Today I’m thrilled to have agent Shelly Romero
here. She’s an agent at Azantian Literary
Agency.
Status: Shelly is currently closed to queries but hopes to open to submissions later this year. Check the agency website to find out when she reopens. Shelly is providing a special link for Literary Rambles followers to query her until 9/3/2025: https://QueryTracker.net/query/shellyromero/Literary_Rambles
Hi
Shelly! Thanks so much for joining us.
About
Shelly:
1.
Tell us how you became an agent, how long you’ve been one, and what you’ve been
doing as an agent.
I’ve been an agent for about four months now,
but this August I’m celebrating 8 years in the publishing industry.
I did the whole editor-to-agent transition
that a lot of editors before me have done. I started in children’s books at
Scholastic. There I assisted on series such as The Bad Guys and Goosebumps
while also acquiring titles for my own list. I rose up the ranks from Editorial
Assistant to Associate Editor before I left to work for a book packager, and
later becoming a freelance editor.
It’s been a very non-linear path, but I began
thinking about the switch to agenting over a year or so ago.
In these past four months, I’ve opened and
then closed to queries after receiving over 1,100 in just over a month. I’ve
signed-up two lovely clients who are currently working on edits for their
projects. I hope to open up again later in the year but right now, I’m
reviewing queries from May and from pitch events I’ve participated in.
About
the Agency:
2.
Share a bit about your agency and what it offers to its authors.
I work at Azantian Literary Agency (ALA) and
to be honest (and of course, biased), it’s an amazing place to be both an agent
and a client at. Jen Azantian, our agency head, is someone who I’ve known since
the beginning of my career, and I’ve always admired her work. I still very much
do, of course.
What separates ALA from other agencies is
simply the agents that work there, their publishing goals, and their passion. We’re
all incredibly passionate, nerds, who deeply care for our clients. And we’re
also all huge genre fiction fans.
What
She’s Looking For:
3.
What age groups do you represent—picture books, MG, and/or YA? What genres do
you represent, and what are you looking for in submissions for these genres?
I represent middle-ground and young adult
fiction. Like my previous editorial lists, I really do love working on a large
gamut of stories. But I’m definitely known for being a huge fan of horror and
other genre fiction. I’m definitely looking for horror, sci-fi, and
grounded/contemporary fantasy. I’m more of a “magic in our world” than a second
world-fantasy person. A lot of what I’m looking for is reflected in the
projects that I worked on as editor such as: THE WITCHERY by S. Isabelle; LAST
GAMER STANDING by Katie Zhao; SCAREWAVES by Trevor Henderson; and JOIN THE
CLUB, MAGGIE DIAZ by Nina Moreno.
I’m also big on comps to not just books that
I’ve loved but also movies. I’m a cinephile and I feel like there’s always so
much inspiration in movies and TV.
For a more in-depth look of my MSWL and
anti-MSWLs, check out my page on ALA’s site.
4. Is there anything you would be especially
excited to seeing in the genres you are interested in?
I’m Honduran-American, I am always looking for
more Honduran and CentAm authors. We have such a gap in the already small pool
of Latine authors when it comes to authors from Central America, South America,
and the Caribbean.
I’m also a fan of found footage movies so when
books use a mixed-media format to tell a story with framed narratives and
potentially unreliable narrators, I’m immediately excited to dive in. One YA
title that I really enjoyed from several years ago that used that format is THE
KINGDOM by Jess Rothenberg. Another example is SCAREWAVES by Trevor Henderson
is a MG who uses both prose chapters as well as radio transmission transcripts
from a DJ who helps the kids in the novel.
What
She Isn’t Looking For:
5.
What types of submissions are you not interested in?
I’m really not looking for stories that
emphasize and reflect real-life political events such as mass deportations,
etc. I don’t ever want to be queried with a submission that’s been “written” by
AI. Stories over 100,000 words (which should not really be a thing for kid lit)
are a huge yellow flag for me. Kids, and adults too if we’re being honest, do
want shorter books to read.
I am also not looking for stories about BIPOC
(as the main characters) that are not written by BIPOC. We have a huge
discrepancy in these numbers* and I want to see BIPOC write the books that are
going to be “mirrors, windows, and sliding glass doors” as Dr. Rudine Sims
Bishop wrote.
I’m not the best fit for “Issue” books. It's
not that I don’t want stories where characters are facing realistic struggles
or hardships. I do. But I don’t want the whole story to be about that.
Marginalized people are more than just our struggles and we have so many other
stories to tell.
*The Cooperative Children’s Book Center
publishes these diversity statistics yearly.
Agent
Philosophy:
6.
What is your philosophy as an agent both in terms of the authors you want to
work with and the books you want to represent?
My goal as an agent is the same goal I’ve had
since I started as an editorial assistant…my priority is to sign BIPOC, queer,
and other traditionally marginalized authors. So, I’m always excited to see
writers from these backgrounds playing with genre and format as well as the
tropes that cis-het white authors have always gotten the opportunity to
publish. We are always needing these stories.
Editorial
Agent:
7.
Are you an editorial agent? If so, what is your process like when you’re
working with your authors before submitting to editors?
Absolutely! Since I was a previous acquiring
editor, I bring that experience and skillset to agenting. Every book, even from
the same author, is a different beast to tackle. I always do a dev edit and
line-edit with each project. I’m constantly communicating with my authors.
Query
Methods and Submission Guidelines: (Always verify before submitting)
8.
How should authors query you and what do you want to see with the query letter?
Via QueryManager
only, please! I do not accept any pitches via DMs or through my website’s
contact form from authors who are not my clients and to be honest, it will make
me way less inclined to work with you.
As for a query
letter, more information is always best for me. I love knowing the who, what,
why, and where. I love seeing the themes, comps, and tropes you’re working with
in them.
9. Do you have any specific dislikes in query
letters or the first pages submitted to you?
Sometime that immediately turns me off from a
project is terrible comps or none at all. It suggests to me that you either
don’t know the market that you’re wanting to publish in or you’re too lazy to
do that research. I’ve seen more queries than I’d like that have said “for
anyone who likes to read” or [insert classic novel here]. Sometimes, there’s
even no comps at all.
Response
Time:
10.
What’s your response time to queries and requests for more pages of a
manuscript?
It really depends. Currently, I’m averaging
about 90 days for most queries. As I mentioned, I received over 1,100 queries
in my first month and so and my priority is my signed clients. It’s quite a lot
to get through and I do reply to every query. So even if you haven’t heard back
from me in a while, it’s still under consideration. No answer is no answer.
Self-Published
and Small Press Authors:
11. Are you open to representing authors who have
self-published or been published by smaller presses? What advice do you have
for them if they want to try to find an agent to represent them?
Absolutely!
And my advice would be the same as for debut or trad-published querying
authors: do your research on that agent. Be sure to read their MSWL and
anti-MSWLs thoroughly. It becomes incredibly clear in query letters when you’ve
just seen my QueryManager/Tracker page and decided to just throw spaghetti at
the wall and see what sticks.
Clients:
12.
Who are some of the authors you represent?
Currently, I
represent two authors: Amber Clement and Sheryl Stein.
Interviews
and Guest Posts:
13.
Please share the links to any interviews, guest posts, and podcasts you think
would be helpful to writers interested in querying you.
You can find all of
this and more on my website’s News tab: https://shellyromero.com/news
Links
and Contact Info:
@shellyromero -
BlueSky
@shellyromerobooks – Threads/Instagram
@_smromero –
Twitter/X
shellyromero.com
14.
Please share how writers should contact you to submit a query and your links on
the Web.
Please find our Submissions
guidelines on our site prior to querying me or any ALA agent. I only accept
submissions via QueryManager.
Additional
Advice:
15.
Is there any other advice you’d like to share with aspiring authors that we
haven’t covered?
I’ve got three main
pieces of advice that I am always repeating like a broken record.
1) Read recently published titles in whatever age
category and genre you’re wanting to work in. Knowing the market is incredibly
important and I don’t want to see only classics or modern tentpole titles like
THE HUNGER GAMES or SHADOW & BONE as your only comps.
2) Publishing is a very slow industry. Please be
patient and please remember that agents are humans too. Lots of agents have
day-jobs. We have personal lives, family, and we may face illnesses or have
disabilities that prevent us from being able to reply with the speed of light.
We are not villains who are gleeful to reject your projects. More often than
not, we can be slow in our responses, but it’s because we know how much work
you’ve put into your writing and want to give it the consideration it deserves.
3) Finding your author/writing community can be
incredibly beneficial, but your path is going to look different from your
colleagues or friends. Not every publishing journey looks the same, even for
the different books that you write and hope to publish throughout your career.
Your journey is your own journey and constantly comparing yourself to other
creators does not do anyone any good.
Thanks for sharing all your advice, Shelly.
Giveaway Details
Shelly
is generously offering a query critique to one lucky winner. To enter, all you
need to do is be a follower (via the follower gadget, email, or bloglovin’ on
the right sidebar) and leave a comment through August 30th. If you do not want to enter the contest,
that’s okay. Just let me know in the comments. If I do not
have your email (I can no longer get it from your Google Profile), you must
leave it in the comments to enter the contest. Please be sure I have your email
address.
If you follow me on Twitter or mention this contest on
Twitter, Facebook, or your blog, mention this in the comments and I'll give you
an extra entry. This is an international giveaway.
Have any experience with this agent? See something that
needs updating? Please leave a comment or email me at natalieiaguirre7@gmail.com
Note: These agent profiles and interviews presently focus on
agents who accept children's fiction. Please take the time to verify anything
you might use here before querying an agent. The information found here is
subject to change.
Upcoming
Interviews, Guest Posts, and Blog Hops
Monday, August 25th I have an
interview with author James Ponti and a giveaway of his MG Hurricane Heist
Monday, September 1st I’m
participating in the Glam and Glitz Giveaway Hop
Wednesday, September 3rd I have an
interview with debut author Skyla
Arndt and a giveaway of her YA House of Hearts and my IWSG post
Monday, September 8th I have an
interview with author J.A. Dauber
and a giveaway of his MG Press 1 for Invasion
Wednesday, September 10th I have an
agent spotlight interview with Ashlee MacCallum and a query critique giveaway
I hope to see you on Monday!