me. To be completely transparent however, I’m pretty sure the secret is to not have kids—I have no idea how my fellow authors with children do it! I’ve built my life in such a way where, for the moment, my time is really my own and I can schedule it exactly as I like. I’m lucky I was able to do that, but it also was a conscious choice. One of the reasons I no longer work in publishing is because it was never a 9-5 job, and I wanted to reclaim those “nonwork” hours for myself.

In the day to day, my writing schedule is weirdly seasonal: in the winter I write after work and in the summer, I write before work. Additionally, I tend to write for a few hours in the morning on the weekends. But I don’t write every day unless I’m actively drafting and am worried about “falling out” of a story.

5. Share how it’s been working with your editor and having stricter deadlines after you signed your publishing contract. What are your tips for revising your book with your editor? How do you think it made The Things We Miss stronger?

My editor, Camille Kellogg at Bloomsbury, is the best! She is an absolute hero, and it was great to have someone come in with fresh eyes. By the time Camille was reading THE THINGS WE MISS, I’d been working on it for years, going through beta readers and critique partners, and then my agent gave me some fantastic edits as well. My brain was absolutely fried when it came to this book. But Camille was reading it for the first time, and she saw so many small things I never would have noticed! I also love edits (probably because I’m an editor myself). And I love that Camille tends to phrase her edits as “here’s something that’s not working and here’s one suggestion of how to fix it—but feel free to come up with a different approach.” Even if I don’t always agree with Camille’s suggestions of how to fix a problem, I have so far always agreed that the problem exists. And I’d much rather Camille point it out now than have a reader stumble over it later.

I think that’s my biggest tip for working with your editor: Remember that you’re on the same side, working toward the same goal of making the book the best it possibly can be. But also remember that it’s your name that goes on the cover. You don’t have to take your editor’s suggestions on how to resolve an issue in your book, as long as you do resolve it.

6. Thanks for the great tip. Writing on a deadline after becoming a published author is scary for many of us aspiring writers, especially when we have a day job like you. Now that you’re a published author, you must be writing a second book on a contract or at least trying to finish a second book quicker that you can try to sell to keep the momentum of your author career going. How are you writing your second book and making it polished enough to submit to your agent and publisher in a year or less when you only have evenings and weekends to write?

It’s hard! I was lucky enough to get a two-book deal with Bloomsbury and we’re hoping to publish the second book in May 2025-ish (a year after THE THINGS WE MISS comes out). I’d heard other authors talk about how hard it is to write under deadline after having all the time in the world to spend drafting your debut, but I didn’t really understand it until I was trying to cram my (awful, horrible, unwieldy) writing process into just a few months. I’ve had to be much more disciplined about creating timelines and sticking to them. After I finish a draft, I need to step away from the manuscript for a few days (preferably a few weeks) before I can go back in and start revising, so I’ve had to be smart about accounting for that down time when I think about what deadlines are realistic. Especially in the runup to the launch of THE THINGS WE MISS where my time and attention was going toward events and publicity, it was tough to focus on the next project. I had to ask for an extension on the last round of revisions and was grateful that my editor was willing to give it.

Your Road to Publication

7. Sam Farkas is your agent. Share how she became your agent and what your road to getting a publishing contract was like?

I got so lucky with Sam! THE THINGS WE MISS was the second project I queried. Sam had requested a full of my first novel and ultimately sent me a very kind rejection asking that I be sure to query her with any new projects in the future. I went back to her when I started querying THE THINGS WE MISS, and she was very quick to request a full and then offered representation. I believe we did one or two rounds of revisions to the manuscript before we went on submission.

8. How long did you go on submission before you sold The Things We Miss? Was there anything in the process that surprised you?

I was on submission for over a year before I sold THE THINGS WE MISS, and honestly was giving up hope! But my agent, Sam Farkas, never did. She believed the right editor was out there—and we kept getting very thoughtful and kind rejections that didn’t give us any reason to believe there was something wrong with the manuscript itself. It’s funny, Camille wasn’t even at Bloomsbury when we first went on submission. Sam sent it to her after she started her new job at Bloomsbury Children’s, and the rest is history.

Promoting Your Book

9. It’s great that your agent didn’t give up hope on trying to sell your manuscript. How are you celebrating the release of your book and marketing your book in general? What advice do you have for other authors about marketing their debut book, especially if they have another career like you do?

I had an event on for publication date at my local bookstore in Portland, Maine, and then another one at a bookstore in NYC the following weekend. I also bought myself a cake—just for me!

When it comes to marketing, I’m aware that I’m not hustling to market/promote my book the way that I see so many really smart and creative authors doing these days, and it’s hard not to compare and wonder if I should be doing more. But the honest answer is that when it comes to marketing THE THINGS WE MISS, I’m mostly relying on my publisher. I’ve been posting on social media as I’m able, but the truth is that doing proper self-marketing would require time and effort (and creativity! and skill!) that I just don’t have. I’m lucky that that is so far an acceptable answer, both to Bloomsbury and also for my genre/age group. With Middle Grade/KidLit, we’re not really marketing directly to our readers—we’re trying to reach the gatekeepers (teachers, librarians, parents, etc). And that’s something that I trust Bloomsbury to have more of an entry point into than I would.

10. You’re a member of the 2024 Debuts. How did you connect with this group and how has it helped you navigate being a debut author?

I got connected to the 2024 Debuts through a Facebook group for querying authors. My understanding is that these debut year groups really gained traction during the pandemic, and now exist for most upcoming debut years. The 2024 Debuts is for traditionally published authors debuting (or debuting in a new genre) in 2024, across publishers and across genres. What I’ve loved about being in contact with this fantastic group of writers is that I’ve gotten to see how the debut process is playing out for folks in other genres or at other houses, and it’s given me a much more expansive picture of what the debut experience can be. I’m encountering folks who are lead titles with six-figure deals and midlist authors with modest advances, and we’re all stressing about similar things. Being in a group like that makes the whole process feel less solitary, and you have a whole hivemind of fellow authors to check your fears and questions against. People have—with a few notable exceptions—been extremely supportive and kind, and celebratory of everyone’s wins.

11. What are you working on now?

I’m working on another middle grade novel, similarly contemporary but with a speculative twist. Keep an eye out for it in Spring 2025!

Thanks for sharing all your advice, Leah. You can find Leah on Instagram at @l.stech and at leahstecherbooks.com.

Giveaway Details

Leah is generously offering a hardback of The Things We Miss for a giveaway. To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by June 29th. If your email is not on your Google Profile, you must leave it in the comments to enter the contest. Please be sure I have your email address.

If you mention this contest on Twitter, Facebook, or your blog and/or follow me on Twitter or follow Leah on her social media sites, mention this in the comments and I'll give you an extra entry for each. You must be 13 years old or older to enter. This book giveaway is U.S.

Marvelous Middle Grade Monday is hosted by Greg Pattridge. You can find the participating blogs on his blog.

Upcoming Interviews, Guest Posts, and Blog Hops

Monday, June 22nd I have a guest post by author M.R. Fournet and a giveaway of her MG fantasy Darkness & Demon Song

Wednesday, June 24th I have an agent spotlight interview and query critique giveaway with Bethany Weaver

Monday, July 1st I’m participating in the Sparkle Time Giveaway Hop

Wednesday, July 3rd I have an interview with debut author Amber Chen and a giveaway of her YA mystery fantasy Of Jade and Dragons and my IWSG post

Monday, July 8th I have an agent spotlight interview with Rebecca Williamson and a query critique giveaway

I hope to see you on Monday!