Happy
Monday Everyone! Today I’m thrilled to have debut author Kaela Rivera here to
share about her MG adventure story Cece Rios and the Desert of Souls. I was
fortunate to get an ARC from NetGalley and loved this story set in a Mexican
village that is based on Mexican folklore. As some of you know, my late husband
was Mexican-American, and I really enjoyed learning more about his heritage.
Here’s
a blurb from Goodreads:
Living
in the remote town of Tierra del Sol is dangerous—especially in the criatura
months, when powerful spirits break free from their home in Devil’s Alley to
threaten humankind. But Cecelia Rios has always believed there was more to the
criaturas who roamed the desert, much to her family’s disapproval. After all,
it’s common knowledge that only brujas—humans who capture and control
criaturas—consort with the spirits, and brujeria is a terrible crime.
When her older sister, Juana, is kidnapped by El
Sombrerón, a powerful dark criatura, everyone in town believes she’s lost
forever. But Cece is determined to bring Juana back. To get into Devil’s Alley,
though, she’ll have to become a bruja herself—while hiding her quest from her
parents, her town, and the other brujas. Thankfully, the legendary criatura
Coyote has a soft spot for humans, and agrees to help her on her journey. With
him at her side, Cece sets out to reunite her family—and maybe even change what
it means to be a bruja along the way.
Hi Kaela! Thanks so much for joining us!
1. Tell us about yourself and how you became a
writer.
Hi everyone! Thanks for inviting me, Natalie; I’m
so excited to be here.
When I first started learning how to write as a
kid, I actually had a hard time with it. I struggled to string words together,
and I found the process slow and frustrating. But my mom was wonderful and
taught me to stick through hard things. Eventually, with her support and after
working extra hard at it, I came out loving writing so much that I wrote a
string of picture books from age seven all the way up until ten years old.
At ten, I sat down and wrote my first novel. It
was terrible, and I loved it (still do!), but I knew I wanted to get better at
doing this. So I kept writing novel after novel. It was at fourteen years old
that I realized I wanted to get officially published, and I started researching
and taking the writing and publishing process more seriously.
It took several more novels through high school
and college before I really hit my stride as a writer. But it was when I
finished what would become Cece Rios and the Desert Of Souls that I
finally felt I’d reached the level that I’d been working towards—and eventually
(with plenty of revisions, of course), it seemed my future agent and editor
agreed.
2. That’s awesome that you started writing at
such a young age. Where did you get the idea for Cece Rios and the Desert of
Souls?
Cece Rios and the Desert of Souls was born out of pairing an idea I’d had for a long time—what
would happen if there were creatures who had their souls on the outside?—with
the relatively recent experience I’d had reconnecting to my Mexican heritage
through my abuelo and his stories about growing up in northern Mexico.
As I started weaving those initial sparks
together into an actual plot, I found the thematic heart of the story came from
working through some personal, difficult experiences at the time. It became a
way to voice my thoughts on how kindness is an enormous strength even if it’s
often overlooked.
3. Tell us about the Mexican folklore you drew
on, like the criaturas, brujas, and curandero, in creating your story and how you used it to develop a
story that was your own. How did you research this all?
The folklore background of Cece Rios and the
Desert of Souls came together bit at a time, layered first with stories from my abuelo, next with
Mexican-American legends I’d heard from friends, then lots of time spent in the
Mexican Bestiary: Bestiario Mexicano (thank you, David Bowles!), and
finally hunting down more ancient stories and practices from Mayan, Aztec,
Toltec, and other tribes native to Mexico and Mesoamerica. I wanted to pay
homage to the mixed background of Mexico, its people, and descendants. That’s
why you’ll find the criaturas, particularly, come from a wide variety of
backgrounds—anything from the more modern El Chupacabra to the ancient
Tzitzimitl. I give some background on these legends in the glossary at the end
of Cece—including a couple anecdotes about my abuelo’s encounters with
brujas and curanderas.
I also did plenty of research on the history of
Mexico—Cece’s fantasy world is modeled after the 1920s northern Mexico my
abuelo would have grown up in, so I had to learn a lot about what technology
would have been there at the time (even if my abuelo hadn’t had it) and what
wouldn’t have. I’ve found some pretty interesting books and had to hunt through
obscure geology (history of mining wasn’t something I’d expected to ever
research) to get a fuller understanding of the world I wanted to create.
4. I was really glad that you included the
glossary. It had so much helpful info. One thing I loved about your story was
how you created the town of Tierra del Sol and the people who lived there. I
felt like I was really there. What was your world building process like?
I’m so glad you enjoyed it! The scenery and
description of Tierra del Sol came early in the process because I was basing it
on the stories my abuelo told me about growing up in northern Mexico. I wanted
it to capture the feeling of the land Abuelo described to me and the culture he
grew up in and created in our familia in America as well. Having his example,
experience, and history is what made Tierra del Sol come alive for me, too.
The more concrete aspects of Tierra del Sol,
like the exact mapping of the area, the Ruins, and the particulars rule of the
magic system all came later. The tone feels so alive because, I suppose, it’s
taken from real life and breathed into a new world.
5. Cece is such a sympathetic character. She
sees herself as weak but finds her strength when she goes on the secret mission
to save her sister from a powerful and scary criatura. Share about how you
developed her as a character and some of your favorite things about her.
At first, when I sat down to write Cece, I just
wanted a simple character progression from crybaby to brave hero. I often felt
scared growing up, so grappling with fear and summoning courage to overcome it
was something I could speak to from personal experience. But as I wrote Cece’s
journey, a lot of difficult things happened in my life—particularly the way
people were mistreating my mother because they thought her empathy and ability
to be vulnerable were signs of weakness. Cece’s journey took on new depth as I
wrote through that experience. It became a way for me to defend my mother’s
strength—and how her empathy and kindness weren’t pathetic like some people
thought they were. These traits were mighty in their own right and could change
the world.
I often say now that Cece is who I want to be
when I grow up. I love that she is kind, loving, and protective—and how she learns
to apply that strength to both herself and others. Cece isn’t perfect, but
she’s constantly looking for ways to improve and grow. I want to be like
Cece—fully embracing the good in myself and finding ways to help others without
being so afraid of getting hurt that I become like those who inflict the damage.
6. That’s cool how you tied Cece’s character
growth to what you saw your mom going through. Your story is a real page
turner. How did you plot it out? What tips do you have for other writers on how
to make a fast-paced story that readers don’t want to put down?
It’s so good to hear that because I don’t
consider myself a strong plotter. In fact, plot has been my weakness for a long
time, so I concentrated on it harder while writing CECE, to make sure it had
the tight pace I imagined. I found I had to heavily simplify the story beats in
my head in order to execute it well. The three-round structure of the Bruja
Fights ended up helping me the most. I’m excited to try more complicated plots
out in the future.
My number one piece of advice for a
forward-moving adventure is to constantly change the status quo. That can mean
with characters, or with the stakes, or with the socioeconomic setting, but
each scene should do something to challenge, change, and advance one of those
things toward the ultimate end. Just like in life, change is what keeps things
interesting.
7. What great advice to change the status quo. You
are also an editor at a marketing firm. Has your experience as an editor
strengthened your writing? And how do you balance your day job and your writing
so that you stay productive as a writer?
Oh, being an editor has absolutely strengthened
my writing! Everything from looking up obscure word usage in the dictionary to learning
the Chicago Manuel of Style better so I know at a glance what punctuation is
needed helps in the long run. And learning how to help someone else revise
their work gives me better context for revising my novels as well. All in all,
becoming a better writer feeds my experience as an editor, and vice versa. I’m
grateful to be in that situation.
As for balancing the day job and writing, I’m
still learning how. It’s important to me to give my best to both roles, but they
both require a lot of mental energy, so it can be draining to go directly from
one to the other.
It helps a bit that I’m a binge-writer, so I
don’t need to write every day. I can knock out 4,000–12,000 words in a weekend, and the breaks between writing
episodes gives me time to gather ideas for the next one. Sometimes, I don’t
wait for the weekend, of course. I’ll let myself write on weekdays if I can
feel the inspirations in my bones because I know I’ll be productive, even if
I’m tired.
8. Your agent is Serene Hakim. How did she become
your agent and what was your road to publication like?
It’s a fun story, actually! So, I actually sent
Serene Hakim the manuscript I wrote right before CECE: a sci-fi tech thriller
centered on a video game tournament (I have a thing for competitions, I guess).
Serene read it and liked it, but she said it wasn’t ready and asked if I was
willing to revise and resubmit. I read her feedback and ideas on how to improve
it, and they resonated with me, so I accepted and started working on it.
I finished that R&R shortly before I
finished CECE and sent the new manuscript back to her. She’d just started
reading the new revision when I finished revising CECE and submitted it to a
contest called #PitchAmerica, where it was put into an agent showcase. Serene
was one of the participating agents and read the first chapter of CECE. I got
offers from her and two other agents shortly thereafter (something I’m still
immensely grateful for). All the agents were wonderful, but because of past
experience, I knew Serene and I were on the same editing wavelength, and her
agenting style matched my needs best. So we signed a contract at the end of
2017, Serene got to work giving me feedback on revision, I got to work on them,
and we sent CECE on sub toward the middle of 2018.
Things moved pretty quickly after that. We
heard HarperChildren’s were interested but wanted some revisions by fall of
2018 so CECE stood a better chance at acquisitions. I’m a pretty fast reviser,
so I got to work and had it back to my wonderful editor a couple months before
the end of the year. She took it to acquisitions, and after we mutually agreed
to change the age group (It’s true! Cece was originally a YA novel, but it
shines so much in MG), we had the deal ironed out and the contract signed by
early 2019.
9. How are you planning to market your book in
light of the pandemic? Are you able to do more online events and if so, how are
you finding these opportunities?
Oof, yeah, that’s been hard, hasn’t it? The
experience definitely hasn’t been what I’d pictured back in 2018 when HarperChildren’s
offered to buy CECE, but I’ve at least had a year to adapt, which is more than
I can say for the early 2020 debuts.
That said, I’ve mostly relied on online events.
The most helpful things have been 1. my knowledge of book events in my area and
online that I already liked and knew I wanted to apply to and 2. opportunities
passed on by the wonderful humans in my debut group, the 21ders.
I’ve also been immensely grateful for the
people and outlets who approached me or my publisher themselves. It’s a
validating experience, and I wouldn’t have known about some of the amazing
things they do and offer readers without their initiative. The whole thing has
definitely made my book world grow, and I love that.
10. Since your story is about Mexican folklore,
are you planning to reach out to more Mexican-American kids who would love to
learn more about their heritage? If so, how are you doing this?
Mostly, I’m interested in working with schools,
libraries, and book festivals to reach and support their latinx students (all
students, of course, since I believe in bringing my culture to other to foster
multicultural appreciation, but supporting latinx kids is of particular
interest to me) wherever they live—whether in a high latinx population area or
a low population area. Perhaps even particularly in the low population areas,
since I know what that’s like having grown up in rural Tennessee.
Consider that an invitation to contact me for
virtual visits, teachers and librarians! Just head to my website (see below).
11. What are you working on now?
I work on multiple projects at a time, but my
two major ones right now are 1. another entry into Cece’s world and 2. A YA
fantasy about a girl who makes a blood-pact with flower magic to usurp her
Aztec-inspired kingdom for her father.
Thanks for sharing all your advice, Kaela. You
can find Kaela at
https://www.kaelarivera.com/Contact.php
https://twitter.com/Kaela_Rivera_
https://www.instagram.com/kaelacub/
Giveaway Details
Kaela has generously
offered an ARC of Cece
Rios and the Desert of Souls
for a giveaway. To enter, all you need to do is be a follower of my
blog (via the follower gadget, email, or bloglovin’ on the right
sidebar) and leave a comment by April 24th. If your e-mail is not on your Google Profile,
you must leave it in the comments to enter the contest. Please be sure I have
your email address.
If you mention this contest
on Twitter, Facebook, or your blog and/or follow me on Twitter, mention this in
the comments and I'll give you an extra entry for each. You must be 13 years
old or older to enter. The giveaway is U.S. and Canada.
Marvelous Middle Grade Monday is hosted by Greg Pattridge. You can find the participating blogs on his blog.
Upcoming Interviews
and Giveaways
Wednesday,
April 14th I have an agent spotlight interview with Emily Fortney and a query
critique giveaway
Friday,
April 16th I’m participating in the Rainbow on Roses Giveaway Hop
Monday,
April 19th I have an interview with debut author Laekan Kemp and a giveaway of
her YA contemporary Somewhere Between Bitter and Sweet
Monday, April 26th I’m
reviewing and giving away Rescue, a MG historical by Jennifer Nielsen, one of
my favorite authors
Tuesday, May 4th I’m participating
in the Life’s a Beach Giveaway Hop
Wednesday, May 5th I
have an interview with debut author Daniel Aleman and a giveaway of his YA
contemporary about immigration Indivisible and a query critique by his agent
Peter Knapp and my IWSG post
Monday, May 10th I have a guest post by author Jessica Lawson with a giveaway of her MG fantasy How to Save a Queendom and a query critique by her agent Tina Dubois
Hope to see you on
Wednesday!
