Upcoming Agent Spotlight Interviews & Guest Posts

  • Andie Smith Agent Spotlight Interview and Query Critique Giveaway on 12/10/2025
  • Marissa Cleveland Agent Spotlight Interview and Query Critique Giveaway on 12/17/2025
  • A.J. Van Belle Agent Spotlight Interview and Query Critique Giveaway on 1/14/2026
  • Alexandra Levick Agent Spotlight Interview and Query Critique Giveaway on 1/21/2026
  • Tamara Kawar Agent Spotlight Interview and Query Critique Giveaway on 2/11/2026
  • Katie Bircher Agent Spotlight Interview and Query Critique Giveaway on 2/18/2026
  • Renee Runge Agent Spotlight Interview and Query Critique Giveaway on 2/26/2026

Agent Spotlight & Agent Spotlight Updates

  • Agent Spotlights & Interviews were all edited in 2021. Every year since then, I update some of them. I also regularly add information regarding changes in their agency as I find it. I have been updated through the letter "N" as of 1/26/2024 and many have been reviewed by the agents. Look for more information as I find the time to update more agent spotlights.

Life After an Agent Breakup by Author LL. Madrid and My Lips, Her Voice Giveaway and IWSG Post

 Happy Wednesday Everyone! Today, I’m excited to have L.L. Madrid here to share a guest post about life after breaking up with an agent to celebrate the release of her YA novel, My Lips, Her Voice. It sounds like an intriguing mystery, and I’m looking forward to reading it. 

Here’s a blurb from Goodreads:

 

Copper City’s bloody history is steeped in ghost stories and whispers of serial killers, but three girls have caught the attention of something far more sinister.

A grandmother tormented by visions tried to warn the town, but no one listened. Now, a haunted inheritance has passed to her granddaughters, Audrey and Mara. When Mara’s body is discovered in the old mine, Audrey fears her grandmother’s premonition is manifesting.

The nightmare begins as Mara’s spirit returns—lurking under Audrey’s skin, hellbent on vengeance and desperate to rekindle things with her former girlfriend, Zadie. Willing to hijack Audrey’s body to get what she wants, Mara drags them both into a deadly pursuit.

When another girl in town goes missing, Audrey, Mara, and Zadie know the killer has struck again. In a fight to solve Mara’s death and uncover the mystery of disappearances in Copper City, the girls soon find themselves at war with each other. How do you survive long enough to hunt a murderer on the loose if the person inside you might kill you first?

 


Before I get to L.L.’s guest post, I have my IWSG post: 

Posting: The first Wednesday is officially Insecure Writer's Support Group Day. 

Purpose: To share and encourage. Writers can express doubts and concerns without fear of appearing foolish or weak. Those who have been through the fire can offer assistance and guidance. It’s a safe haven for insecure writers of all kinds! 

The awesome co-hosts this month are: Tara Tyler, Ronel Janse van Vuuren, Pat Garcia, Liza, and me! 

Optional Question: As a writer, what was one of the coolest gifts you’ve received? 

The coolest gift I ever received was my first laptop when I turned 50. My sister and husband bought it for me. We were at a family reunion, and they surprised me with an early birthday present. I  had no idea I was getting a laptop. We had a PC, and Rudy had a work laptop. But it made life much easier when I got a laptop to use for my blog and writing. 

Now here’s L.L.! 

No Longer Repped By: Life After an Agent Breakup 

By L.L. Madrid 

After completing a book, getting an agent is the first major hurdle on the path to traditional publishing. I queried three different projects for six years while researching agents, reading up on “the call,” and fantasizing about the day I’d get to put “repped by” in my social media bios. 

My agent story is fairly common; they had my full when I got an offer from another agent. I nudged, had a few more calls, and the person who became my agent shared my vision for the book and offered valuable insight. Simply signing with an agent felt like a dream come true.

 
Then, while I was deep in revisions, prepping my book for sub, my agent emailed me that she was leaving agenting for a different career. Reading her words, I felt hot, as if a fever had struck me. I had no plan for this, and in my naivety, I never imagined that my agent might leave. It had taken me so long to get representation, and the idea of going back into the query trenches brought me to tears. 

At the end of the email there was a glimmer of hope. My agent had a colleague who’d read the book and wanted to chat if I was interested. In the time between the email and the call, I scoured the internet for advice on what to do if, suddenly, you no longer had an agent. The lack of information I found was disappointing. There was plenty of discourse on leaving “schmagents,” but I found little reassurance about what to do after you quietly remove the “repped by” from your bio.  

Almost four years later, my circle of writer friends has grown tremendously, and I now know that having a “forever agent” isn’t that common. Recently, I met with a group of six writers, and the topic of agents came up. Out of the group, four were on their second or even third agent. We shared our stories, and one thing rang true: when so much emphasis is placed on finding an agent, people aren’t exactly eager to publicly discuss losing theirs. 

I was lucky that when I found myself agentless, it was only for a brief stint. The interested colleague ultimately sold my book and is still my brilliant agent, Ellen Goff. It was truly the best-case scenario.  

However, that’s often not the case, so if anyone reading this is a writer panicking because, for whatever reason, things aren’t working out with their agent, I wanted to offer more, so I asked my friend A.J. Van Belle if they could share some of their knowledge. A.J.’s thoughts on the subject are particularly valuable as they experienced an agent breakup as a writer and A.J. is now an agent themself. 

Leigh (L.L.): Why did you part ways with your agent?  

A.J.: In early 2021, due to pandemic financial losses, my then-agent’s agency abruptly told her to let most of her clients go. She seemed as surprised as I was. Not long afterward, she left agenting entirely. 

Leigh: It took you 15 months to gain new representation. Did your former agent offer any support in the transition?  

A.J.: She did offer to have a phone call for emotional support, but she didn’t have any practical recommendations or assistance. 

Leigh: If you could have a conversation with your past self about the situation, what advice would you give?  

A.J.: I would remind myself that this change made way for a partnership with a different agent who’s a much better fit for me. I would also tell myself not to worry so much about the optics of the situation. At the time, I was very concerned that if I let people know what happened, most people would jump straight to the conclusion that the agent had dropped me because she lacked confidence in my work. Now-me would very much like to reassure then-me that everyone in the publishing industry knows that changes of representation happen regularly, and they’re rarely a reason to look down on the writer. I would tell myself I didn’t have to feel so alone and didn’t need to be ashamed of having to seek new representation.  

Leigh: From an agent’s perspective, what is the first thing (after wallowing) that a writer should do after parting ways with their agent?  

A.J.: First, evaluate whether you’re in a place to query again with the manuscript your previous agent represented. If your newest and best manuscript has already been on sub, or if it already thoroughly made the querying rounds before you signed with your now-former agent, the next thing to do is to focus on writing a brilliant new book. If you do have a book ready for querying right away, the next thing to do is to reach out to writer friends and ask which agents they recommend querying. Do your research as to who might be a good fit. New agents may have come on the scene since you last queried; get a sense for their wish lists and put them on your query list. Take your time refining your query, asking beta readers for feedback and strengthening your pitch. 

Leigh: Should writers mention they were formerly agented in their query letter? If so, how do you recommend they word it?  

A.J.: It’s absolutely fine to mention it. You could say something like, “My previous agent and I parted amicably because [he/she/they] [retired/no longer reps my genre].” Note: you don’t have to provide a reason, especially if it feels too complicated to state in just a few words. So, for example, you might say, “After parting amicably with my former agent, I’m querying [TITLE], which has never been submitted to publishers.” 

Leigh: Say a writer gets a call with a new agent. What can they expect to discuss regarding their agented past? 

A.J.: If you’ve been previously agented, this will probably come up in the offer call. At that point, you can keep it fairly simple, similar to what I’ve suggested for wording that could be included in the query letter; but it also allows for slightly more nuanced comments on the previous relationship and why it ended. However, there’s still no reason to go into great detail. The offering agent will mainly want to know (1) that the manuscript they’re interested in has not already made the rounds with publishers and (2) a brief mention of what the reason for parting was. That doesn’t mean the new agent needs to hear every detail, but there’s no reason to feel you have to hide anything. 

Leigh: One of my fears about losing my first agent was that there might be a bias against writers who’d parted ways with their agents, or that it might be viewed as a red flag. What are your thoughts? 

A.J.: Speaking from my own perspective, I actually perk up when I see a previously agented writer in my inbox. Because their work is strong enough that it has already gained representation, a previously agented author is likely to continue producing professional manuscripts with the potential for publication. 

Leigh: If a colleague left publishing, would you consider taking on any of their clients?  

A.J.: I would strongly consider it, since I wouldn’t want to see their clients “orphaned.” However, I would only take them on if I felt we were truly a good fit, because every writer deserves an agent who’s passionate about their work. 

Leigh: Thank you, A.J.! Check here to see A.J.’s query status. 

Every writer’s path to publication is full of plot twists, and losing an agent is a common trope. Traditional publishing is a business. People have different work styles and goals, and sometimes they change careers. Parting ways with an agent isn’t the end of the world or the end of your writing career; it’s simply a revision. 

Thanks for sharing all your advice, L.L.! You can find L.L. at: 

Social Media Links:

Website: www.llmadridwrites.com

IG: https://www.instagram.com/llmadridwrites/

Bluesky: https://bsky.app/profile/llmadridwrites.bsky.social

Buy Links:

https://creaturehorror.com/books/my-lips-her-voice

https://www.barnesandnoble.com/w/my-lips-her-voice-l-l-madrid/1147027986?ean=9781951971342

https://bookshop.org/p/books/my-lips-her-voice-l-l-madrid/c2edecf7bb1ee392?ean=9781951971342&next=t&next=t

AJ’s query status link (hyperlinked earlier): https://www.thebookeralbertagency.com/aj-van-belle.html

Giveaway Details

L.L. is generously offering a paperback of My Lips, Her Voice for a giveaway. To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by December 13th. If I do not have your email (I can no longer get it from your Google Profile), you must leave it in the comments to enter the contest. Please be sure I have your email address. 

If you mention this contest on Twitter, Facebook, or other social media sites and/or follow me on Twitter or Bluesky or follow L.L. on her social media sites, mention this in the comments, and I'll give you an extra entry for each. You must be 13 years old or older to enter. This book giveaway is U.S. 

Upcoming Interviews, Guest Posts, and Blog Hops 

Monday, December 7th, I have an interview with Sarvenaz Tash and a giveaway of The Treasure of Ocean Parkway 

Wednesday, December 10th, I have an agent spotlight interview with Andie Smith and a query critique giveaway 

Monday, December 15th, I’m participating in the Dashing December Giveaway Hop 

Wednesday, December 17th, I have an agent spotlight interview with Marissa Cleveland and a query critique giveaway 

I hope to see you on Monday!

 

 

Holly Jolly Giveaway Hop

 


Happy Monday Everyone! Today I'm excited to participate in the Holly Jolly Giveaway Hop hosted by MamatheFox and MomDoesReviews. For those who celebrate, I hope you had a good Thanksgiving and have lots to be thankful for. I had a good Thanksgiving with my daughter, son-in-law, and his family. I'm always so grateful his family includes me. Now I'm working on my holiday list. which is always fun. 

Book of Your Choice or Amazon Gift Card Giveaway 

Since not that many books are published at the end of the year, I've picked some middle books released in the first half of the year. You can also choose another book in the series by these authors or a book of your choice. You can find descriptions of these books on Goodreads. Here are your choices:

 












Giveaway Details

To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by November 30th telling me whether you want a book, and if so, which one, or the Amazon gift card and your email address. Be sure to include your email address. If I do not have your email (I can no longer get it from your Google Profile), you must leave it in the comments to enter the contest. Please be sure I have your email address. 

If you mention this contest on Twitter, Facebook, or other social media sites and/or follow me on Twitter or Bluesky, mention this in the comments and I'll give you an extra entry for each. You must be 13 years old or older to enter. The book giveaway is U.S. only and the Amazon gift card giveaway is International.

Upcoming Interviews, Guest Posts, and Blog Hops 

Wednesday, December 3rd, I have a guest post by Leigh Madrid and a giveaway of her YA My Lips, Her Voice, and my IWSG post

Monday, December 7th, I have an interview with Sarvenaz Tash and a giveaway of The Treasure of Ocean Parkway 

Wednesday, December 10th, I have an agent spotlight interview with Andie Smith and a query critique giveaway 

Monday, December 15th, I’m participating in the Dashing December Giveaway Hop 

Wednesday, December 17th, I have an agent spotlight interview with Marissa Cleveland and a query critique giveaway 

I hope to see you on Wednesday!

Here are all the blogs participating in this blog hop: 

 

MamatheFox, Mom Does Reviews, and all participating blogs are not held responsible for sponsors who fail to fulfill their prize obligations.

 







Climate Change, and The Tear Collector: Guest Post by R. M. Romero and The Tear Collector Giveaway

Happy Monday Everyone! Today I’m excited to have R. M. Romero here to share about her MG fantasy The Tear Collector. It deals with a timely issue—climate change—and I’m looking forward to reading it. 

Here’s a blurb from Goodreads: 

This darkly fantastical climate change tale explores hope, memory, and what really makes a monster—set after the end of the world.

Climate change culminated in the Flood, an enormous wave that wiped out entire countries. Malka and her younger brother Ezra survived and now live with Dr. Jonas Hollman on the Island, the only piece of land left on Earth. Scavenging useful things from the shoreline under the watchful eye of the Island’s sinister leader Mr. Gray, Malka and her family get by. Barely.

But an illness called the Sorrow is changing people into monsters when their memories of the Mainland grow too sad…and Ezra is the latest to get sick. Desperate not to lose her brother, Malka throws herself into helping “Uncle” Jonas with his research to find a cure.

Then her family’s dismal lives are turned upside down by the mysterious Olivia, who crashes a plane on the beach. More people are out there, she says. The world isn’t lost forever. To save Ezra and the other Islanders, Malka will have to uncover the secrets of her flooded world—and the lies even the people she loves have told her about the true nature of the Sorrow.

R.M. Romero tackles our fear and anxiety surrounding climate change and weaves it through with hope in this beautifully told adventure that will resonate with readers young and old.
 

Now here’s R. M.! 

In 2019, after Hurricane Dorian became a Category 5 storm and nearly struck my home of Miami, Florida, I started to grapple with the very real possibility that I might become a climate refugee someday. And since I write for children, I also began to think about how I could discuss the topic of climate change with kids. 

The climate crisis is one of the many issue young readers will have to face in their lifetimes. According to the UN Refugee Agency, 32 million people were displayed by weather-related events in 2022—a 41% increase since 2008. Children are smart; they may not know the exact statistics, but they understand that the world around them is changing, and not always for the better. And it’s easy for anyone—kid or adult—to fall prey to what’s referred to as “climate doomerism: the idea that it’s too late to for us to change course and that the harm human beings have done to the environment has already reached the point for no return. 

In The Tear Collector, my most recent Middle Grade novel, the worst has already happened: climate change triggered a massive Flood that brought about the end of the world as we know it and my tween protagonists, headstrong Malka and her gentle younger brother Ezra, find themselves on a mysterious Island in the aftermath. 

According to the adults around them, the only people who survived are their neighbors. The sea swallowed everything else, and kids like Malka and Ezra have to make due with whatever washes ashore. Worse, climate doomerish has become an actual illness on the Island called the Sorrow, which turns its sufferers into monsters with multiple eyes, legs, and other animal characteristics if they grieve the old world—the “drowned world”—too strongly. Determined to find a cure, Malka decides to help her adopted uncle Dr. Jonas Holman in his research—a grim task that involves collecting the tears of the other Islanders. 

The protagonists of The Tear Collector have different responses to the climate crisis. Malka is angry about how the bad choices made by adults created the difficult world that she lives in; Ezra mourns the ecosystems, animals, and people that the Flood destroyed; and the Island’s newest resident Olivia sees the possibility of a way forward despite everything that’s happened. 

When I was a young reader myself, I loved stories in which the kid protagonists end up being braver and more competent than the grown-ups and ultimately save the day. But I also knew that saving the day would have to look different in a book like The Tear Collector. Malka and Ezra can’t bring back what was lost or single-handedly solve the climate crisis, but they slowly begin to realize that their future can be better than their present. We can learn from our mistakes, have hope, and use that hope to change things for the better. And hope is was what I wanted to focus on the most in The Tear Collector. Kids need hope. We all do. 

Thanks for all your advice, R. M. You can find R. M. https://www.rmromero.com/ 

Giveaway Details 

R. M. is generously offering a hardback of The Tear Collector for a giveaway. To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by December 6th. If I do not have your email (I can no longer get it from your Google Profile), you must leave it in the comments to enter the contest. Please be sure I have your email address. 

If you mention this contest on Twitter, Facebook, or other social media sites and/or follow me on Twitter or Bluesky or follow R. M. on her social media sites, mention this in the comments, and I'll give you an extra entry for each. You must be 13 years old or older to enter. This book giveaway is U.S. 

Marvelous Middle Grade Monday is hosted by Greg Pattridge. You can find the participating blogs on his blog. 

Upcoming Interviews, Guest Posts, and Blog Hops 

Monday, December 1st, I’m participating in the Holly Jolly Giveaway Hop`

Wednesday, December 3rd, I have a guest post by Leigh Madrid and a giveaway of her YA My Lips, Her Voice, and my IWSG post 

Monday, December 7th, I have an interview with Sarvenaz Tash and a giveaway of The Treasure of Ocean Parkway 

Wednesday, December 10th, I have an agent spotlight interview with Andie Smith and a query critique giveaway 

Monday, December 15th, I’m participating in the Dashing December Giveaway Hop 

Wednesday, December 17th, I have an agent spotlight interview with Marissa Cleveland and a query critique giveaway 

I hope to see you on Monday!

 

Literary Agent Interview: Carter Hasegawa Interview and Query Critique Giveaway

 Today, I’m thrilled to have agent Carter Hasegawa here. He’s an agent at Tugeau 2 Art & Literary Agency. 

Hi­ Carter! Thanks so much for joining us. 

About Carter: 

1. Tell us how you became an agent, how long you’ve been one, and what you’ve been doing as an agent.


Thanks so much for having me. While I’ve only been a literary agent for *checks calendar* seven months, I’ve been working in publishing for nearly two decades. Even I can’t believe it’s been that long. Am I really that old?! 

Before I was an agent, I was an editor at Candlewick Press for 14 years and change. I was also a bookseller at various independent bookstores in Seattle and Boston. Most notably I was at Porter Square Books in Cambridge, MA for 10 years. But agenting—I feel like I’ve been preparing for this job my entire career. 

Beyond learning just exactly what a literary agent does these past seven months, I’ve also been building an incredible list of authors and illustrators for the children’s market. It’s been mostly a mix of getting artist portfolios ready for publishers’ eyes, strategizing with my authors which of their books to submit first, reading query submission, and editing lots and lots of manuscripts.

 About the Agency: 

2. Share a bit about your agency and what it offers to its authors. 

We’re a tight team at Tugeau 2 Art and Literary Agency (T2). Nicole Tugeau founded the agency over 20 years ago mainly as an illustrator’s agency, but she’s since built T2 to be this incredible fount of talented authors and illustrators. About three years ago, husband-and-wife team Ethan and Heather Long joined the agency, and they work in tandem with their team of authors and illustrators. I knew Ethan in my previous role as editor. He’s actually the one who recruited me to T2. 

Because we’re a small-ish agency, we’re able to keep up with each team’s client list. We have regular meetings where we provide feedback on creator projects, and we share insights and offer advice on industry-related matters. It’s a continual back-and-forth of support, mentorship, and inspiration. 

What He’s Looking For: 

3. What age groups do you represent—picture books, MG, and/or YA? What genres do you represent and what are you looking for in submissions for these genres?

Because I worked on a bit of everything when I was an editor, it only makes sense for me to continue that pattern as an agent. I represent PB, MG, and YA, fiction and nonfiction, in nearly any genre. Generally, I’m looking for that something special that only you can bring to a project. I want authors and illustrators who have something to say with their medium. And I want it to matter. 

4.  Is there anything you would be especially excited to seeing in the genres you are interested in? 

I suppose I’m not really interested in seeing your take on “X.” If there are 20 books in the market right now with a similar plot/theme, I’m not going to get too excited if yours is just another version of what’s already out there. In all cases, I want something original. Again, something only YOU can create. 

What He Isn’t Looking For: 

5. What types of submissions are you not interested in? 

More of the same. 

Agent Philosophy: 

6. What is your philosophy as an agent both in terms of the authors you want to work with and the books you want to represent? 

Before I sign a client, I like to get to know the person that I’m potentially going to work with— and I want them to get to know me. First and foremost, beyond being talented (because, of course), I want to like the person that I’m representing. Also, it’s not a requirement by any means, but it’s icing on the cake when my authors are able to pivot their writing between audiences and genres. Many of my clients have been at this for years, so for the most part we’re working with a whole portfolio of projects that we’re looking to submit. It changes the workload and the relationship when it’s not just developing the early career of a creator – although, it is often this – we’re looking at career management in a way that I imagine is something that usually comes with time in an agent’s career. 

Editorial Agent: 

7. Are you an editorial agent? If so, what is your process like when you’re working with your authors before submitting to editors? 

It’d be pretty funny if after a decade and a half of editing I suddenly came to agenting and was like, “yeah, I’m done with that.” No, I am totally an editorial agent. I’ve seen how it works on the publisher’s side of things, so I think my role as an agent is to get my client’s project to a point where it can get through the acquisitions process. It’s not my role to get your book publish-ready—save that for the editor and the publisher’s creative team. That being said, “getting through the acquisitions process” is a fairly vague definition. Basically, my goal is to anticipate the “NO’s” and edit the book so that the only answer that makes sense is a yes. 

Query Methods and Submission Guidelines: (Always verify before submitting) 

8. How should authors query you and what do you want to see with the query letter? 

Please use QueryTracker. For a query letter, I obviously want to know a little about the project and about you. But what I think a lot of people forget is that this is a human endeavor. It is a one-on-one conversation. This means that I want the letter to feel like it was written just for me. Not “I see you like humor, so I’m sending you my funny picture book.” I want your perspective / personality to come through your letter. Why you’re the one to tell this story and why it needs to be told. 

9.  Do you have any specific dislikes in query letters or the first pages submitted to you? 

When the queries feel like they could’ve been written by and/or sent to anyone. 

Response Time: 

10. What’s your response time to queries and requests for more pages of a manuscript? 

Now that I actually have a client list, it takes me longer than I want to reply to a query. However, I’ve started working with readers to help me get through the queue. Yes, I have queries that are literally months in my inbox, but I’m doing what I can to respond as quickly as possible. And I will respond. My goal is to have a one-month turnaround, but I fully admit that I’m a long ways away from this being a reality. 

Self-Published and Small Press Authors: 

11.  Are you open to representing authors who have self-published or been published by smaller presses? What advice do you have for them if they want to try to find an agent to represent them? 

I’m happy to work with self-published and/or independently published authors. Some of my clients have had a lot of success in this area. However, I’m likely not interested in trying to find a traditional publisher for an already-published book. 

Clients: 

12. Who are some of the authors you represent? 

About two-thirds of my authors will be debuts in the American children’s market. Of the folks who’ve been published in the US, they include: Marcie Flinchum Atkins, Skila Brown, Henry Herz, Alethea Kontis, Cynthia Platt, Madelyn Rosenberg, AJ Smith, and Kip Wilson. About half of my clients are folks that I knew before I became an agent. A couple of them were authors whose books I’ve edited. 

Interviews and Guest Posts: 

13. Please share the links to any interviews, guest posts, and podcasts you think would be helpful to writers interested in querying you. 

I’m usually in the background, so this is only my 2nd interview since becoming an agent. (Pleased to meet you!) You can read my first interview here: 

https://fromthemixedupfiles.com/meet-carter-hasegawa-literary-and-illustration-agent/ 

Links and Contact Info: 

14. Please share how writers should contact you to submit a query and your links on the Web. 

QueryTracker: https://querytracker.net/agent/19614

Tugeau 2: https://tugeau2.com/about#:~:text=Carter%20is-,open,-to%20Author%2C%20Illustrator 

Additional Advice: 

15. Is there any other advice you’d like to share with aspiring authors that we haven’t covered? 

Before I made the decision to switch to agenting, I chatted with an agent who has been in the industry for over 40 years. And they said that they’ve never seen the market this bad before. It’s tough out there. But if we look at history, the market always rebounds. People will always want books to add to their shelves. What we do – what we provide – matters. 

Thanks for sharing all your advice, Carter. 

Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change.

Have any experience with this agent? See something that needs updating? Please leave a comment or email me at natalieiaguirre7@gmail.com 

Giveaway Details 

­Carter is generously offering a query critique to one lucky winner. To enter, all you need to do is be a follower (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment through November 29th. If you do not want to enter the contest, that’s okay. Just let me know in the comments. If I do not have your email (I can no longer get it from your Google Profile), you must leave it in the comments to enter the contest. Please be sure I have your email address. 

If you follow me on Twitter or mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This is an international giveaway. 

Upcoming Interviews, Guest Posts, and Blog Hops 

Monday, November 24th, I have a guest post by R.M. Romero and a giveaway of her MG The Tear Collector

Monday, December 1st, I’m participating in the Holly Jolly Giveaway Hop 

Wednesday, December 3rd, I have a guest post by Leigh Madrid and a giveaway of her YA My Lips, Her Voice, and my IWSG post 

Monday, December 7th, I have an interview with Sarvenaz Tash and a giveaway of The Treasure of Ocean Parkway 

Wednesday, December 10th, I have an agent spotlight interview with Andie Smith and a query critique giveaway 

Monday, December 15th, I’m participating in the Dashing December Giveaway Hop 

Wednesday, December 17th, I have an agent spotlight interview with Marissa Cleveland and a query critique giveaway

I hope to see you on Monday!

 


Cracking Into School Library Collections by Author Mike Steele and Not Lucille Giveaway

 Happy Monday Everyone! Today I’m excited to have Mike Steele here to share about his MG historical Not Lucille. I’m really interested in the time period it’s set in and am looking forward to reading it. 

Here’s a blurb from Goodreads: 

It’s 1931, and children should be seen and not heard. 

Ten-year-old Lucy Contento can’t help but be seen and heard. And she’s always in trouble for it. She talks too much. She’s impulsive. She writes with the wrong hand. Her parents would be mad enough knowing she routinely earns afterschool detentions. They’d be furious if they found out she’s been sneaking onto the campus of the nearby Trenton Academy for the Deaf. But there, Lucy has met Florence, a lonely and profoundly deaf girl her own age. Florence doesn’t mind Lucy’s flaws. Though Florence can’t speak, she has a unique way of communicating. If Lucy can figure out how to learn Florence’s special language, the two could be friends. 

Lucy devises a plan, but it’s going to cost a whopping $7.98—more money than she’s got. She can’t tell her parents why she wants the funds without revealing she’s been visiting Florence. Besides, her parents don’t have a penny to spare. Her father has been out of work for months. And nobody else in the Contento family has an income. Or do they …? Lucy soon discovers she’s not the only member of her family hiding something. Can she get the money she needs while keeping everyone’s secrets? Or will her scheming land her in the biggest trouble of her life? 

In this story of friendship and belonging, a young girl navigates prejudice, punishment, and identity while establishing her voice in a world that often tries to keep her silent. 

Follower News

Before I get to Mike's guest post, I have Follower News to share. Jennifer Lane has a new release, Low Water. Here's a blurb: Two lives marked by trauma. One chance to rediscover hope. In the sun-drenched Lowcountry of South Carolina, a swim coach haunted by tragedy and a psychologist devoted to healing cross paths just as their lives unravel. Striving, tender, and surprisingly funny, this is a story about resilience and learning that the best way out of the deep end is together. Here are a few links: Universal Book Link: https://books2read.com/u/b675ox Amazon US: https://www.amazon.com/Low-Water-Jennifer-Lane-ebook/dp/B0FYV32BV4

Now here's Mike!

Cracking Into School Library Collections 

                              by Mike Steele, author and school librarian 

As a kidlit author, you know your target audience spends most days in a very specific setting—school. What better way to reach kids with your writing than through the school library? If you could just get your book onto school library shelves, hundreds of readers at each school would have access to it. But unless you’re a bestselling author (and if you are, you might as well stop reading because you don’t need my advice), cracking into school libraries can be a challenge. Let’s look at the three main obstacles you’re up against. 

1.     Lack of Visibility 

Most school librarians don’t know you exist. Your publisher isn’t pumping thousands of dollars into marketing your book. You’re not getting filtered into, “Customers also bought…” carousels on Amazon. Barnes & Noble doesn’t display your book facing its entrance. And you’re not Dav Pilkey. 

2.     Small Budgets 

It’s no secret school libraries tend to be underfunded—that’s if they’re funded at all. Some school librarians work without budgets. Some are limited to earnings from book fairs (and that can mean they only order through the fair publishers). Those that have set budgets often receive the equivalent of $5-10 per student, not even enough money to buy one new library-bound edition for each reader that visits the library in a school year. 

3.     Collection Development Plans

These are the plans that guide school librarians in evaluating and selecting books to add to their collections. Collection Development Plans vary from school to school or district to district. Some states and districts have very strict regulations that leave selection largely out of school librarians’ hands. Others give school librarians more freedom. Most collection development plans require a book meet at least one of two criteria to be eligible for selection:

1)    A positive critique by a major review journal that features children’s books. These publications include Kirkus Reviews, School Library Journal, Booklist, and Publishers Weekly.

2)    Alignment to school curriculum. If a book supports what students are learning in class, it’s useful to the community. 

So how can you overcome the obstacles? To be honest, in some instances, you can’t. When a state or district has complete control over which titles can exist within school library collections, it’s going to be near-impossible to get yourself onto approved lists. Luckily, these situations aren’t the norm. Most school librarians have at least some professional discretion when it comes to selecting books. Below are a few tips to help you get your book onto school library shelves and into the hands of readers. 

Mobilize Your Network

The people who support you and your work want to advocate for you. Help guide them. Most know school workers (some probably work in schools themselves). Don’t just hope they’ll recommend your book to school librarians; ask them to do it. When your cousin tells you she bought a copy of your book, respond, “If you like it, please recommend it to your daughter’s school librarian.” When your neighbor says she’s going to tell her son about the book because he teaches third grade, offer to send a copy to his school librarian, so all teachers at the school can access the book. When you sell a book at a signing, include two promotional bookmarks—one for the reader to enjoy and one that you ask the reader to deliver to his or her school librarian. 

Offer Free Copies 

You work has value. You don’t want to constantly give it away. But the reality is you probably do gift copies of your book to specific people in order to market it. Always consider how much visibility each of your donations has the potential bring. Providing a free copy to a school library has the potential to expose your work to more readers than if you were to give it to an individual classroom. When you ship copies to bloggers, you can include a note with each copy, suggesting bloggers donate to school libraries once they’ve finished reviewing. If you have success getting your freebies into school libraries, you might even designate a portion of your own marketing budget strictly to this endeavor. 

Reach Out with a Purpose 

Cold-calling school librarians with your sales pitch is a quick way to annoy the people you want to entice. Emails that offer nothing beyond the idea that your book exists are also a nuisance. School librarians have very little non-teaching time to sort through their professional communications (on top of dozens of other administrative duties). They’re bombarded with ads for books and other media on a daily basis. Give them a reason to pay attention to you. Email school librarians that are within your community or with which you have personal connections. Maybe offer to send free samples of your work via Book Funnel. Tell them how the topic of your book aligns with state standards or school curriculum (yes, this will require you to do some research). Ask if they’re considering virtual or on-site author visits, and let them know the topics on which you can present to students. Be sure they know what you can bring to their specific community. 

Think Digitally 

As schools continue to adopt one-to-one technology, consider focusing some efforts on offering digital content to school librarians. You plan to mobilize your network, right? The people in that network can recommend and request eBooks in addition to physical books. And when you reach out to school librarians with the purpose of showcasing how your book aligns with curriculum, let the librarians know they can visit your website to download lesson plans that connect your book directly to state standards. Don’t forget to mention which eBook distributors license your book. 

Marketing to school libraries can be a lot of work. Take it slowly. Tailor your approach. For every successful effort to get your book into a school library, you have the potential to reach hundreds of readers. 

Author Bio 

Mike Steele is an elementary school librarian and children’s playwright with eight plays published and licensed for production. Not Lucille is his debut middle-grade novel. In his spare time, he likes to attend musicals, create mixed-media artwork, and win prizes from claw machines. He lives at the Jersey Shore with his tabby cats, Karen and Sox. If you spot him in the wild, he usually has a bubble tea in one of his hands. www.mikesteeleonline.com @msteelewrites 

Giveaway Details 

Mike is generously offering a paperback of Not Lucille for a giveaway. To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by November 29th. If I do not have your email (I can no longer get it from your Google Profile), you must leave it in the comments to enter the contest. Please be sure I have your email address. 

If you mention this contest on Twitter, Facebook, or other social media sites and/or follow me on Twitter or Bluesky or follow Mike on his social media sites, mention this in the comments, and I'll give you an extra entry for each. You must be 13 years old or older to enter. This book giveaway is U.S. 

Marvelous Middle Grade Monday is hosted by Greg Pattridge. You can find the participating blogs on his blog. 

Upcoming Interviews, Guest Posts, and Blog Hops 

Wednesday, November 19th, I have an agent spotlight interview with Carter Hasegawa and a query critique giveaway 

Monday, November 24th, I have a guest post by R.M. Romero and a giveaway of her MG The Tear Collector 

Monday, December 1st, I’m participating in the Holly Jolly Giveaway Hop 

Wednesday, December 3rd, I have a guest post by Leigh Madrid and a giveaway of her YA My Lips, Her Voice, and my IWSG post 

Monday, December 7th, I have an interview with Sarvenaz Tash and a giveaway of The Treasure of Ocean Parkway 

Wednesday, December 10th, I have an agent spotlight interview with Andie Smith and a query critique giveaway 

Monday, December 15th, I’m participating in the Dashing December Giveaway Hop 

Wednesday, December 17th, I have an agent spotlight interview with Marissa Cleveland and a query critique giveaway 

I hope to see you on Wednesday!