Today I’m thrilled to have agent Allison Hellegers here. She is a literary agent at Stimola Literary Studio.
Status: Allison is currently closed to submissions. Please check the agency website to find out when she reopens to submissions.
Hi Allison! Thanks so much for joining us.
About Allison:
1. Tell us how you became an agent, how long you’ve been one, and what you’ve been doing as an agent.
I’ve worked in foreign
rights for most of my publishing career—nearly 20 years—and have always loved collaborating
with US and UK agents to bring their books around the globe. When I started to
do the inverse and bring foreign books back to North American publishers, I got
to know the market more intimately in the US, and my meetings with domestic
editors confirmed my desire to expand and grow in that market. I loved the idea
of building on what I already knew as a Rights Director to increase my authors
potential for global success. I was hungry for collaborations with artists and
writers of my own, but I didn’t know where my experience would best fit. But
when Rosemary Stimola, an agent I have long admired, asked me to join the team—that
was the moment, of course, I knew being an agent was the best way. I’ve been
working with the Stimola Literary Studio for nearly two years, and it’s been
such a wonderful place to provide foreign rights support, deep dive into the
world of agenting and see how I, too, can spread my wings.
About
the Agency:
2.
Share a bit about your agency and what it offers to its authors.
We offer our authors the
chance to work with one of our esteemed agents and be part of the Studio and
everything it has to offer. We have remained a boutique agency in the sense
that we never want to take on too many authors, but for the authors we do
champion, we work with them on broader, collaborative efforts, including
selling their books globally and on the big or little screen. I feel aligned
with my team in that we take on what we love, what we believe we can sell, and
authors whose careers we want to see flourish. During a time when many are
re-examining their life and choices, it’s a liberating and creatively
satisfying place to be in my career.
What
She’s Looking For:
I’m currently looking
for young adult and middle-grade submissions only, but I will look at picture
books and adult fiction and non-fiction that come with a referral. I would love
to see voice-driven submissions that come with a strong, distinctive pitch. I’m
looking for writers especially from all marginalized communities and love when
I come across something that feels brave and boundary-pushing. I love unique
formats, such as novels-in-verse, and books that are told in multiple points of
view, or are multi-generational. I love traveling and novels from different
countries and cultures, especially where the setting and/or place is a
character in the story. Feminist and political themes, especially those in that
can be read by both adults and young readers, will especially appeal to me. I
might not be the best fit for straight fantasy, but I do love magical realism
and fantastical elements that are grounded in reality.
Update on 5/11/2023: Allison is now accepting adult fiction and non-fiction too.
3. What age groups do you represent—picture books, MG, and/or YA? What genres do you represent and what are you looking for in submissions for these genres?
Graphic novel
author/illustrators
MG contemporary, literary
magical realism, fantasy grounded in reality, humor
YA contemporary,
historical fiction, speculative
4.
Is there anything you would be especially excited to seeing in the genres you
are interested in?
I love to be surprised,
so this is always a tough question. I have a willingness to step out of the box
if I see something out of my regular comfort zone that truly excites me. But, I’d
love to see more diverse graphic novels written by diverse authors, a
middle-grade literary ghost story, an humorous animal rescue or survival story,
and a sex-positive/body-positive YA novel (any genre). I’m always on the
lookout for a contemporary female protagonist with ADD/ADHD – for any age group.
What
She Isn’t Looking For:
5.
What types of submissions are you not interested in?
Straight-up fantasy YA,
holiday-themed submissions, picture book texts
Agent
Philosophy:
6.
What is your philosophy as an agent both in terms of the authors you want to
work with and the books you want to represent?
My philosophy, like I
mentioned above, is mostly about taking on projects that I love and signing
authors for their career. I also want to hear stories from marginalized
communities - diverse voices are important not just for other diverse
audiences, but for everyone, so characters in our books reflect more the
society we live in.
Editorial
Agent:
7.
Are you an editorial agent? If so, what is your process like when you’re
working with your authors before submitting to editors?
Every project is
different, so sometimes there is very little editorial work to do, and
sometimes there can be a lot. I’d say I average around one or two editorial
passes before I submit. I love offering my opinions and seeing if they help the
authors spark new ideas or get unstuck. Because I always want to put my
author’s best foot forward, I like to marry what I know about the industry with
my author’s talents - and see if we can hit that sweet spot to provide
something truly saleable and buzzworthy.
Query
Methods and Submission Guidelines: (Always verify before submitting)
8.
How should authors query you and what do you want to see with the query letter?
https://www.stimolaliterarystudio.com/submissions + 10 pages cut and pasted
I’d like to see some
personality in the letter, and it’s always a good idea to share why you wanted
to send something to me in particular.
9.
Do you have any specific dislikes in query letters or the first pages submitted
to you?
I don’t tend to read
queries where they are addressed to no-one. I also tend to skim over very long
summaries and descriptions. I think your query should be 3-4 short paragraphs
at most. A bio with personality is a plus. Pull me in, yes, but also, leave me
hanging!
Response
Time:
10.
What’s your response time to queries and requests for more pages of a manuscript?
It’s really varied this
past year, as there has been so much inconsistency in schedules and difficulty
knowing what each week is going to look like. It’s no longer possible to all
respond to queries when I’m not interested. I was open for all of June and
received over 600 queries that month (just to get a sense of what I’m up
against), so I do need to prioritize the clients that I have already signed up
before getting too caught up with new talent. That’s easier said than done,
especially as I’m always on the lookout.
Self-Published
and Small Press Authors:
11.
Are you open to representing authors who have self-published or been published
by smaller presses? What advice do you have for them if they want to try to
find an agent to represent them?
Yes, I’m open to it, and
I would consider a brand-new book and only discuss new projects going forward
in that case. But I strive to treat every author, published or not, the
same.
12.
With all the changes in publishing—self-publishing, hybrid authors, more small
publishers—do you see the role of agents changing at all? Why?
Personally, I see the
role of agents staying the same. How agents do that job is changing on a
mechanical and administrative level, and everyday seems to bring a new
challenge. But our role and purpose as representing the author’s best interests
for the course of their career remains the standard.
Clients:
13.
Who are some of the authors you represent?
Colby Cedar Smith’s CALL
ME ATHENA, Nova Weetman’s IT ALL BEGINS WITH JELLY BEANS, Mickey Rowe’s
FEARLESSLY DIFFERENT, Michelle Corpora’s THE DUST BOWL, Caroline Wrights’
LITTLE BAKERS board books, illustrated by Alison Oliver (author and illustrator
are clients)
Interviews
and Podcasts:
14.
Please share the links to any interviews and guest posts you think would be
helpful to writers interested in querying you.
https://www.scbwi.org/scbwi-exclusive-with-allison-hellegers-agent-stimola-literary/
Links
and Contact Info:
15.
Please share how writers should contact you to submit a query and your links on
the Web.
https://www.stimolaliterarystudio.com/submissions
Additional
Advice:
16.
Is there any other advice you’d like to share with aspiring authors that we
haven’t covered?
Be yourself.
Thanks for sharing all your advice, Allison.
Allison is generously
offering a query critique to one lucky winner. To enter, all you need to do is
be a follower (via the follower gadget, email, or bloglovin’ on the right
sidebar) and leave a comment through August 7th. If your e-mail is not on your Google Profile, you must leave
it in the comments to enter the contest. If you do not want to enter the
contest, that's okay. Just let me know in the comments.
If you mention this
contest on Twitter, Facebook, or your blog, mention this in the comments and
I'll give you an extra entry. This is an international giveaway.
Profile Details:
Last updated: 2/15/2023
Agent Contacted For Review? Yes.
Last Reviewed By Agent? 5/11/2023
Have any experience with
this agent? See something that needs updating? Please leave a comment or e-mail
me at natalieiaguirre7@gmail.com
Note:
These agent profiles and interviews presently focus on agents who accept
children's fiction. Please take the time to verify anything you might use here
before querying an agent. The information found here is subject to change.
