Agent Spotlight: Paige Terlip Interview and Query Critique Giveaway

Today I’m thrilled to have agent Paige Terlip here. She is a literary agent at Andrea Brown Literary Agency

Status update on 1/13/2026: Paige has left Andrea Brown Literary to launch a new agency, Sterling Literary, with Jemiscoe Chambers-Black and Jennifer March Soloway. She is currently open to submissions. Check the agency website to learn how to submit to her.

Hi­ Paige! Thanks so much for joining us.

About Paige:

1. Tell us how you became an agent, how long you’ve been one, and what you’ve been doing as an agent.

I had a bit of circuitous path to agenting, but I like to think all the varied jobs I’ve had support my career as an agent. I have always been a reader. When I was in high school, I severely injured my back and was on bed rest for most of my junior year. Books were my escape and my connection to the outside world. Since then, it was always a dream to somehow work with books someday. But before finding my way to agenting, I worked in marketing and communications at the National Renewable Energy Lab; web and graphic design for behavioral health businesses; and even at a ranch in the Rockies. Something was still missing, so I went back to school—getting an MA in Children’s Literature and an MFA in Writing for Children from Simmons University. After that, I worked in a variety of jobs across publishing before landing at Andrea Brown Literary Agency. I have been with the agency since 2017 and have been an Associate Agent for over a year.

 

After my promotion to Associate Agent in early 2021, I focused on building my list of incredibly talented authors and illustrators. I also sold some amazing projects, and I can’t wait until we can announce them all!

About the Agency:

2. Share a bit about your agency and what it offers to its authors.

The Andrea Brown Literary Agency specializes in children's and adult literature, celebrating thousands of titles sold since our founding in August 1981. We work to bring to light the voices and perspectives of new writers as well as to nurture and develop the careers of experienced authors. Our goal, whether seeking to secure a publishing contract for a first book or a fiftieth book, is to make sure that clients are not only published, but published well.

Our philosophy is to remain a "small" agency at heart. We invest a great deal of personal care and attention in each project and in each client, and we are hands-on in all aspects of our interactions. We work closely with clients and devise a strategy at every stage of the writing process - from conception to editorial to submission - that is tailored to the client and that will enable us to find the best publisher for each book. In doing so, we think about both short term and long term goals for our clients, always keeping the trajectory of a successful career in mind.

Our agents have backgrounds in New York publishing, editing, academia, business, teaching, writing, design, marketing, and film, and one of our strengths as an agency is that we work collaboratively. Our clients have the benefit not only of their individual agent's expertise but of the combined experience and vision of the group.

As a West Coast based agency, we follow a tradition of West Coast innovation in our passion for discovering new voices, in our efforts to make New York publishing more accessible and inclusive of voices from other parts of the country, and in our attempt to see publishing trends that result from this broader perspective. We combine this approach with access, standing, and visibility in the publishing community at large. Our agents make regular trips to New York, attend industry conventions, and participate as faculty at writers' conferences all over the world.

With the personal client attention of a small agency and the business acumen and clout of a larger one, the Andrea Brown Literary Agency brings the best of both worlds to the table.

What She’s Looking For:

3. What age groups do you represent—picture books, MG, and/or YA? What genres do you represent and what are you looking for in submissions for these genres?

I represent authors and illustrators in picture books, MG, YA, and select adult fiction. Across age categories, I am drawn to high concept novels with captivating hooks, snarky characters with hearts of gold, creative magic systems, complicated relationships, and found families. I love well-plotted twists, being a little bit scared, and stories that explore the fluidity of gender and bring the queer experience to light. Regardless of genre, I am seeking inclusive, intersectional voices and gorgeous line-level writing with emotionally compelling narratives.

4.  Is there anything you would be especially excited to seeing in the genres you are interested in?

I am particularly looking for funny MG and YA. Something with an unforgettable voice, banter, and wit—something that perfectly balances snark and heart. In MG something that feels like Stand Up, Yumi Chung! or That Thing About Bollywood or in YA something like Not My Problem. I love seeing characters finding their individuality and owning their truth. In YA, I especially love to see characters doing this while also navigating hormones and first loves.

I’d also love to see a twisty YA thriller that not only surprises through the plot but also delves into the dark complexities of the human mind. For me it’s not just about the “who” but the “why” of it all, which is often more compelling. If it borders on horror or comments on our current social/political struggles, all the better.

Some other random things I love to see in books across age groups and genres: kids who love cooking or baking; girls who excel in martial arts; unapologetic protagonists; dogs; crystals and tarot; kids who love or are learning to love nature / gardening; mysteries and puzzles; old houses with their own secrets; multi-generational narratives (especially if it involves magic); old books in old libraries; and when kids challenge entrenched ideology.

What She Isn’t Looking For:

I am still open to the perfect picture book—especially if it’s an author-illustrator—but I am being very selective right now.

5. What types of submissions are you not interested in?

I am not the best agent for memoirs, sci-fi set only on spaceships, or books about eating disorders. I am also very selective and PB and that rhyme. Though sometimes the right project will change my mind. If you think we would be a good fit, go ahead and surprise me!

Agent Philosophy:

6. What is your philosophy as an agent both in terms of the authors you want to work with and the books you want to represent?

My mission as a literary agent centers on prioritizing an author's career, not just an individual title. I work with authors at every step of the publishing pipeline from the spark of an idea, to negotiating contracts, to post-publication marketing efforts. Together we will strategize benchmarks to secure long and short-term goals. I am also an editorial agent and believe in creating as strong a manuscript as possible before going on submission.

I approach agenting with a background in graphic design and marketing. I love utilizing these skills to make my clients' projects stand out. I gravitate toward books that instantly conjure a mood and visual in my mind, and I use this inspiration to pitch projects in unique ways. I am also dedicated to helping my clients strategize their marketing efforts pre- and post-publication. I believe that each book and author have a unique marketing angle and I strive to help my clients find the best approach to supplement a publisher's efforts. Overall, my goal is to help maximize a client's career with editorial, branding, and marketing support, as well as to open doors for film/TV, foreign, audio, and dramatic rights. 

Editorial Agent:

7. Are you an editorial agent? If so, what is your process like when you’re working with your authors before submitting to editors?

Yes, I am an editorial agent. I think it makes sense to have a strong manuscript before going to editors. It’s a very competitive market and a more polished project has a better chance to stand out in a crowded inbox. However, it’s a balance. I don’t want to burn out my authors—there will still be more revision once it’s acquired—and there should also be room for an editor to put their stamp on a project.

I truly think revision is magical. Stories evolve in amazing ways during the revision process, and I like to think of myself as your revision guide. With that in mind, I am pretty direct with my feedback, but I always try for balance—it’s just as important to know what is working as what might need more attention. I focus on big picture critique combined with specific examples and line level notes where changes might make the most impact. My goal is to ask the right questions which inspire the creativity to take your story to the next level. And I will add, an agent (even an editorial agent) is not a replacement for a critique group!

Query Methods and Submission Guidelines: (Always verify before submitting)

8. How should authors query you and what do you want to see with the query letter?

Please query me via Query Manager. The link is https://querymanager.com/query/PaigeTerlip/. A query is meant to hook a reader and force them to read more. Make sure your query showcases your story in a captivating way—highlighting the global issues and the personal stakes—and ensure your sample pages are as polished as possible. Additionally, use comps that show you have a good grasp of where your book will fit in the market.

9.  Do you have any specific dislikes in query letters or the first pages submitted to you?

I’m pretty understanding about typos or small errors, but if the query is riddled with mistakes or grammar errors it can be a red flag. Additionally, the main reason I say no to a query is because the story or sample pages don’t feel ready yet. The premise might have amazing promise, but if the pages aren’t grabbing me, it’s a no—at least for now. Maybe the story isn’t starting in the right place or maybe the voice isn’t engaging enough, or the line level writing isn’t quite there yet. But these are all things that can be fixed.

One other thing to remember is that I often say “no” to projects I love. It’s honestly brutal to pass sometimes, but as much as I loved reading a project it doesn’t always mean I would be the best agent for it.

Response Time:

10. What’s your response time to queries and requests for more pages of a manuscript?

I try to respond to queries within 4-6 weeks, and for full manuscripts 6-8 weeks. I am the only one in my query box, I don’t currently have an assistant, so it’s just me reading. This means that there are times I might fall behind, but I always try to keep writers updated on my timeline. And remember I respond to everything so if you haven’t heard back, it just means I’m still considering.

Self-Published and Small Press Authors:

11.  Are you open to representing authors who have self-published or been published by smaller presses? What advice do you have for them if they want to try to find an agent to represent them?

I am open to repping all authors, but if you are querying a project that has been self-published or published at a small press, it is difficult for me to work on that title. If it’s already out in the world, it is more challenging to sell it somewhere else. It can happen but the circumstances tend to be extraordinary. If you are self-published or publishing with a small press, I would recommend querying something that hasn’t been published yet.

12. With all the changes in publishing—self-publishing, hybrid authors, more small publishers—do you see the role of agents changing at all? Why?

Publishing is always changing and yet also not changing. The role of agents seems to be following the same pattern, but as long as there are traditional publishing deals happening Agents have an important role in pitching projects, negotiating deals and contracts, and supporting authors as they cultivate careers.

Clients:

13. Who are some of the authors you represent?

I represent a variety of authors, from author-illustrators to novelists. I also work with people at various stages of their career from debuts to established names. If you are interested in seeing some of my deals you can visit Publishers Marketplace or my personal website paigeterlip.com.

Interviews and Guest Posts:

14. Please share the links to any interviews, guest posts, and podcasts you think would be helpful to writers interested in querying you.

Some resources include:

Authors Guild
Publishers Marketplace
Publishers Weekly
Society of Children's Book Writers & Illustrators
Writers Digest
Writers Market
Manuscript Wishlist
Literaticat: Ask the Agent

Update on 4/7/2023

Agent of the Month at Writing and Illustrating Part 1, Part 2

Links and Contact Info:

15. Please share how writers should contact you to submit a query and your links on the Web.

Please only query me through Query Manager. I get a lot of emails and if you send a query to my email, it won’t reach me.

My website is: https://paigeterlip.com/index.html

My agency website: https://www.andreabrownlit.com

My query manager: https://querymanager.com/query/PaigeTerlip

Follow me on social media:

https://twitter.com/pterlip

https://www.instagram.com/pterlip/

Additional Advice:

16. Is there any other advice you’d like to share with aspiring authors that we haven’t covered?

Persistence is key! The publishing process is a roller coaster. The people who are successful keep working and revising and persisting through all the ups and downs. I wish you all the best on your journey!

Thanks for sharing all your advice, Paige.

­Paige is generously offering a query critique to one lucky winner. To enter, all you need to do is be a follower (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment through March 5th. If your e-mail is not on your Google Profile, you must leave it in the comments to enter the contest. If you do not want to enter the contest, that's okay. Just let me know in the comments.

If you mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This is an international giveaway.

Have any experience with this agent? See something that needs updating? Please leave a comment or e-mail me at natalieiaguirre7@gmail.com

Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change.

 

 

 

 

 

 

 

 

 

 

AGENT SPOTLIGHT INTERVIEW WITH JENNIFER MARCH SOLOWAY AND QUERY CRITIQUE GIVEAWAY

Today I’m thrilled to have agent Jennifer March Soloway here. She is an associate literary agent at Andrea Brown Literary Agency.

Status update on 1/13/2026: Jennifer has left Andrea Brown Literary to launch a new agency, Sterling Literary, with Jemiscoe Chambers-Black and Paige Terlip. She is currently open to submissions. Check the agency website to learn how to submit to her.

Hi­ Jennifer! Thanks so much for joining us.

Thanks! I’m thrilled to be here!

About Jennifer:

1. Tell us how you became an agent, how long you’ve been one, and what you’ve been doing as an agent.

Before I joined ABLA, I worked in public relations and marketing in a number of industries, including banking, health care, and toys—and except for banking, there was always a focus on kids. When I worked for the toy company, in addition to managing public relations and producing the catalog, I was the toy inventor liaison, which meant several times a year I would travel around the country to meet with toy inventors, who would pitch their toy ideas to me. It was the coolest job!

Selling an invention to our company was tough. We had a very strong internal design team, and we almost never bought outside ideas, so it was difficult to place with us. But every once in a while, I would find an invention that was perfect for our new line. It was my job to then negotiate the terms and the contract with the inventor.

Sounds a bit like agenting, doesn’t it?

Not long after, I decided to pursue my passion for literature and got an MFA in English and Creative Writing with an emphasis on young adult literature. I was first introduced to the Andrea Brown Literary Agency at the Big Sur Children’s Writing Workshop, and later, I got the opportunity to be Executive Agent Laura Rennert’s assistant. I found the publishing industry fascinating. I enjoyed reviewing contracts and thinking strategically on behalf of the clients. I had fun writing pitches. I even liked reviewing royalty statements. Most of all, I loved editorial. I discovered it gives me great joy to help writers find their story. I love to champion others.

In mid-2016, I was promoted to Associate Agent. Laura has been an amazing mentor and teacher, and our entire agency is incredibly collaborative and supportive. I feel so fortunate and grateful to work with such a dynamic group of women.

Today, I represent a handful of clients—picture book author/illustrators and MG/YA novelists, as well as a few adult writers—and I’m actively looking for new clients to add to my list.

About the Agency:

2. Share a bit about your agency and what it offers to its authors.

The Andrea Brown Literary Agency is a mid-sized literary agency headquartered in Northern California with offices in Southern California, Chicago, and New York. Our is to make sure clients are not only published, but published well. Most recently, two of our clients were longlisted for the National Book Award: Mitali Perkins for YOU BRING THE DISTANT NEAR (FSG/Macmillan, 2017), and Meg Medina for BURN BABY BURN (Candlewick, 2016), and Neal Shusterman won the 2017 Michael L. Prinz Honor for SCYTHE (BFYR/S&S, 2016). Our agency invests a great deal of care and time into each project and client. We seek long-term relationships with our clients and work with clients at every stage of the writing process, from editorial to submission and beyond. We handle everything from domestic deals to foreign rights, plus film and TV, etc.

What She’s Looking For:

3. What age groups do you represent—picture books, MG, and/or YA? What genres do you represent and what are you looking for in submissions for these genres?

I represent authors and illustrators of picture book, middle grade, and young adult stories, as select adult fiction, both literary and commercial, particularly crime, suspense and horror projects. (I like to be scared!)

For picture books, I am drawn to a wide range of stories from silly to sweet, but I especially love funny, interactive read-aloud’s with some kind of surprise at the end. When it comes to middle grade, I like all kinds of genres, including adventures, mysteries, spooky-but-not-too-scary ghost stories, humor, realistic contemporary and fantasies grounded in reality.

Young adult is my sweet spot. I adore high-concept commercial page-turners of any genre, full of unexpected twists. I’m a huge fan of scary, psychological suspense that blurs the lines between the real and the imagined. But as much as I love a good thriller, my favorite novels are literary stories about ordinary teens, especially those focused on family, relationships, sexuality, mental illness, or addiction.

Regardless of genre, I am actively seeking fresh new voices and perspectives underrepresented in literature. I love literature that allows me to see the world in a way I would never experience on my own.

That’s my wish list, but an author might have something I have never considered before, and it might be absolutely perfect for me. I am open to any good story that is well written with a strong, authentic voice. Surprise me!

4.  Is there anything you would be especially excited to seeing in the genres you are interested in?

I would love to find a magical MG fantasy with friendship and/or family themes; a spooky-but-not-too-scary MG ghost story; or a YA about good teens making bad decisions that lead to dire consequences. (Cheating? Check! Bad girlfriends or boyfriends? Check! Shipped off to summer reform camp? Yes!)

What She Isn’t Looking For:

5. What types of submissions are you not interested in?

I am not the right agent for chapter books or novels in verse. I like both, but neither area is my editorial strength. Also, as much as I love a good, gritty story (I will go very dark and violent), if it’s misogynist or gratuitously abusive against women and/or children, I’m out. I’ve passed on numerous projects for that reason.

Agent Philosophy:

6. What is your philosophy as an agent both in terms of the authors you want to work with and the books you want to represent?

First, I look to fall in love with a project. I want to represent stories and art that explore universal truths and evoke strong emotions: joy, sadness, fear, compassion, excitement, or better yet, all of the above. Then, I talk to the creator. Do my editorial suggestions for the project resonate with them? Is it easy for us to talk to one another? Are we aligned in our goals for the working relationship? If the answer is yes, yes, and yes, then I will offer representation, and if I’m lucky, they will accept.

Editorial Agent:

7. Are you an editorial agent? If so, what is your process like when you’re working with your authors before submitting to editors?

My goal is to help my clients revise and polish their manuscripts for publication and make their project the best it can be, so I spend a lot of time reading client manuscripts and providing editorial feedback. In other words, if you sign with me, I’m going to make you work, but only because I want to put our very best foot forward.

I believe giving good feedback is an art. I try to give editorial suggestions worded in such a way that the author not only understands the issue but also feels inspired and encouraged to revise. My style is detailed and encouraging; I don’t like to be harsh or blunt. If that’s the style you want, I am not the right agent for you.

Query Methods and Submission Guidelines: (Always verify before submitting)

8. How should authors query you and what do you want to see with the query letter?

I like to see the following in a query letter:

• A simple salutation, and perhaps the reason why you think I’d be a good fit for your project;
• A description of the project (category, genre, word-count, and comparable books in the market);
• A 1-2 paragraph pitch (or a 1-2 sentence pitch for a picture book project); and
• A brief bio, and contact information (email, Twitter handle, etc.)

Per our submission guidelines, authors can query me at soloway@andreabrownlit.com. Please put “Query” in the subject of the email and include the following in the body of the email text:

• ​A query letter; and
• The first 10 pages of the manuscript​ or the complete text of a picture book project copied into the body of the email text.
• Please no attachments, except for illustrations (in jpeg format), or picture book dummy (either a PDF or a Dropbox link, etc. works well)

9.  Do you have any specific dislikes in query letters or the first pages submitted to you?

I think the biggest mistake I see is authors submitting work too soon. I see potential in almost every submission, but most projects I receive are at too early a stage for me to offer representation. The drafts tend to be too raw and in need of more work. Often, I can tell the author is still writing to discover, or if they have discovered the end, they have yet to rework the beginning and middle.

I am looking for something with potential, something I think I can sell. I want to read the story and have a vision for how the work could be elevated and polished. A manuscript doesn’t have to be perfect, but at the same time, it has to be really good.

Response Time:

10. What’s your response time to queries and requests for more pages of a manuscript?

I am grateful for the opportunity to consider all submissions. I read every query carefully, and I wish I could respond to everyone personally. Unfortunately, as we state in our submissions guidelines, because of the high volume of material that we receive, we are no longer able to respond personally to every submission. If an author has not heard from me within six weeks, the author can assume that the material submitted is not right for our agency at this time.

If I request a manuscript, my goal is to read and respond to the author within 6-8 weeks, or sooner if possible. Sometimes, I am able to respond quickly, but unfortunately, I occasionally fall behind in my submissions. When I do, I try to reach out to the author to let them know I’m behind.

Self-Published and Small Press Authors:

11.  Are you open to representing authors who have self-published or been published by smaller presses? What advice do you have for them if they want to try to find an agent to represent them?

I am open to authors who have self-published or have been published by smaller presses, as long as they are submitting new, unpublished projects for my consideration. My advice to previously published authors is to be honest about their past publication history. It’s helpful for me to know everything up front, so I can best support and strategize a client’s career moving forward.

12. With all the changes in publishing—self-publishing, hybrid authors, more small publishers—do you see the role of agents changing at all? Why?

It is really difficult to get published traditionally without an agent. Many houses do not accept unsolicited manuscripts, although there are exceptions like Chronicle Books, for example. A good agent will have strong working relationships with many editors at the various houses and will help devise a strategy to find the best editor/house in terms of fit.

It can be especially helpful to have an agent who knows and understands what terms to negotiate for an author, considering the stage of their career and future projects, etc., as well as the best terms such as advance, royalty percentages, rights, future options, etc. A good agent will also be thinking about a client’s career long-term and what kinds of projects will best support that client’s brand, etc.

Interviews and Guest Posts:

13. Please share the links to any interviews and guest posts you think would be helpful to writers interested in querying you.

Stories Unbound Podcast, Part 1: http://chrisoatley.com/su17/

Stories Unbound Podcast, Part 2: http://chrisoatley.com/su18/

The Grotto Pod: https://www.sfgrotto.org/episode-43-jennifer-march-soloway-all-about-agents/

Story Makers Show Podcast: http://www.storymakersshow.com/episode-26-the-agents-perspective-what-aspiring-writers-need-to-know-plus-lots-of-great-information-for-childrens-middle-grade-and-ya-authors/

KidLit 411: http://www.kidlit411.com/2017/01/Kidlit411-Agent-Jennifer-March-Soloway.html

Manuscript Wish List: Persevering Through the Process, by Jennifer March Soloway: http://www.manuscriptwishlist.com/2017/10/persevering-through-the-process/

Sarah Nicholas Podcast https://www.youtube.com/watch?v=m_8PQLUDUgw (9/2020)

6/6/2024 Update:

Meet the Agent: Jennifer March Soloway Meet the Agent: Jennifer March Soloway at Writers' Digest (06/2024)

Links and Contact Info:

14. Please share how writers should contact you to submit a query and your links on the Web.

Please query me at soloway@andreabrownlit.com

Andrea Brown Literary Agency: www.andreabrownlit.com

My extended wish list: http://www.manuscriptwishlist.com/mswl-post/jennifer-march-soloway/

For my latest conference schedule, craft tips and more, follow me on Twitter at @marchsoloway.

Additional Advice:

16. Is there any other advice you’d like to share with aspiring authors that we haven’t covered?

Please have a complete manuscript that you’ve revised extensively before you query. Revise and polish it as much as you can, then revise and polish one more time before you submit. Send queries in rounds; don’t hit everyone at once. Give yourself time to rethink and regroup after each round. If someone gives feedback, listen. If you don’t hear anything, take a look at your query letter and your opening pages. Look for ways to make both more enticing and engaging. Then send out another round of queries.

Most importantly, don’t give up. Keep writing. Keep revising. And as your preparing to submit, please keep me in mind. I love a good story, and I’d love to read yours.

Thanks for sharing all your advice, Jennifer.

You are so welcome. Thank you again for having me!

­Jennifer is generously offering a query critique to one lucky winner. To enter, all you need to do is be a follower (just click the follower button if you're not a follower) and leave a comment through May 5th. If your e-mail is not on your Google Profile, you must leave it in the comments to enter either contest. If you do not want to enter the contest, that's okay. Just let me know in the comments.

If you mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This is an international giveaway.

Profile Details:
Last updated: 6/1/2020
Agent Contacted For Review? Yes.
Reviewed By Agent? N/A

Have any experience with this agent? See something that needs updating? Please leave a comment or e-mail me at natalieiaguirre7@gmail.com

Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change.