Today I’m thrilled to have agent Jen Newens here. She is a senior literary manager at Martin Literary & Media Management.
Update on 1/19/2025: Jen is currently closed to submissions. Please check the agency website to find out when she reopens to submissions.
Hi Jen! Thanks so much for joining us.
About Jen:
1. Tell us how you became an agent, how long you’ve been one, and what you’ve been doing as an agent.
I was the publishing
director at West Margin Press for 7 years when the parent company sold the
press in October 2022. When I was winding down my job and contemplating what to
do next, I had a lot of people say, “Have you ever thought about being a literary
agent? You’d be really good at it.” That planted a seed. In early 2023 I saw a
job posting on LinkedIn by Sharlene Martin, head of Martin Literary Management
and we had a conversation and just clicked. I started at the agency in April
2023.
About the Agency:
2. Share a bit about your agency and what it offers to its authors.
Martin Literary Management has been around for over 20 years. It offers authors a comprehensive suite of literary agenting services and works with publishers big and small. It also offers foreign rights representation and our founder has strong relationships with entertainment brands. When I was a publisher, I loved working with Martin Lit agents because they were so professional and delightful to work with—it’s part of the reason I wanted to join the team.
What She’s Looking For:
3. What age groups do you represent—picture books, MG, and/or YA? What genres do you represent and what are you looking for in submissions for these genres?
I represent all kidlit age groups from board books through YA. All genres are fair game for me, but I’m not as keen on sci fi or fantasy. That hasn’t stopped me from signing them, however, when the story is good. I have a soft spot for underdog stories and historically excluded groups.
4. Is there anything you would be especially excited to seeing in the genres you are interested in?
Something laugh-out-loud funny. Something I don’t want to put down. Something with a premise I’ve never seen before. Something that makes me cry.
What She Isn’t Looking For:
5. What types of submissions are you not interested in?
Horror, scifi, high fantasy. I’m a little tired of retellings of fairy tales, but I can see a place for them in certain circumstances.
Agent Philosophy:
6. What is your philosophy as an agent both in terms of the authors you want to work with and the books you want to represent?
I’m pretty open as to who I want to represent. I love debut authors who have done their homework about how traditional publishing works and are keen to work with the system and not against it. (I’m aware that publishing has its challenges, but working with a client who wants to “disrupt” traditional publishing would be exhausting.)
I’m drawn to ideas that are unique, not derivative (which makes it hard to find comps, but I accept the challenge!)
Editorial Agent:
7. Are you an editorial agent? If so, what is your process like when you’re working with your authors before submitting to editors?
I am an editorial agent, but I’m looking at edits through the lens of what is going to help my authors get the best book deal. I leave it to the editors at the publishing houses to further edit the stories for the marketplace.
Query Methods and Submission Guidelines: (Always verify before submitting)
8. How should authors query you and what do you want to see with the query letter?
First and foremost, they should get my name right. After that, I’d like to see the following:
·
One paragraph pitch
·
Story synopsis
·
Author bio
·
Word count
·
List of previous published books (if applicable)
· Note if author has been previously represented by a literary agent
9. Do you have any specific dislikes in query letters or the first pages submitted to you?
I prefer that authors do not send manuscripts with query letters; please wait until I specifically ask for them. I prefer to work on one story at a time, so please do not send multiple submissions (series submissions are fine).
Response Time:
10. What’s your response time to queries and requests for more pages of a manuscript?
My response time varies with the volume of queries I receive, the number of active clients on my roster, and the time of year. I wish I could be clearer on this question, but it really varies.
Self-Published and Small Press Authors:
11. Are you open to representing authors who have self-published or been published by smaller presses? What advice do you have for them if they want to try to find an agent to represent them?
Absolutely. I used to run a small press and I am a big champion of them. Self-publishing and hybrid can be fantastic for some types of books. Traditional publishing can be a good choice for other types of books. I think there is a time and place for all modes of publishing, and I believe authors can choose any of them depending on which ever mode best suits their book or their needs at the time.
12. With all the changes in publishing—self-publishing, hybrid authors, more small publishers—do you see the role of agents changing at all? Why?
I haven’t seen this yet, but I’ll keep watching.
Clients:
13. Who are some of the authors you represent?
Rob Broder
Tenisha Bernal
Anne Broyles
Interviews and Guest Posts:
14. Please share the links to any interviews, guest posts, and podcasts you think would be helpful to writers interested in querying you.
Links and Contact Info:
15. Please share how writers should contact you to submit a query and your links on the Web.
https://www.martinlit.com/jennewens
Additional Advice:
16. Is there any other advice you’d like to share with aspiring authors that we haven’t covered?
Don’t give up! I know it sounds cliché, but if you keep following your dreams, they can come true. One of my clients, a debut picture book author at age 50, had been trying to find an agent and get a story published for years. One day, she posted on Twitter that all she wanted for her birthday was to find an agent. I responded, “I’m an agent, let’s chat.” Three months later I got her a two book, five-figure deal with an option for a third book from a big-name publisher. You just never know when things are going to happen for you!
Thanks for sharing all your advice, Jen.
Giveaway Details
Jen is generously offering a query critique to one lucky winner. To enter, all you need to do is be a follower (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment through October 7th. If your email is not on your Google Profile, you must leave it in the comments to enter the contest. If you do not want to enter the contest, that’s okay. Just let me know in the comments.
If you follow me on Twitter or mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This is an international giveaway.
Agent Contacted for Review? Yes
Last Reviewed By Agent? 01/22/2025
Have any experience with this agent? See something that needs updating? Please leave a comment or email me at natalieiaguirre7@gmail.com
Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change.
Wednesday, October 4 I have an interview with debut author Kellie Parker and a giveaway of her YA thriller Thin Air
Thursday, October 5 I’m participating in the Howl-O-Ween Giveaway Hop
Monday, October 9 I have an interview with debut author Sean O’Brien and a giveaway of his MG historical White House Clubhouse
Wednesday, October 11 I have an agent spotlight interview with Lane Clarke and a query critique giveaway
Monday, October 16 I have an agent spotlight interview with Jane Chun and a query critique giveaway and am participating in the Silly Pumpkin Giveaway Hop
Monday, October 23 I
have an interview with debut author Elisa
Stone Leahy and a giveaway of her MG contemporary Tethered to Other Stars
Hope to see you on Wednesday!