Upcoming Agent Spotlight Interviews & Guest Posts

  • Ashlee MacCallum Agent Spotlight Interview and Query Critique Giveaway on 9/10/2025
  • Renee Runge Agent Spotlight Interview and Query Critique Giveaway on 10/6/2025
  • Sophie Sheumaker Agent Spotlight Interview and Query Critique Giveaway on 10/15/2025
  • Mara Cobb Agent Spotlight Interview and Query Critique Giveaway on 11/12/2025
  • Carter Hasegawa Agent Spotlight Interview and Query Critique Giveaway on 11/19/2025

Agent Spotlight & Agent Spotlight Updates

  • Agent Spotlights & Interviews were all edited in 2021. Every year since then, I update some of them. I also regularly add information regarding changes in their agency as I find it. I have been updated through the letter "N" as of 1/26/2024 and many have been reviewed by the agents. Look for more information as I find the time to update more agent spotlights.

Sherrie Petersen on Wishing on Stars and Giveaway of WISH YOU WEREN'T

Please welcome my dear friend Sherrie Petersen to the blog. Sherrie's middle grade novel WISH YOU WEREN'T just debuted March 17th, and it's a gem of a book. It has a little magic, some cool science, and a whole lotta heart. I think middle grade readers (and their parents) will love the adventure Marten and his friends are thrust on and appreciate the familial overtones.

But enough about what I think! Sherrie is here to tells us a little about the history of wishing on stars and to do a super cool giveaway of her book.

I’ve been fascinated by the stars most of my life and I’m also a firm believer that wishes have power. After taking an astronomy class and watching the Perseids meteor shower for myself, it wasn’t hard to combine those ideas into a story about a boy who wishes his brother away. I’m willing to guess that most people with a brother or sister would have liked to wish them away at some point in time!

Since the beginning of recorded history, people have looked to the stars for answers. Stories about the cosmos find their way into everything from biblical prophesies to the legends of Greek gods.

One of those beliefs that has carried through to modern times is the practice of wishing on a falling star. There are several stories about how that belief was formed. Here are just a few:

• Ancient Greeks thought finding a fallen meteorite would bring you a year of luck.
• Other ancient cultures saw shooting stars as gifts from the gods.
• Hawaiian Japanese believed that if you saw a meteor, you should open your kimono to admit the good luck.

(You can find more of these legends in Cosmic Debris: Meteorites in History by John G. Burke)

During the Perseid meteor shower in August (when Marten makes his wish in Wish You Weren’t) you can see more than 60 shooting stars every hour. People have been observing this annual shower for more than 2000 years, some with more fear than wonder: in some cultures those falling stars were seen as either dying souls or angels gone bad being cast down to earth.

FYI: a meteor is the bright flash of light you see, a meteoroid is the debris in space that burns when it hits our atmosphere and causes the flash of light, and a meteorite is what we call that chunk of debris once it lands on Earth. 

From Greek gods to Disney crickets, countless songs and stories have been inspired by the stars, including mine! 

About WISH YOU WEREN’T: MG sci-fi/fantasy 

Marten doesn't believe in the power of wishes. None of his have ever come true. His parents ignore him, his little brother is a pain and his family is talking about moving to Texas. Not cool. So when he makes an impulsive wish during a meteor shower, he doesn't expect it to make any difference.

Until his annoying brother disappears.

With the present uncertain and his brother’s future in limbo, Marten finds himself stuck in his past. And if he runs out of time, even wishes might not be enough to save the ones he loves.

SHERRIE PETERSEN still believes in magic and she loves to write (and read!) stories that take her on fantastic adventures. In addition to writing middle grade novels, Sherrie moonlights as a graphic designer, substitute teacher, freelance writer, school newspaper advisor, yearbook advisor and mother of two children. She spends her free time watching movies, driving kids around and baking cookies. Or eating them.

WISH YOU WEREN’T is her debut novel.

Find her on:

Twitter
Facebook 
Blog
Goodreads 

Read the first two chapters on Wattpad

And right now if you buy a printed copy on Amazon, you’ll get the e-book for free!

Also available at Barnes & Noble and Kobo.

Sherrie is offering this amazing giveaway package (want!), which includes a copy of WISH YOU WEREN'T, a cool pocket watch (like the one Tör uses in WYW to move through time), and a Wish Token, good for one wish. Use your wish wisely!

To enter, fill in the Rafflecopter below. Extra entries awarded if you add the book to your Goodreads shelf, follow Sherrie's blog, like her Facebook page, and/or leave her a nice comment.

The prize package is US only. International readers are welcome to enter for a chance to win an e-book.



a Rafflecopter giveaway

SUSAN KAYE QUINN INTERVIEW AND FAERY SWAP AND THIRD DAUGHTER GIVEAWAY



Today I’m thrilled to have Susan Kaye Quinn here to share about her two newest books, FAERY SWAP, a middle grade fantasy, and THIRD DAUGHTER, a NA fantasy. She is also the author of the MINDJACK trilogy, THE DEBT COLLECTOR, and INDIE AUTHOR SURVIVAL GUIDE.

I read FAERY SWAP and loved it. It’s a great fantasy about Finn, who gets swapped into the faery world by a boy his age, Zaneyr, a Prince in this faery world. I loved reading from both of their POVs and this is a fast paced story that is a page turner. And it will definitely appeal to boys as well as girls. THIRD DAUGHTER sounds really good too and I’m hoping to read it as well.
Susan is a successful self-published author and is so willing to share her advice with other authors. I know we’ll all learn a lot from her.

Here’s a blurb of FAERY SWAP from Goodreads and links to purchase it:


Warrior faery princes can be very stubborn.
Especially when they possess your body.


Warrior faery princes can be very stubborn. Especially when they possess your body.Fourteen-


year-old Finn just wants to keep his little sister out of Child Protective Services--an epic challenge with their parentally-missing-in-action dad moving them to England, near the famous Stonehenge rocks. Warrior faery Prince Zaneyr just wants to escape his father's reckless plan to repair the Rift--a catastrophe that ripped the faery realm from Earth 4,000 years ago and set it adrift in an alternate, timeless dimension. When Zaneyr tricks Finn into swapping places, Finn becomes a bodiless soul stuck in the Otherworld, and Zaneyr uses Finn's body to fight off his father's seekers on Earth. Between them, they have two souls and only one body... and both worlds to save before the dimensional window between them slams shut.

Faery Swap is an action and druid-magic filled portal fantasy, told by both a runaway faery prince and the boy he's tricked into taking his place. 


 And here’s a blurb of THIRD DAUGHTER from Goodreads:

Skyships, saber duels, and lots of royal intrigue... and, of course, kissing.

The Third Daughter of the Queen wants her birthday to arrive so she'll be free to marry for love, but rumors of a new flying weapon may force her to accept a barbarian prince's proposal for a peace-brokering marriage. Desperate to marry the charming courtesan she loves, Aniri agrees to the prince's proposal as a subterfuge in order to spy on him, find the weapon, and hopefully avoid both war and an arranged marriage to a man she does not love.

Third Daughter is the first book in the The Dharian Affairs Trilogy (Third Daughter, Second Daughter, First Daughter). This steampunk-goes-to-Bollywood (Bollypunk!) romance that takes place in an east-Indian-flavored alternate world filled with skyships, saber duels, and lots of royal intrigue. And, of course, kissing.

Hi Susan! Thanks so much for joining us.

1. Tell us about yourself and how you became a writer.

I’m a former scientist/engineer turned speculative fiction author. Even though I’m just now releasing my first middle grade novel (Faery Swap)—after publishing everything from YA to adult spec fic to non-fiction—I actually started out writing middle grade. I’ve always loved writing, but I took a long hiatus (from both writing and, sadly, reading) when I was having babies and trying to remember what it was like to sleep. As my three boys outgrew the Moo, Baa, La-La-La picture book stage and started into the Harry Potter and Percy Jackson phase, I fell in love with reading again. And picked up the pen and started writing. Although I love all my books, middle grade has a special place in my heart because it drew me back into my beloved world of fiction.

2. I started writing after reading Harry Potter too. Where did you get the idea for FAERY SWAP and what made you decide to branch out into writing a middle grade story?

A lot of my stories come to me while I’m taking long drives in the car by myself. It’s like a vacuum of the senses—just me, the road, my imagination (and hopefully no red twirling lights in the rearview mirror). Several years ago, I brainstormed Faery Swap during one of those long car rides. My first (as yet unpublished) middle grade story was straight-up space opera, so I wanted this one to be more fantasy… but apparently I was delusional about writing fantasy, because my faeries use math and physicks to enhance their magick. I don’t seem to stray far from the science fiction elements, even when I try!

3. That’s a great use of driving time, especially when you’re taking your kids to all their
activities. I noticed that you used some science in the creation of your magical system. Did you draw on your experience as a scientist in that part of your world building?

Absolutely! (My background in engineering seems to filter into all my stories, whether it’s inventing strange mind powers or slightly plausible steampunk inventions). I actually love that aspect of Faery Swap, the idea that faeries come to Earth to steal the latest mathmatickal knowledge from the humans so they can enhance their faery magick—it gives a great message to kids about the power of knowledge (equations in particular, which can seem almost as magickal and mysterious as ancient Druid incantations).

4. I love that aspect of your story too. It gives it a unique twist. Did you find it was different telling a story from two middle grade boys’ POV and what tips do you have for getting the middle grade boy’s voice right?

I loved playing with voice in this story! Human boy Finn is a modern kid from California. Prince Zaneyr is a 4000 year old faery trapped in a 14 year old soul. The language for each was very distinct. I actually read some Yeats and listened to classic Irish verbal storytellers on YouTube to craft the old-yet-new-Irish feel for Zaneyr’s voice. For Finn, I drew upon my childhood growing up in California. Middle grade voice has a touch of innocence to it, yet still a steely clear-eyed view of the world. That goes double for boy-voices, where the character may have a little less emotional insight, or self-knowledge, but still feel all the feelings that come with being a kid in a tough situation. It’s definitely different from YA or adult, but I love it!

5. Great idea to check out YouTube to craft Zaneyr’s voice. You released THIRD DAUGHTER about the same time as FAERY SWAP. Tell us a bit about that story that we wouldn’t know from reading the blurb.

Third Daughter is a steampunk fantasy romance, but it’s really a story about a clash of cultures. It’s set in an alternate-India, where gender stereotypes are turned on their head as Queens rule, and the Third Daughter of the Queen has a lot of true power. The clash comes in when the ancient-East-Indian culture of their past conflicts with the modern intrusion of steampunk technology, particularly in the form of a rumored new skyship weapon. There are parallels in the story to the clashes many in today’s India feel about retaining the traditions of their culture, yet moving into the modern world. In particular, the book’s central conflict is all about arranged marriages vs. marrying for love. But this is an empowering story (I believe) for women—as least, I hope that’s what readers will take from it!

6. I met my husband in India so your setting really appeals to me. I’d like to move onto have you share some of your fantastic advice on self-publishing. What do you attribute your success to and what should other authors consider when deciding whether or not to self-publish?

To what do I attribute my success? Luck? Willingness to jump when others think it’s a bit crazy? Tons and tons and tons of work? Those are all things that go into being a success as a writer, I think, no matter what your path. I believe self-publishing has done something for writers that nothing in the past hundred years of publishing has: made it viable to have a career in writing for more than just the top 1% of writers. As to what to consider? You have to decide if you’re ready in craft—which is difficult, but I talk a bit in my Indie Author Survival Guide about how writing is a steep learning curve, and once you’re 80% of the way up the mountain, you’re starting to write stuff that will sell. Then you have to decide if you’re ready to start a small business of your own—because that’s really what indie publishing is, at least for the writers who want to make a career out of their works. I put together the Guide precisely to help first-time indie authors navigate the sharks, manage their fears, and figure out how (and when) to take that first step into the publishing world.

7. I’m definitely getting your guide if I ever decide to self-publish. And you’re right, if you choose that path, you are starting a business. What parts of the process of publishing a book should a self-published author consider hiring someone for help with, like editing, formatting the manuscript, cover illustrations, etc.? How do you recommend they find qualified people who would do these jobs for a reasonable fee? What resources do you recommend for advice on the parts they would do themselves?

In the Indie Author Survival Guide (and on my website), I have a list of freelance editors, cover artist, formatters, etc.—some that I’ve used and personally recommend, as well as many others that are friends. The most critical thing that I would always hire out is the cover. Unless you professionally make covers for other people (i.e. other people pay you to make their covers), I wouldn’t do it yourself—although saying that, I do recommend that authors give a lot of thought to the design of their covers. Then a professional cover designer can take that concept and make it something you’ll not only be proud of, but that can make a significant difference in selling books. As for the rest—editing, formatting, etc.—you will either pay in time (swapping services) or in money (paying for services). Which suits you best depends on your situation. I cover how to make those trade-offs, and which ones I personally make, in the book as well.

8. That’s so awesome how you share recommendations of who to hire. I’d definitely need to hire a cover designer and someone to help with formatting. I’ve seen you and your books featured on a number of book review blogs and I know it’s harder for self-published authors sometimes to get that type of exposure. And you’ve used marketing tools like book blasts where you offer a bigger prize on multiple blogs to get exposure for your books. How have you been able to connect with these book review bloggers and have the book blasts helped? What are some of your tips on marketing for self-published authors?

Marketing is an ever-evolving puzzle!  But more and more, reviewers and advertisers are opening their doors to self-published authors. They see, as readers do, that self-published works can be just as beautiful, inside and out, as traditionally-published works, and often more innovative and unique, simply because they don’t have to pass through an often risk-averse publishing process. I connect with book bloggers both directly and through services like Xpresso and I Am A Reader that provide blog tours and book blasts (both of which I find helpful). I also use NetGalley to connect with reviewers who may not be on the blogosphere so much, but are influencers in libraries and schools. Self-published authors have many tools at their disposal for getting their works out there, but they should always be looking for new ways to connect with readers.

9. Glad you find the book blasts helpful. And I’ve heard great things about Xpresso. Marketing middle grade books that are traditionally published can be more challenging than for YA books. And you’ve self-published yours. How are you spreading the word about FAERY SWAP?

I held off for so long in publishing my middle grade, precisely because it was so difficult to reach middle grade readers. As I grew to understand the business more, and as the marketplace shifted, with more young readers open to ebooks, I finally decided it was time to take the leap into middle grade. I’m trying lots of different approaches in marketing my middle grade book compared to my other books. For example, I spent considerable time putting together a Virtual Author Visit video—eight minutes of dynamic, kid-friendly presentation meant to be played in the classroom—as well as a Common Core aligned teacher’s guide with activities, discussion questions, and a card-based Knowledge Seekers game.

A substantial part of my focus is making it easy for teachers to bring Faery Swap, and its message about knowledge being power, into the classroom. I’m also reaching out to MG reviewers online, as well as people who have read my books previously, but the teacher (and librarian) focus is new for this book. I’m also part of the Emblazoner indie MG author group, and working together we’ve come up with some fantastic ways to reach this elusive group… including a catalog of our works that’s available for download.

10. That’s great you’re joining with other MG authors. What are you working on now?

Today I’m writing a screenplay (Day Zero)! It’s an adult SF thriller, and is actually part of a screenwriting class I’m taking. Eventually, I will turn it into a novel, and it will be the prequel to my new Singularity series, which I’m also writing now. The Singularity is the time when computers become as intelligent as humans, and I’m writing a YA SF story (Legacy, Singularity #1) about a Legacy human boy who wants to “ascend” and become one of the hyper-intelligent post-Singularity beings. I’m in love with the mind-body-soul questions this series is challenging me to answer! But it will be some time before it is ready for readers (probably 2015).

Susan Kaye Quinn is the author of the bestselling Mindjack Trilogy, which is young adult science fiction, along with several other speculative fiction titles for adults. Faery Swap is her first published children's story, even though she started out writing middle grade before anything else. She always has more speculative fiction fun in the works.You can find out what she's up to by subscribing to her newsletter (hint: new subscribers get a free short story!) or by stopping by her blog (www.susankayequinn.com).

Wow, Susan! I can’t believe how productive you are. Thanks for sharing all your advice today.

So there will be two giveaways. First there is the tour-wide giveaway that you can enter by filling out the Rafflecopter form.

a Rafflecopter giveaway


Susan also generously offered an e-book of FAERY SWAP or THIRD DAUGHTER—winners choice--for a giveaway. To enter, all you need to do is be a follower (just click the follow button if you’re not a follower) and leave a comment through March 29th. Be sure to let me know which book you'd like. I’ll announce the winner on March 31st. If your e-mail is not on your Google Profile, please leave it in the comments.

If you mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. You must be 13 or older to enter. International entries are welcome.

Here’s what’s coming up:

Next Monday I’m interviewing debut author Elle Cosimano and giving away a copy of ELLE, her YA thriller I’m really looking forward to reading.

Wednesday next week I’ve got a guest post by MG Buehrlen and giveaway of her YA novel THE 57 LIVES OF ALEX WAYFARE about a girl who has visions of living in times in history. It’s another one I’m hoping to read and MG blogs at YA Book Central, a fantastic blog that helps promote authors and their books.

The following Monday I’m interviewing Maureen McQuerry and giving away a copy of her MG fantasy, BEYOND THE DOOR. It sounds really good and I hope to read it.

And Tuesday that week I’ll be participating in the Fool For Books Giveaway Hop. I’ll have lots of great newly released YA choices and I’m going to add some of my favorite middle grade books as well for my middle grade book lovers.

And don’t forget Casey’s Agent Spotlights.

Hope to see you on Monday!


KRISTI HELVIG INTERVIEW AND BURN OUT GIVEAWAY

Happy Monday Everyone! Hope you're having a good week. This is a super busy week for me with filing lots of bankruptcies in the midst of a ton of appointments. So I may not be online as much this week. Hope you understand. Once I get through March, things should get a little better.

It was actually nice enough to go for a walk with my dog this weekend. It felt SO good to get out walking. Hope you're all seeing glimmers of Spring.

FOLLOWER NEWS

Sherrie Petersen releases her new middle grade story WISH YOU WEREN'T. It sounds like a sweet fantasy story combined with science. And Sherrie will be here on Friday with a guest post. Congrats, Sherrie!

Carrie Butler just released HONESTY, her NA urban fantasy. Go HERE for more details.

And Donna Weaver just released the cover of her adult contemporary TORN CANVAS. Go HERE to learn more.

And I have some winners to announce.

The winner of A SNICKER OF MAGIC is S.P. Bowers!

And the winner of ROCK 'N ROLL PRINCESSES WEAR BLACK is Candace!

Congrats! E-mail me your address so I can send you your book. Please e-mail me by the end of Wednesday or I'll have to pick another winner.

Today I’m excited to have debut author Kristi Helvig here to share about her debut YA novel BURN OUT that releases on April 8, 2014. I loved this sci-fi story about Tora, possibly the last person on Earth. She was such a great character—strong and resourceful but yet had a softer side to her. And this was a real page turner as I tried to figure out with Tora who she could trust.

Here’s a blurb from Goodreads:


"A scorching series opener not to be missed." - Kirkus

A futuristic blend of Beth Revis's Across the Universe and Lenore Appelhans's Level 2, Burn Out will satisfy the growing desire for science fiction with a thrilling story of survival, intrigue, and adventure.

Most people want to save the world; seventeen-year-old Tora Reynolds just wants to get the hell off of it. One of the last survivors in Earth's final years, Tora yearns to escape the wasteland her planet has become after the sun turns "red giant," but discovers her fellow survivors are even deadlier than the hostile environment.

Holed up in an underground shelter, Tora is alone--her brilliant scientist father murdered, her mother and sister burned to death. She dreams of living on a planet with oceans, plants, and animals. Unfortunately, the oceans dried out ages ago, the only plants are giant cacti with deadly spines, and her pet, Trigger, is a gun--one of the bio-energetic weapons her father created for the government before his conscience kicked in.

When family friend, Markus, arrives with mercenaries to take the weapons by force, Tora's fury turns to fear when government ships descend in an attempt to kill them all. She forges an unlikely alliance with Markus and his rag-tag group of raiders, including a smart but quiet soldier named James. Tora must quickly figure out who she can trust, as she must choose between saving herself by giving up the guns or honoring her father's request to save humanity from the most lethal weapons in existence.

Hi Kristi. Thanks so much for joining us.

1. Tell us about yourself and how you became a writer.

Well, my mom claims I wrote my first book at the age of 5 or 6 (my own 6-yo just finished writing her seventh picture book this weekend so who knows?) I do remember writing a Nancy Drew knock-off on my mom’s cursive typewriter when I was a few years older than that— those of you out there who’ve used correction tape know how easy writers have it today with those fancy delete buttons. ;) Anyway, I never even considered writing as a viable career option and got my Ph.D. in clinical psychology instead. Several years ago, after the birth of my second child, I got the writing itch again and wrote my first novel (on a laptop this time!) I’ve written four more since then.

2. Awesome how you came back to your love of writing. Where did you get the idea for your story?

This has such a long convoluted story behind it so I’ll try to keep it simple. My hubby and I watch a lot of science documentaries. One of them had to do with the sun burning out and that same night, I heard a really haunting song on Pandora. Those things combined led to a vivid dream of my MC Tora and James—it was like they showed me their entire story in that dream. I woke up and scribbled like mad on paper before starting to type. About a week later, I was driving home from work which only takes about fifteen minutes, and the thermometer on my car kept ticking upward. It went from 99 to 106 and I felt this flicker of panic, like ‘what if it kept going up?’ I got a tiny glimpse of what it might feel like to live in a world like Tora’s and emailed an astrophysics department soon after.

3. That’s such a cool way to come up with your story idea. Maybe I should start watching more documentaries with my husband too. What was your world building process like and did you have to do any research for it?

I’m a research nerd and loved doing research for this book! Aside from watching tons of science
documentaries, reading science blogs, and exploring what will happen to our planet when the sun burns out, I needed a plausible way for it to burn out early. That was the point mentioned above when I contacted a well-respected astrophysics department at a large university for assistance. They were great and helped me with the pieces that weren’t working. The world building came out of the initial research and just seemed to flow naturally from how I saw Tora’s world.

4. Contacting a college science department is a great tip. I bet there are lots of resources we could tap into at colleges. I love Tora. She’s so resourceful and strong. I’d have been a total emotional mess in her situation. What was her character development process like for you?

I love her too. She was so much fun to write. She’s tough and doesn’t trust people at all thanks to all the losses she’s sustained, yet she has this sense of humor that keeps her going. I think her humor is what helped her survived all that time alone. As far as her character development, her experiences early in the novel validate her decisions not to trust anyone—vulnerability is a quality that gets you killed in her world. The downside of never letting anyone get close to her is that she’s sort of shut down emotionally. Without giving too much away, Tora develops feelings for James (against her better judgment) and struggles with whether to go by her heart or her head. The growth she experiences in the first book continues through the sequel, and I loved getting to spend even more time with these characters.

5. Yes, I could see how her experiences shaped who she is. I read that you wrote the first draft of this in six weeks. Wow! That was quick. What was the revision process like and what did you learn about yourself as a writer from revising BURN OUT?

Oh my gosh. So yes, I wrote the first draft in six weeks, but revising was an entirely different matter and took much longer before I felt it was ready to send to agents. My critique partners are awesome and I don’t know what I would do without them. What changed about my writing process from BURN OUT to the sequel was more in the pre-planning stage. For BURN OUT, I had a short list of a few key scenes jotted down (maybe 5 or 6 lines total) and that was it. With the sequel, I wrote one whole page of key scenes in the book. I also wrote the sequel fairly quickly (eight weeks) but hope the revision stage will be quicker as I learned a lot from the first time around. I originally worried that having even a basic outline would stifle the creativity of the story, but it turned out to be the opposite. The characters surprised me and often did things I didn’t expect.

6. I write how you wrote your first draft of BURN OUT. I’ll have to try the pre-planning if I ever write a sequel. BURN OUT is a series. Did you have the other books planned out when you wrote this book or did you have to figure them out once you got your publishing contract? Do you have any advice on writing a series?

I wasn’t kidding when I said my dream outlined the entire story, so I knew how everything would end from the first sentence of BURN OUT. My agent sold the first two books up front so that made it easier to let the story flow without having to worry about tying everything up in the first book. As far as advice on a series, my copyeditor sent me a style sheet which helped me keep track of things for consistency between books. The tricky part about series is that in addition to the main conflict in each book, there has to be a greater overarching problem that isn’t solved until the last book. Character development is also so important. One of the characters in BURN OUT changed gradually in the first book, but they became my absolute favorite character in the sequel and I didn’t expect that at all.

7. I think we’d all love to have our stories come complete in a dream. Your agent is Jessica Regel. Share how she became your agent and your road to publication.

I love my agent! I used sites like QueryTracker and the agent profiles on Literary Rambles to make a master list of agents to query. Jessica was a cold query from my “top 10” list of agents, and she asked for the full manuscript within a day of reading my first pages. I’d gotten another offer of representation the same week that Jessica offered, so I set up phone calls with both of them. I’m a big believer in following your gut, and within a few minutes of talking with Jess, I knew she was “the one.” As far as the road to publication, I feel like I got so lucky with my publisher, Egmont USA. My then-editor Greg (who, sadly, has since left) understood my characters and story so well that revisions were relatively painless, and his suggestions made the book even better. He asked questions about what I wanted and didn’t want for the cover, and let me pick from a choice of fonts for the novel itself. I have a new editor, Alison, for the sequel and she’s awesome too, so I’ve had a great experience so far.

8. It’s so encouraging to hear how researching agents and querying can lead to success. And awesome that Jessica was on your wish list of agents. What are your plans for spreading the word about your book? Share something you’ve learned about marketing a debut book that would be helpful to aspiring authors.

I’ll probably be able to better answer this after the book is out, but I’m doing a launch at a local indie bookstore and invited a bunch of my friends to come hang out, eat cupcakes, and celebrate with me. Egmont is doing a book blog tour for me and Rock Star Book Tours is also doing a tour so I feel very grateful. In addition to my Colorado launch, I’m doing signings in North Carolina and Texas, and will attend several conferences this year. I’m a natural introvert but can talk books and writing all day long.
One big thing I did is to use part of my advance money to hire a publicist. An author friend had raved about the firm I’m using, and I’d already interviewed six other publicists before speaking to Julie from JKS Communications. It was the same feeling I got when I’d spoken to my agent and I knew she was the right person for me. It also helped that she and her team loved my book! Some people will tell you that publicists are a waste of money, and they are expensive, but I think if you find a great one, it’s a huge benefit. I’ve gotten reviews and placement in places I never would have on my own because I don’t have the time to do everything myself. The publicity department at Egmont is great, but publishers have so many books that they can only devote a certain amount of resources to each one. We had a joint conference call early on with my publicity people and Egmont’s publicity people, and the communication has been very smooth so far. I think when it’s done well, the publisher actually appreciates the extra support. I know I do!

9. That’s great advice to hire a publicist. I’ve heard of hiring blogging companies to handle blog tours. But not publicists. If they can get you exposure other places, it could be a good investment. What are you working on now?

Now that the sequel to BURN OUT is turned in to my editor, I’m finishing up a YA fantasy novel that also stemmed from a dream. Then I have another completed YA fantasy that I want to re-work a bit because I think it has a lot of potential. From there, I have a notebook full of book ideas and will see which one grabs me—unless I have another great dream in the meantime. :)

Thanks so much for having me on the blog today!

Thanks for sharing all your advice, Kristi. You can find Kristi musing about space monkeys and Cadbury Creme Eggs on Twitter and Facebook. Pre-order BURN OUT through Barnes & Noble, Indiebound, Amazon, or Tattered Cover, or add BURN OUT on Goodreads

Kristi and her publisher Egmont USA generously offered an ARC for a giveaway. To enter, all you need to do is be a follower (just click the follow button if you’re not a follower) and leave a comment through March 29th. I’ll announce the winner on March 31st. If your e-mail is not on your Google Profile, please leave it in the comments.

If you mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. You must be 13 or older to enter. International entries are welcome.

Here’s what’s coming up:

On Wednesday I’m interviewing Susan Quinn and giving away a copy of FAERY SWAP, her fantastic new MG fantasy I really enjoyed and THIRD DAUGHTER, her NA steampunk fantasy that sounds really good. Susan is a successful self-published author and she has lots of great advice to share with us.

On Friday Sherrie Petersen will be here with a guest post to celebrate the release of WISH YOU WEREN'T.

Next Monday I’m interviewing debut author Elle Cosimano and giving away a copy of ELLE, her YA thriller I’m really looking forward to reading. Sadly, I couldn't get an ARC.

Wednesday that week I’ve got a guest post by MG Buehrlen and giveaway of her YA novel THE 57 LIVES OF ALEX WAYFARE about a girl who has visions of living in times in history. It’s another one I’m hoping to read and MG blogs at YA Book Central, a fantastic blog that helps promote authors and their books.

The following Monday I’m interviewing Maureen McQuerry and giving away a copy of her MG fantasy, BEYOND THE DOOR. It sounds really good and I hope to read it.

And don’t forget Casey’s Agent Spotlights.

Hope to see you on Wednesday!

Deborah Blumenthal on MAFIA GIRL + Giveaway

A couple years ago I interviewed Deborah Blumenthal, author of over fifteen titles, on the release of her young adult book THE LIFEGUARD. This year she's out with a new YA called MAFIA GIRL and she's one-upped me - by interviewing herself! Enjoy.

You have a new book out and somebody wants to write it up.  You’re excited, but you’re also a little curious. What will they ask me? What do I want to tell them about the book?

Deborah Blumenthal interviews Deborah Blumenthal, author of MAFIA GIRL, just published by Albert Whitman & Co..

Deborah, after six seasons of The Sopranos, really, what more is there to say about the Mafia?

MAFIA GIRL takes a different perspective.

Remember Meadow Soprano, Tony’s daughter? MAFIA GIRL is the story of the daughter of New York’s most powerful crime boss.  Gia lives a protected and privileged life. She gets driven to school by an armed bodyguard. She attends one of Manhattan’s most elite private schools. And she wears $2,000 sweaters and $1,000 designer shoes. That’s symbolic of the problem.  She’s so much a part of that culture that she can’t breathe, she doesn’t know who she is.  She lives under the thumb of her dad, and that’s the basis for the story.

I noticed that the style of the book is a lot different from the style of other books for
young adults. There are lots of run on sentences, giving it a breathless quality.  Some readers say that drove them crazy. Tell us why you did that?

Gia is a high-energy girl with a fast brain and an even faster mouth.  She has an opinion on everything.  And she’s got a high libido.  When she’s excited, she can’t stop talking.  And when she meets a hot, green-eyed cop, never mind that he’s the one who takes her in for under-age drinking and DUI, she can’t stop obsessing about him. So I started the book that way, but as it  progresses, you’ll see that the style changes in keeping with Gia’s personality and growth as a character.

Last question, writers are almost always asked how much of themselves they put into their characters.  Do you see a lot of yourself in Gia?

For better or worse, I’m fast to evaluate situations, and sometimes lack subtlety, and I certainly get the part about insta-love.  But I definitely don’t walk around in Louboutins, and even if I could handle the heels, I couldn’t afford them – unless they fell off a truck.

Love the sound of this book! Deborah has generously offered to give away a hardcover copy of MAFIA GIRL to one lucky commenter. US only. To enter, please be a follower and leave a comment by Friday, March 28th. The winner will be announced the following Monday. If your e-mail is not easily found online, please leave it with your comment. 

You can find Deborah at her website, Twitter @deborahblu, and Goodreads.


Q&A with Steven Malk of Writers House


Thank you to everyone who sent in questions for Steven Malk's Q&A. I love the quality and variety of questions that came in. Please grab yourself a delicious drink and settle in for a treat. Steven's most excellent answers are in bold below.

***

Greg Pattridge asks:

What is it beyond just good writing that propels you to ask for more pages?

Hi Greg, 

It’s important to remember that this is truly a subjective business. I think that makes this business very exciting – because there’s no right or wrong answer – but it can also make the query process a little mysterious for writers. I read every single query letter that I get and I always go into them with an open mind. I really respond to a letter that demonstrates that the author is a true professional who’s serious about their work and that they’re being thoughtful and considered in their letter. I know those things sound vague but you know it when you see it; I love when I can tell very clearly that an author is in complete control of the story they’re telling and really understands where they’re heading. Beyond that, I tend to like an idea that I haven’t seen before, as opposed to something that echoes what so many others are doing. I’m not the right person for those projects. I do love when I look at someone’s work and see very classic influences, but they’ve taken that and layered their own unique point of view on top of it. I think that’s a sweet spot, at least for me. 

 Laura Zarrin asks:

My question is, how do you promote an illustrator for illustration only work?

Hi Laura, 

Representing illustrators for illustration-only work is definitely very different than representing writers or illustrators who write and illustrate. It’s not like sending out a manuscript or dummy, where you’re going to get a concrete yes or no. Instead, the key is to just make as many editors, art directors, and designers aware of an illustrator’s work. Writers House maintains a site for our illustrators – www.writershouseart.com -- and it tends to get a significant amount of traffic from publishers. Beyond putting our illustrator clients up there, I often do a promotional postcard (which I tend to think is more effective than ever these days in the age when publishers get a lot less cards in the mail than they used to). The biggest element is just talking to editors, art directors, and designers about the illustrators I represent. I have these conversations on a daily basis, and publishers will often tell me that they have a certain kind of project and wonder if I might have the right illustrator for it. 

CAndros asks:

What are some ways for an unpublished picture book writer to differentiate themselves and get noticed by a great agent like you?

Hi CAndros, 

This probably sounds generic but the truth is that the best thing you can do is to work incredibly hard on your craft and come across as someone who is serious, confident, and thoughtful. I really respond to people who are clear about what they want to do and have taken the time to go about the process in a smart, careful way. 

Stacey T. asks:

You've clearly sold to most, if not all, of the major houses but are there any particular houses/imprints you find yourself working with a lot?

Hi Stacey, 

Lately, I’d say that I’ve done a lot of books with Balzer & Bray (HarperCollins), Philomel (Penguin), Candlewick, Abrams, Random House, Roaring Brook and Disney-Hyperion, but I really enjoy working with a wide range of publishers, as I think they all have something slightly different to offer.

Lauren Kerstein asks:

What is your favorite literary character? What about that character’s actions, personality traits, interactions, etc made him/her most appealing?

Hi Lauren, 

That’s a tough question, mainly because it’s so hard to limit it to one character – there are so many incredible characters out there. I’m just going to go with the first character who popped into my head and that’s Matilda from MATILDA by Roald Dahl. I love that book and Matilda is the best kind of character: she’s funny, sweet, adventurous, and resilient. Although you feel badly for her, you never feel sorry for her because she never feels sorry for herself. 

Ebylund asks:

It seems a lot of the agents I think would be a great fit for me are not open to submissions unless a person is referred or has attended a conference that agent presents at. As someone who has limited funds and responsibilities I can not get away from, this can be frustrating. Do you have any suggestions as to what a person in my situation could do about this? Or is a person just out of luck if they don't have the means or opportunity to attend conferences?

Hi Ebylund, 

There are so many great agents out there and I wouldn’t worry about the ones who are closed to submissions because you can’t do anything about that. Instead, I’d focus on making a list of those who are open to new submissions, and then deciding which one(s) you’d like to target as you start making submissions. 

Steve Moran asks:

What if you want eventually to write Non Fiction as well as Fiction - there seem to be very few agents who rep both. What's the protocol if an agent offers rep, but they only do Fiction?

Hi Steve, 

This type of situation isn’t uncommon and I think the key is clear, open communication. If an agent offers you representation for your fiction but they don’t represent non-fiction, you just need to be completely clear with them that non-fiction is something you’re interested in pursuing, as well. You have to decide whether that means you want to represent your non-fiction work on your own or you want to try to get a separate agent for your non-fiction work. Either way, I’d recommend communicating all of this to an agent up front so there are no surprises later if you pursue other avenues for your non-fiction. 

Susan J. Berger asks:

What's the best query letter you ever got? Please share.

Hi Susan, 

It’s hard to limit it to one letter. The truth is that I’ve gotten a lot of amazing query letters. In general, I’ve been really impressed with the quality of the queries that I’ve been receiving. I did get a pretty extraordinary letter and submission from a new author/illustrator named Elise Parsley, whose story was detailed in this article: 

http://www.publishersweekly.com/pw/by-topic/childrens/childrens-book-news/article/60413-from-query-to-book-deal-in-72-hours-debut-author-elise-parsley.html 

Elise established herself as a professional very quickly and it was evident to me just from her letter that she was someone who was extremely serious about wanting to make picture books for the rest of her life. She demonstrated a very clear understanding of where her work fit into the market and she was able to articulate exactly why she’s so drawn to picture books. Those are the sorts of people I’m drawn to, so I was instantly intrigued. 

Karen McCoy asks:

What are some recent books you've sold?

Hi Karen,

Here is a selection of titles that have been published so far in 2014 or will be published by the end of April:

CODENAME ZERO by Chris Rylander (Walden Pond Press/HarperCollins)
WILDWOOD IMPERIUM by Colin Meloy, illustrated by Carson Ellis (Balzer & Bray/HarperCollins)
MAY THE STARS DRIP DOWN by Jeremy Chatelain, illustrated by Nikki McClure (Abrams)
OUTSIDE THE BOX by Karma Wilson, illustrated by Diane Goode (Simon & Schuster)
PRESIDENT TAFT IS STUCK IN THE BATH by Mac Barnett, illustrated by Chris Van Dusen (Candlewick Press)
WINGS OF FIRE #5: The Brightest Night by Tui Sutherland (Scholastic Press)
BABY BEAR by Kadir Nelson (Balzer & Bray/HarperCollins)
THE BOUNDLESS by Kenneth Oppel (Simon & Schuster)
HOPPER & WILSON FETCH A STAR by Maria Van Lieshout (Philomel)
CHAMPIONS OF BREAKFAST by Adam Rex (Balzer & Bray/HarperCollins)
BUDDY AND THE BUDDIES: Don't Play With Your Food by Bob Shea (Disney-Hyperion)


Janet asks:

Are you a collaborative and/or editorial agent?

Hi Janet, 

Yes, I really enjoy the editorial process. In the current publishing environment, I think it’s more important than ever for a manuscript to be as polished as possible before it’s submitted to publishers. That typically entails a lot of revision, often over the course of multiple drafts. It can be a long process, but I think it’s very much worth it, especially if you’re thinking in terms of an entire career. If you take an extra few months or even a year or two to revise, that’s nothing if you’re thinking within the context of a career that could span decades. The ability to revise well is an essential skill for an author; I love seeing people who can take an editorial letter and use it as a springboard; taking the comments to heart but also very much making the revision their own. 

Heather asks:

What trends are you seeing in your slush pile these days?

Hi Heather, 

I’m still seeing a lot of dystopian novels at the moment, as well as a lot of novels with supernatural elements. 

Are you seeing many near-future YA novels?

Yes, I’m seeing a fair amount of those at the moment. 

Can mid-size presses promote and distribute a book as well as one of the big five publishers?

There are a lot of variables here, both in terms of exactly what size of house you’re talking about and what kind of book you’re talking about, but, in general, I do think that smaller publishers can be incredibly effective. There are pros and cons with just about any house, but there have been several instances over the last few years of smaller houses publishing books that have enjoyed phenomenal success.

Jared asks:

Are books with a setting of an alternate history generally acceptable? Such as, a Nazi invasion of America, or something even more devastating, like Bill and Ted's Excellent Adventure winning best movie at the Oscar's?

Hi Jared, 

I love a question with a Bill & Ted reference. I absolutely think that books with alternate histories are acceptable and can be great if they’re done right and if the world-building is really stellar. 

Stacy Couch asks:

You represent renowned picture book authors like Mac Barnett and Jon Scieszka. You also represent a number of incredible author/illustrators, like Marla Frazee and Melissa Guion. Are you open to unknown PB authors who don't illustrate?

Hi Stacy, 

I’ve always enjoyed working with first-time authors of all kinds, so I’m certainly open to new picture book writers. 

I try to balance a consistent voice with my need to experiment. How do you establish your authors as a brand? Is there room to play within that brand?

I think some authors tend to overthink the “brand” question. There’s absolutely room to experiment and try different things. You mentioned Mac Barnett and I think he’s a good example: he’s written many different kinds of picture books as well as middle-grade novels, but I think he does have a distinct brand: everything he does is smart and thoughtful and if you buy a Mac Barnett book, you know that you’re getting a book of high quality. I think his brand is strong and getting stronger, but he’s in control of it, as opposed to being controlled by his brand, if that makes sense. 

Wendy Greenley asks:

Since an author only queries one project at a time, if authors write for more than one age group, which should they sub first? Middle grade or picture book?

Hi Wendy, 

I think different agents have different policies about only considering one book at a time, but for those who do only want to consider one, I think you have to use your best judgment to decide which book to lead with. You may want to think about which you think is stronger and which you feel more strongly about. Also, consider whether you see yourself writing more picture books or more middle-grade down the line. 

Laura Moe asks:

If someone writes in multiple genres, for example YA and Mystery, and you only represent Mystery, is it ethical to have a second agent for your YA?

Hi Laura, 

I think that’s possible as long as you’re very open with your agent from the beginning about the fact that you intend to pursue a different agent for a book in the genre they don’t represent. As long as an agent knows this up front and has expressed the fact that they’re okay with it, you shouldn’t run into any problems later. 

Sylvia asks:

With the strong emphasis on encouraging young children to learn to read, why are easy readers such a hard sell?

Hi Sylvia, 

That’s a good question. I’ve often wondered the same thing and I think it’s partly because that category tends to be dominated by very well-established series or well-entrenched programs from publishers. When you go to a store and look at their easy reader shelf, you’ll likely notice that certain series are taking up a bunch of space, so one or two titles can often get lost. Because of this, publishers know going in that in order to make a real dent, they’ll likely have to commit to several books up front, and any time that a publisher is deciding on a commitment that big and far-reaching, they tend to be extra careful, which leads to them being extremely selective. 

***

Big thanks to Mr. Malk for his thoughtful and extensive answers. Please show your appreciation in the comments and give him a follow on Twitter @stevenmalk.

Steven Malk is the third generation of his family to be involved in the children's book industry. The son and grandson of children's booksellers, he worked at his parents' bookstore all through high school and college and entered the world of agenting immediately after graduating from UCSD in 1995. He opened a west coast office for Writers House in 1998, where he represents a wide range of authors and illustrators, including Jon Klassen, Jon Scieszka, Lane Smith, Mac Barnett, Marla Frazee, Kadir Nelson, Ruta Sepetys, Colin Meloy, Carson Ellis, Jennifer Donnelly, Matt de la Pena, Cynthia Rylant, Adam Rex, Sara Pennypacker, Loren Long, Elise Primavera, Bob Shea, Laura Vaccaro Seeger, Nikki McClure, Sonya Sones, and many others.

CHRISTINA FARLEY INTERVIEW AND GILDED GIVEAWAY

Happy Monday Everyone! Hope you're having a great start to your week.

FOLLOWER NEWS 

Stephen Tremp is releasing his new sci-fi book ESCALATION. ESCALATION: an epic clash where science and the supernatural take center stage for mankind’s destiny. The setting is global and the adrenaline-charged action is non-stop. Go HERE to find out more. Congrats, Stephen!

Jessie Humphries just revealed the cover of KILLING RUBY ROSE, her YA story about Ruby Rose who follows in her father's footsteps and tries to catch the bad guys. Go HERE to congratulate her and enter her contest.
And Martina Boone released the cover of her new YA story COMPULSION, set in the South about three
founding families of a town, one who is cursed and two who are granted magical powers that turn into compulsions. Go HERE to congratulate her and enter her contest.

Congrats to everyone on your fantastic news!

And the winner of my three book giveaway is Danielle H who chose PANIC.

Congrats! E-mail me your address so I can send you your book. Please e-mail me by the end of Wednesday or I'll have to pick another winner.

Today I’m thrilled to have debut author and follower Christina Farley to share about GILDED, her YA contemporary fantasy that released March 1st. Christina does an amazing job making you feel like you were in Korea where this is set and with the Korean mythology which the story is based on. And I love Jae Hwa, who not only has to adjust from American LA culture to living in Korea, but also finds herself the target of a Korean demi-god. This is really a fantastic story and I can’t wait to see where it goes from here.

Here’s a blurb from Goodreads:

Sixteen-year-old Jae Hwa Lee is a Korean-American girl with a black belt, a deadly proclivity with steel-tipped arrows, and a chip on her shoulder the size of Korea itself. When her widowed dad uproots her to Seoul from her home in L.A., Jae thinks her biggest challenges will be fitting in to a new school and dealing with her dismissive Korean grandfather. Then she discovers that a Korean demi-god, Haemosu, has been stealing the soul of the oldest daughter of each generation in her family for centuries. And she's next.

But that’s not Jae’s only problem.

There's also Marc. Irresistible and charming, Marc threatens to break the barriers around Jae's heart. As the two grow closer, Jae must decide if she can trust him. But Marc has a secret of his own—one that could help Jae overturn the curse on her family for good. It turns out that Jae's been wrong about a lot of things: her grandfather is her greatest ally, even the tough girl can fall in love, and Korea might just be the home she's always been looking for.

Hi Christina. Thanks so much for joining us.

1. Tell us about yourself and how you became a writer.

Thank you so much for having me on your blog! I didn’t actually set off to become a writer. It was more of I was compelled to write about my adventures living overseas. I’ve always had an overly active imagination, which is fun to use in my teaching. So when I began writing those down, the process became an outlet for me to get all those stories out that were flying through my mind. The more I wrote, the more I realized I was hooked.

2. Awesome that you started writing as a result of your life overseas. I can see how that could lead to some fascinating stories. Where did you get the idea for your story?

GILDED is based on the myth of Haemosu and Princess Yuhwa. You can watch my video here that goes into all the details: http://www.youtube.com/watch?v=nL2Sn26fqrU

3. You did such a fantastic job in portraying Korean life. I really felt like I was there. And I read in your bio that you lived in Korea, so I’m guessing that helped. Do you think your ability to show us Korean culture came solely from living there or did you have to research it as well? And what tips do you have for the rest of us who want to write from a culture or country different than our own but can’t go live there?

Yes, I do believe that I couldn’t have written GILDED with the same mood and emotions without living there. There is something very real and vivid about sitting at a café and writing about the world moving right before your eyes.

I tend to be a more cinematic writer so I love to draw my readers into my stories using very specific details that they probably don’t even notice when they are reading the book, but those details bring a story to life. I’m sure atmosphere of GILDED could only have been captured from my standing on the streets of Seoul, smelling the air, listening to the sounds, and falling in love with the people.

Nearly every scene in all of the GILDED series books is set in places that I’ve actually been to. I think that’s what made it so fun to write.

4. I think it’s those little perfectly described details that made me love your setting so much.
Your story is based on the myth of Haemosu and Princess Yuhwa. And you also weave in other Korean mythology into your story. What research did you do into this and what were some of the sources you found helpful?

I did quite a bit of research for the Spirit World scenes. I lived not far from Gyeongbok Palace and that became the inspiration for the setting of Haemosu’s palace. I took tedious notes of all the palaces in the region as well as visited all the museums Seoul had to offer. My little notebook for GILDED is full of drawings, lists, designs, and notes from my outings.

While living in Seoul, I taught at Seoul Foreign School and was able to interview experts on Korean history and mythology. Then just down the path was the back entrance to Yonsei University, one of the most prestigious universities in Korea, which also had great resources for me to use.

5. Good thing you decided to write while you lived there and could really study it all. Jae Hwa is such a great character. She’s American at heart and her reaction at first to what she finds herself faced with seemed really realistic. And I loved watching how her relationships with her Korean family and friends changed through the story. Share about how she developed as a character as you wrote Gilded.

I’m so glad you love Jae Hwa. It’s been fun to write these books from her point of view. I would like to say I did a whole character sketch of her, but that would be a lie. Her voice rang out to me loud and clear, and always had from the get-go. One thing that did help me was creating a collage of images that I cut out from magazines. I glued them onto a piece of paper and then posted it next to my writing computer. Here’s a vlog where I show how I did this: http://www.youtube.com/watch?v=3chpYaMLYxg

6. Wow! That’s a great idea. I read that you were involved in the cover design of your book, which is really unusual for an author. Share about how you got involved in this and your cover design.

I was involved in the cover design for GILDED. My editor has been great about bringing me into this whole process of creating GILDED. It’s allowed me see how much effort goes into each step along the way. Basically my editor asked for ideas I had for the cover. It was so interesting how her thoughts and mine were nearly identical. For the full process, you can check this post here on it: http://onefourkidlit.wordpress.com/2014/01/07/behind-the-cover-of-gilded/

7. Not many authors get the input you did on your cover. And I know you had the same attention to the Korean aspects of your story in designing it. Your agent is Jeff Ourvan. How did he become your agent and what was your road to publication like?

GILDED would never be in the hands of my readers if not for my agent. I had just finished a massive revision on GILDED and it was time to look for an agent. I queried a bunch of agents, looking for those who I thought would ‘get’ a story set in Korea. Then I read Jeff’s bio and an interview he did. As soon as I read it, I knew he’d be the perfect agent for me. He has traveled extensively overseas and lived in Japan. Plus he loves fast-paced stories with a thriller bent.

It was within a few weeks after he asked for a partial and full that he offered representation. At that point I emailed the other agents who also had the full. In the end I had other agents offer representation, but after talking to Jeff on the phone, I knew he would be the right fit. And I was right!

8. I can see why you felt he was the right agent for your book. You are a part of OneFour Kid Lit and a few other debut groups. Share about what groups you’ve decided to join and how it’s helped you as you went through your year leading up to your debut.

Yes, I’m a part of some amazing writing groups. I would be totally lost without them! Not only do they offer great advice, but they provide that support when dealing with debut insanity.  If you’re a debut author, I highly recommend either joining a group or forming one of your own. It has made this whole debut experience so much richer for me. I also think those relationships are the best part of all.

9. Yeah, I’d definitely want to join one. You’re also part of the YA Chicks Kickin’ Tour, where you have a tour planned in Central Florida with four other authors. Tell us about how that got organized and what you’re planning to do.

The tour was inspired during a lunch that Amy Christine Parker, author of GATED, and I had. She lives in Tampa and became a close friend since we were both going through all of this debuting stuff together. We’d meet for lunch and chat. We were talking about how much fun it would be to do a tour of our own and decided to go for it. We teamed up with three other author friends to visit schools, libraries and bookstores.

I could probably do a whole post just on planning the tour and how we put it together! My biggest advice to anyone who is considering this is team up with someone that is flexible and gets how you work. I am so thankful to be working with Amy because, seriously, she is a not only an amazing person, but she’s professional, talented, and innovative.

Here’s the link for our tour’s website: www.yachicks.blogspot.com

10. That’s great you’re friends with another author that lives close to you going through debuting too. What other marketing plans do you have that you think other debut authors should consider?

I love teaching and talking to people about books so I can’t wait to get into classrooms to teach teens and adults the craft of writing. Ultimately a debut author should make a list of their strengths and build their whole marketing strategy around that. You can’t do everything and you don’t want to do everything. Focus on what you love and build from there. Your passion for that will show through in what you do.

11. What are you working on now?

I’m revising a possible book 3 in the GILDED series. It hasn’t been bought yet, but I just had to write the book so I did! I also started another project early last fall, but had to put it aside for revisions. I’m anxious to get back to it and see where the story will take me.

Thanks for sharing all your advice, Christina. You can find Christina at:

Website: ChristinaFarley.com
Twitter: @ChristinaFarley
YouTube: www.youtube.com/chocolateinspired
Facebook: www.facebook.com/ChristinaFarleyAuthor
Tumblr: http://christinafarley.tumblr.com/
Goodreads: www.goodreads.com/book/show/16173250-gilded
On Amazon: http://www.amazon.com/Gilded-The-Series-Book-One/dp/1477847014/ref=sr_sp-atf_title_1_1?ie=UTF8&qid=1391539820&sr=8-1&keywords=gilded+by+christina+farley

Christina has generously offered a signed copy of GILDED for a giveaway. To enter, all you need to do is be a follower (just click the follow button if you’re not a follower) and leave a comment through March 22nd. I’ll announce the winner on March 24th. If your e-mail is not on your Google Profile, please leave it in the comments.

If you mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. You must be 13 or older to enter. International entries are welcome.

Here’s what’s coming up:

Next Monday I’m interviewing debut author Kristi Helvig and giving away an ARC of BURN OUT, her YA sci-fi story. It’s a great story set on Earth about Tora, who may be the only person on Earth, who really needs to leave and has to decide if she can trust the people who come knocking on her door.

Next Wednesday I’m interviewing Susan Quinn and giving away a copy of FAERY SWAP, her fantastic new MG fantasy I really enjoyed and THIRD DAUGHTER, her NA steampunk fantasy that sounds really good. Susan is a successful self-published author and she has lots of advice to share with you.

The Monday after that I’m interviewing debut author Elle Cosimano and giving away a copy of ELLE, her YA thriller that I’m really looking forward to reading.

Wednesday that week I’ve got a guest post by MG Buehrlen and giveaway of her YA novel THE 57 LIVES OF ALEX WAYFARE about a girl who has visions of living in times in history. It’s another one I’m hoping to read and MG blogs at YA Book Central, a fantastic blog that helps promote authors and their books.

And don’t forget Casey’s Agent Spotlights.

Hope to see you on Monday!