Today I’m thrilled to have agent Katelyn Detweiler here. She is a
literary agent at Jill Grinberg Literary.
Status: Open to submissions.
Hi Katelyn! Thanks so much for
joining us.
About Katelyn:
1. Tell us how you
became an agent, how long you’ve been one, and what you’ve been doing as an
agent.
I worked for two years in the
marketing department of a big children’s publisher, which was a great intro to
the industry, but I craved a more direct, deeper working relationship with writers
and their work. I was lucky enough to find the position at Jill Grinberg
Literary Management as an assistant to Jill in 2010, helping to support her
fabulous list of authors, and began building my own list a few years after.
About the Agency:
2. Share a bit about
your agency and what it offers to its authors.
JGLM is a hands on, full service
literary agency—small but mighty, we like to say, big business with a boutique
feel. We work with authors writing across the spectrum, picture books through
adult fiction and non-fiction, with an emphasis on strong voices, quality
writing, and compelling story telling.
What She’s Looking
For:
3. What age groups do
you represent—picture books, MG, and/or YA? What genres do you represent and what
are you looking for in submissions for these genres?
I represent picture book, MG, and
YA (as well as adult). This range feels important to me and JGLM generally, as we
aim to grow with our authors throughout their career, and their interests and
goals might change as they develop and evolve in their craft.
I’m drawn to stories of all
stripes—contemporary, magical realism, speculative, historical, and light
sci-fi, as long as the characters feel relatable and grounded in the
kid/teen/coming-of-age experience. I care more about voice and style than plot
when taking on a new client. A good hook is important, yes, but I want to have
faith that I’ll connect with not just this one manuscript, but all the projects
we’ll hopefully collaborate on together in the span of our working
relationship.
4. Is there anything you would be especially
excited to seeing in the genres you are interested in?
Honestly, I never
really know what I’m looking for until it lands in my inbox. But I’m
always hoping to really feel all of the weird/funny/sad/hard/awkward/beautiful
moments that come with growing up. Bonus points if I tear up—especially a good
happy cry! And in all submissions across the board, I’m very interested in
reading work from diverse and underrepresented voices.
What She Isn’t
Looking For:
5. What types of submissions
are you not interested in?
I hate to say I’d never consider
a certain genre—I like to keep an open mind. As long as the characters feel
grounded in whatever world the author has created, I’m on board to consider.
Agent Philosophy:
6. What is your
philosophy as an agent both in terms of the authors you want to work with and
the books you want to represent?
So much of the author-agent
relationship is about chemistry, and a shared vision and passion. It’s a deep
bond. I’m selective about the authors I take on, very much focused on quality
over quantity. A good author-agent relationship, in my opinion, is about
communication and transparency and respect—being able to voice our thoughts and
concerns and strategies in an open dialogue. While the types of projects and
writers I represent varies widely, every author on my list has valuable things
to say about our world.
Editorial Agent:
7. Are you an
editorial agent? If so, what is your process like when you’re working with your
authors before submitting to editors?
Yes, most definitely. The amount
of back and forth varies with each project, but I tend to dive in deep with
authors on the editorial process. The project doesn’t have to be perfect by any
means to go out to editors, but it does need to feel strong and competitive—the
bones in place enough for an editor with a vision to fall in love.
Query Methods and
Submission Guidelines: (Always verify before submitting)
8. How should authors
query you and what do you want to see with the query letter?
Please
send your submission to info@jillgrinbergliterary.com
addressed to my attention. For a novel, please attach the first 50 pages to the
email. Full text for picture books, including art if you’re also the
illustrator. For more detailed instructions, please refer to our (brand new!)
site: https://jillgrinbergliterary.com/contact/.
9. Do you have any specific dislikes in query
letters or the first pages submitted to you?
I don’t love when queries are
written in third person, or from the POV of a character. Be yourself. But mostly
I’m looking for a good teaser synopsis, and enough of a bio to give me a sense
of who you are and why you wrote this story. (And perhaps don’t say that you’re
SURE this project will become a bestseller! J)
Response Time:
10. What’s your
response time to queries and requests for more pages of a manuscript?
While I’d love to say that I
respond to each and every query, due to the volume of the submissions I receive
and my prioritizing of existing clients, it may not always be possible. If I
decide to pursue your submission, I’ll be in touch. And if your timing changes due
to an offer of representation or otherwise, please do send a follow up note.
Self-Published and
Small Press Authors:
11. Are you open to representing authors who have
self-published or been published by smaller presses? What advice do you have
for them if they want to try to find an agent to represent them?
Absolutely.
I’m focused on an author’s current project, and what lies ahead in their
career. While it’s good to have a full picture of past publications—and this
should certainly be included in your query—this kind of history wouldn’t
influence my decision to offer/not offer on a new manuscript.
12. With all the
changes in publishing—self-publishing, hybrid authors, more small publishers—do
you see the role of agents changing at all? Why?
I think as agents we need to be
open to all avenues of publication, and sometimes this might include
considering smaller houses, self publishing, etc. It’s dangerous to get too
stuck in the idea of the “traditional route” and what that might look like, and
I believe authors and their books can find success in different ways, and this
might evolve through phases of their career.
Clients:
13. Who are some of
the authors you represent?
Some of my published children’s and YA authors include: Nafiza Azad, Nora Raleigh Baskin, Peter Bunzl, Matt Burns, Lori Goldstein, S. Jae-Jones, Alycia (Lee) Kelly, SA Patel, Ambelin and Ezekiel Kwaymullina, Sarah Glenn Marsh, Kara McDowell, Shivaun Plozza, Addie Thorley, Jenn Marie Thorne, Lili Wilkinson, and Fiona Wood.
Some of my published children’s and YA authors include: Nafiza Azad, Nora Raleigh Baskin, Peter Bunzl, Matt Burns, Lori Goldstein, S. Jae-Jones, Alycia (Lee) Kelly, SA Patel, Ambelin and Ezekiel Kwaymullina, Sarah Glenn Marsh, Kara McDowell, Shivaun Plozza, Addie Thorley, Jenn Marie Thorne, Lili Wilkinson, and Fiona Wood.
Interviews and Guest
Posts:
14. Please share the
links to any interviews and guest posts you think would be helpful to writers
interested in querying you.
Guest post at Student Library Journal (07/2021)
Katelyn is generously offering a query critique to one lucky winner. To
enter, all you need to do is be a follower (just click the follower button if
you're not a follower) and leave a comment through February 1st. If your e-mail
is not on your Google Profile, you must leave it in the comments to
enter either contest. If you do not want to enter the contest, that's okay.
Just let me know in the comments.
If you mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This is an international giveaway.
Links and Contact
Info:
15. Please share how
writers should contact you to submit a query and your links on the Web.
Our agency website has all of
the necessary information, and also gives a good snapshot into our overall philosophy
and mission. Please visit https://jillgrinbergliterary.com.
Update on 1/24/2023
Additional Advice:
16. Is there any
other advice you’d like to share with aspiring authors that we haven’t covered?
Keep writing. Keep querying. And
remember that it’s all wildly subjective. What one agent or editor passes on,
others might love. I say it constantly to my authors on submission, but it’s
true: it only takes one. That one person who wholly understands you and
your words and your intentions. There are no guarantees in this career at any
level—that can be disappointing, but it can also be inspiring and motivational.
One project didn’t sell? Okay. Maybe the next one will. Or the one after that. Keep
working on what inspires you, and keep trusting in the process.
Thanks for sharing all your advice, Katelyn.
If you mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This is an international giveaway.
Last updated: 1/24/2023.
Agent Contacted For Review? Yes.
Last Reviewed By Agent: 1/20/2020.
Agent Contacted For Review? Yes.
Last Reviewed By Agent: 1/20/2020.
Have any experience with this agent? See something that needs updating? Please leave a comment or e-mail me at natalieiaguirre7@gmail.com
Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change.
