Upcoming Agent Spotlight Interviews & Guest Posts

  • Renee Runge Agent Spotlight Interview and Query Critique Giveaway on 2/26/2026
  • Lindsey Aduskevich Agent Spotlight Interview and Query Critique Giveaway on 3/11/2026
  • Rob Broder Agent Spotlight Interview and Query Critique Giveaway on 3/25/2026
  • Saritza Hernández Agent Spotlight Interview and 45-minute Ask Me Anything Session Giveaway on 4/8/2026
  • Erica Bauman Agent Spotlight Interview and Query Critique Giveaway on 4/27/2026
  • Andrea Colvin Agent Spotlight Interview and Query Critique Giveaway on 5/13/2026
  • Madelyn Knecht gent Spotlight Interview and Query Critique Giveaway on 6/15/2026
  • GiannaMarie Dobson Agent Spotlight Interview on 6/22/2026

Agent Spotlight & Agent Spotlight Updates

  • Agent Spotlights & Interviews were all edited in 2021. Every year since then, I update some of them. I also regularly add information regarding changes in their agency as I find it. I have been updated through the letter "N" as of 1/2O/2025 and many have been reviewed by the agents. Look for more information as I find the time to update more agent spotlights.

Author Interview: Stacey Lee and Heiress of Nowhere Giveaway and IWSG Post

Happy Wednesday! I’m so thrilled to have Stacey Lee here to share about her new YA historical fiction mystery, Heiress of Nowhere. I’m a huge fan of Stacey’s. Thanks to Stacey’s publisher for providing me with an ARC of Heiress of Nowhere to prepare for this interview. It was a real page-turner that left me guessing until the end. 

Stacey is also so inspiring as one of the founders of the We Need Diverse Books movement. As an adoptive mom of a daughter adopted from China, I really appreciate that there are now books that kids like my daughter can see themselves in. There weren’t any when she was growing up. 

Here's a blurb of Heiress of Nowhere from Goodreads: 

An orphan races to uncover a killer—who may have come from the sea—when she and her beloved orcas fall under suspicion in this “atmospheric…beguiling” (Publishers Weekly, starred review) historical gothic mystery from the New York Times bestselling author of The Downstairs Girl, Stacey Lee.

1918. Orcas Island, Washington.

Lucy Nowhere has spent her eighteen years working on the vast estate of the eccentric shipbuilder who took her in after she washed ashore in a green canoe as a baby. But she has long wished for a life off the island, and in a matter of days, she is set to leave for college—and, for the first time, choose her own future.

Then she finds her employer’s severed head on the beach. Rumors swirl that a mischievous spirit and its minions, the sea wolves, have struck again. Lucy doesn’t believe in myths. She knows that a human—a human murderer—killed him. And when she is unexpectedly named heiress to the estate, she understands the next target is her.

Her closest friend, the estate’s vigilant young guard, begs her to escape while she can. But Lucy knows the only way she can discover who she is, and free the island of its curse, is to find the real killer—before she becomes the next victim.

 


Before I get to Katie’s interview, I have my IWSG post.  

Posting: The first Wednesday is officially Insecure Writer's Support Group Day. 

Purpose: To share and encourage. Writers can express doubts and concerns without fear of appearing foolish or weak. Those who have been through the fire can offer assistance and guidance. It’s a safe haven for insecure writers of all kinds!  

The awesome co-hosts this month are: PJ Colando, Ronel Janse van Vuuren, and me! 

Optional Question: What elements do you include in your book launch? Or what do you have in mind for your future book launch? Or what advice do you have to offer to others planning to launch a book? 

While I’ve never launched a book, I’ve interviewed hundreds of authors who have and have watched many of them launch their books. Here are some tips in case they help you: 

·       Don’t try to do it all. You can’t do everything—if you want any time to write. Many authors recommend choosing the activities you enjoy most and focusing on them.

·       Look for new audiences. When going on a blog tour, try to find sites where you’ll reach new audiences. Don’t just go on a blog tour with friends. Some bloggers organize blog tours for a fee. While you have to pay some money, you could reach readers you don’t know. You’ll get more interaction if you pair your blog tour with a good giveaway, like a $50 Amazon gift card. I participated in Sherry Ellis’ blog tour, during which she received over 20,000 entries in her giveaway contest.

·       Band together with other authors. I’ve seen some debut authors form groups to support each other and help market each other’s books. Finding a small group of authors who write in your genre and are publishing books in the same year as you could open new opportunities for you.

·       Connect locally. Reach out to your local bookstores and libraries to see if they’ll stock your book. If you live in a metro area or there are nearby cities, reach out to them, too. You might also want to network with local nonprofits and offer your book as an auction item (maybe in a reading-theme basket) to reach new potential readers. 

Interview with Stacey Lee 

Hi Stacey! Thanks so much for joining us. I’m so excited you’re here. 

1. Tell us about yourself and how you became a writer.

Thank you so much for having me—Literary Rambles was one of my first interviews back when my first book UNDER A PAINTED SKY came out and I’m so glad we’re both still here!

I honestly don’t remember a time when I wasn’t writing. I was a quiet, shy kid who found refuge in books and was always fiddling with a story of my own—whether it was about my sister’s canker sore, the spotty banana in my lunch, or the mean girl who took my cupcake. 

I grew up wanting to be a writer, but my parents encouraged me to think of it as a hobby rather than a serious career. So I did what many people do: I pursued a practical profession and wrote on the side. I worked as a lawyer for nearly a decade, writing early mornings, late nights, and weekends, sending out manuscripts and collecting rejections, until a publisher finally took a chance on me. Now I write historical fiction for young people, often centering girls who have slipped through the cracks of the historical record—and I’m deeply grateful I didn’t stop writing while I waited for that door to open.

2. Yes, it was a guest post with your agent. I can’t believe how many authors are former lawyers. I understand it as I’m a retired author. Where did you get the idea for Heiress of Nowhere? 

The seed of Heiress of Nowhere began with a question about fate and connection. How much of who we are comes down to chance—where we’re born, who raises us, what we inherit, not just materially but emotionally and historically? From there came the image of a baby arriving by canoe on a remote island, with no knowledge of where she came from, and a young woman who grows up feeling unmoored. Once I placed her on an isolated island and gave her an unexpected inheritance, the mystery followed naturally. Her search for a murderer runs parallel to her search for her own identity. 

3. In your author’s note, you mention that you’ve always written stories that you know, and that Heiress of Nowhere was the first book you wrote where this wasn’t true. Why did you decide to write outside of your comfort zone, and what additional challenges did you face writing this story? 

I never let unfamiliarity with a setting deter me, but with Heiress of Nowhere, I was stepping into unfamiliar territory not just geographically, but tonally. This was my first gothic novel, and gothic thrives on atmosphere, uncertainty, and a quiet sense of unease. 

The biggest challenge was learning to trust that uncertainty—allowing questions to linger and letting folklore and fear exist alongside realism. As a people pleaser, the idea of making readers uncomfortable made me uncomfortable. But I’ve come to believe that a good book should unsettle you just enough—and then reward you with moments of intrigue, beauty, or even delight so you’ll keep turning pages. I had to trust readers to sit with ambiguity rather than rushing them toward neat answers.

4. Well, you wrote a great story. I loved that your book was set in Orcas Island and other nearby islands (some made up) in the Pacific Northwest. What made you choose this setting, and what research did you have to do into the sea life, rare plants, other aspects of the setting, and the 1918 time period?

Setting always goes hand in hand with story for me. I spent time in the Pacific Northwest in my twenties and was struck by how the land and sea feel constantly in conversation with each other. Orcas Island offered isolation and beauty, along with the sense that nature could be both life-giving and capable of swallowing you whole. 

For research, I visited the islands, spoke with historians, naturalists, and artists, and immersed myself in early 20th-century newspapers. I toured a cannery and learned far more than I ever wanted to know about how salmon was processed—knowledge that will stay with me forever, whether I like it or not. I also took educational boat tours focused on wildlife conservation, particularly orcas and marbled murrelets, and learned about native plants and the realities of island life in 1918, including the shadow of World War I and the Spanish flu. All of it helped ground the story in a very specific time and place

5. Wow! That’s a lot of research. Like many of your books, Heiress of Nowhere involves a murder mystery. How did you learn to write them? What advice do you have for other writers wanting to write a murder mystery?. 

I thought it would come naturally because I love reading mysteries. It turns out that reading mysteries for enjoyment and analyzing them to understand how they’re constructed are two very different things. Kill Her Twice was my first murder mystery, and it taught me how to plant clues, build tension, and misdirect without cheating the reader. Heiress of Nowhere pushed those skills further, because the mystery had to operate alongside atmosphere, folklore, and a very isolated setting. 

I’ve learned that a mystery only works if it’s driven by character. The crime has to matter emotionally, not just intellectually. My advice to writers is to work backward—know your ending, understand your characters’ motivations deeply, and remember that suspense often comes as much from what characters fear as from what they discover.

6. I really agree with you that the best mysteries have memorable characters. Not all do. Lucy is a very compelling character that readers can’t help but root for. Talk about how you developed her as a character. Did you pretty much know who she was when you started writing your story?

I always begin with a central truth about a character. For Lucy, that truth was that she felt unmoored—she had no knowledge of her origins and was tired of not knowing where she belonged. That feeling isn’t a personality, so as the story unfolded, Lucy revealed herself through her choices. In the first chapter, she’s alone in a canoe sketching an orca—that told me she was observant, bold, and comfortable with risk. I didn’t know everything about her at the start, but I trusted the story to ask questions that would force her to answer them.

Your Road to Publication 

7. Kristin Nelson is your agent. How did she become your agent?

Kristin became my agent after reading the third manuscript I had queried her with, which is to say—it took time, persistence, and a healthy tolerance for rejection. At the time, publishers weren’t especially interested in stories centered on people of color, but Kristin believed the story I was telling deserved to be out in the world and was willing to take that risk with me. What I appreciated right away was her editorial insight and her long-term perspective. She wasn’t just thinking about a single book, but about building a career, and that belief made all the difference.

8. Since your debut book, Under the Painted Sky, was released in 2015, you’ve published nine young adult books and three middle grade books. Besides writing good stories, which of course is always essential, how have you grown your career as an author? What advice do you have for other authors?

Writing good stories is always the foundation, but beyond that, I’ve learned to pay attention to what genuinely sustains me creatively. One concrete example is writing middle grade novels alongside young adult books—not because it was a strategic career move, but because I truly love middle grade. Those books allowed me to lean into wonder, curiosity, and voice in a different way, and they reminded me why I started writing in the first place. 

I’ve also learned that careers grow unevenly. Some books resonate more than others, some risks pay off quietly, and some take time to find their readers. My advice to other authors is to think long-term: follow the work that keeps you engaged, stay open to learning, and don’t measure success solely by immediate results. A sustainable career is built as much on creative fulfillment as it is on external milestones.

Promoting Your Book 

9. That’s great advice. And I can see why also writing middle grade stories would be a strategic move. I saw on your website that you have a book launch and several book festival events to celebrate the release of your book. How were they scheduled? How has your approach to marketing your books changed over the years?

Most of my events are scheduled with the help of my publisher, publicist, and the wonderful booksellers and festival organizers who support my work. Early in my career, I felt pressure to say yes to everything, but over time I’ve learned to be more intentional about how I show up. For example, I’ve discovered that improv-style events—which require quick banter and thinking on your feet—are absolutely not my natural habitat, and I avoid them whenever possible. 

What I do love are quieter, more meaningful interactions: talking with librarians in signing lines, having thoughtful conversations with readers, and visiting schools and libraries where stories are taken seriously. As my approach to marketing has evolved, I’ve learned that the most effective outreach is also the most authentic—focusing on connection rather than performance, and choosing events that don’t require me to pretend I’m someone I’m not.

10. What are you working on now? 

Right now I’m in the imagination-and-research stage—part dreaming, part very practical investigation. I’m trying out ideas, asking what kind of research they’ll require, how accessible that research is, what’s been written before, and what might still need to be told. It’s less about daydreaming and more about actively chasing stories to see which ones can hold up over time. I just ordered a stack of ship diagrams, which feels like a promising sign—or at least an entertaining one. 

Thanks for sharing all your advice, Stacey. You can find Stacey at: 

https://www.facebook.com/staceylee.author/

Instagram: @staceyleeauthor

Website: www.staceyhlee.com 

Giveaway Details

Stacey’s publisher is generously offering a hardback of Heiress of Nowhere for a giveaway. To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by February 14th. If I do not have your email (I can no longer get it from your Google Profile), you must leave it in the comments to enter the contest. Please be sure I have your email address. 

If you mention this contest on Twitter, Facebook, or other social media sites and/or follow me on Twitter or Bluesky or follow Stacey on her social media sites, mention this in the comments, and I'll give you an extra entry for each. You must be 13 years old or older to enter. This book giveaway is US. 

Upcoming Interviews, Guest Posts, and Blog Hops 

Monday, March 9, I have an interview with Ciera Burch and a giveaway of her MG Olivia Gray Will Not Fade Away 

Wednesday, March 11, I have an agent spotlight interview with Lindsey Aduskevich and a query critique giveaway 

Monday, March 16, I’m participating in the Chasing Rainbows Giveaway Hop 

Monday, March 23, I have a guest post by Aaron Starmer and a giveaway of his MG You Are Now Old Enough to Hear 

Wednesday, March 25, I have an agent spotlight interview with Rob Broder and a query critique giveaway 

Monday, March 30, I’m participating in the Honey Bunny Giveaway Hop 

I hope to see you on Monday!

 

 

 

7 Ways to Write Health Issues into a Middle Grade Novel—Without Preaching or Making It the Whole Story by Donna Galanti and The Secret Winners Club Giveaway

 Happy Monday, Everyone! Today I’m excited to have Donna Galanti here to celebrate the release of her new MG contemporary, The Secret Winners Club. It sounds like a fantastic contemporary story that is on a lot of bloggers’ anticipated 2026 lists, and I’m looking forward to reading it. 

Here’s a blurb from Goodreads:

 

1st Rule of The Secret Winners Do whatever it takes.Thirteen-year-old Sunny Whitlock has alopecia; an autoimmune condition that’s made her lose her hair—and she’s desperate to be seen as more than just the bald kid. But how? By setting an epic win her school’s junkbot club competition. And if she’s #1, then other kids will have to see beyond her disease … and she’ll finally fit in.

Sunny’s immune-deficient best friends are also tired of looking different and achieving second place in their school competitions. With a bold plan, Sunny bands with them to create The Secret Winners Club, a club devised to win—at any cost—and push them outside their comfort zones.

They promise to trust no one else. It’s all classified! And in total secrecy they aim to help one another become #1 before this middle school year is over. But as they start to succeed, they quickly discover that crossing the line and hurting others can make them even more visible and even more an outsider.
 

Now here’s Donna!

March is Autoimmune Awareness Month, and which is why I’m grateful that my newest middle grade book by Wild Trail Press, The Secret Winners Club, publishes this week because it has three characters with autoimmune diseases—just like me. As an adult, having conditions that make me look different is often a challenge. However, when it struck me just how much harder this would be for young people in middle school, I wanted to create a story for them. 

Writing about medical or health issues in middle grade fiction is powerful, but it’s also tricky. Kids don’t want lectures. They want stories that move, surprise, and entertain them. With this in mind, I wanted to weave health realities into the fabric of the story, so they feel authentic, not instructional. 

If you’re writing about characters with medical conditions, here are seven craft approaches that can help health issues exist meaningfully on the page without becoming the entire point of the book. 

1. Let the Character Want Something Bigger Than the Condition

In The Secret Winners Club, the main character, Sunny Whitlock, doesn’t wake up every day thinking about her alopecia, she’s thinking about winning the junkbot competition. Her health condition matters, but it’s not her driving force. Middle grade readers connect most strongly to goals they recognize like belonging, achievement, friendship, and independence. When a character’s primary motivation reaches beyond their diagnosis, the story stays character-driven instead of issue-driven. 

2. Show the Condition Through Obstacles, Not Explanations

Rather than stopping the story to explain a diagnosis, let the condition quietly shape what’s harder—or different—for the character. A moment of hesitation before a public event, an extra layer of planning, or a social misstep can convey more than a paragraph of exposition. Kids are super smart at picking up context clues. Trust them to understand without being told exactly what to think. 

3. Make the Health Issue One Thread in a Bigger Tangle

Middle grade lives are messy. School pressures, friendships, family dynamics, competition, jealousy, and secrets all overlap. Medical issues should be one strand among many, not the entire rope. In The Secret Winners Club, Sunny and her two friends, Vee and Trev, each deal with visible autoimmune diseases. They also want to win their individual school competitions so they can be seen as more than their conditions and beat out their rivals. When it comes to Sunny’s alopecia, Vee’s vitiligo, and Trevor’s psoriasis, these threads all intersect with ambition, moral choices, loyalty, and identity—so it feels like part of life, not the lesson of the book. 

4. Avoid the “Inspiration” Trap

Kids with health challenges don’t exist to inspire others. They exist to live full, complicated lives. Let your character be funny, flawed, competitive, jealous, or wrong. Sunny and her friends make questionable choices in pursuit of winning, which I hope keeps them human and relatable. When characters with health issues are allowed to fail or act selfishly (like we all can at times), they feel real and just not symbolic. 

5. Use Peer Relationships to Reflect Reality

Friendships are where middle grade stories truly shine. Showing how peers respond—supportively, awkwardly, incorrectly, or inconsistently—mirrors real-life experiences kids recognize. Sunny’s friendships aren’t perfect, and that’s the point. By letting relationships strain, heal, or shift, the story explores health issues socially without moralizing. 

6. Let Consequences Do the Teaching

If there’s a message, let it come from outcomes, not speeches. In The Secret Winners Club, the “win at any cost” mindset creates consequences that Sunny and her friends didn’t anticipate. Readers learn alongside the characters, discovering that shortcuts and secrecy can backfire. This approach respects young readers by allowing them to draw conclusions themselves. 

7. Trust Kids with Emotional Complexity

Middle grade readers can handle nuance. They understand that someone can be proud and insecure at the same time, or brave and scared in the same chapter. Health issues don’t need to be softened or oversimplified, but they also don’t need to dominate every emotional beat. When you trust kids with layered emotions, the story resonates longer and deeper.

The most effective middle grade novels don’t teach kids what to think—they invite them to feel, question, and reflect while making their own choices. When health and medical issues are written as part of a character’s lived experience rather than the moral center of the story, readers come away not with a lesson, but with empathy. This is far more powerful than preaching. 

About Donna Galanti:

Donna Galanti is the author of middle-grade books with the Unicorn Island series, Joshua and the Lightning Road series,  Loon Cove Summer, and The Secret Winners Club (3/3/26). She’s also the author of the paranormal suspense Element Trilogy for adults. Donna has lived in fun locations including England, her family-owned campground in New Hampshire, and in Hawaii where she served as a U.S. Navy photographer for Fleet Intelligence Pacific. Donna is an avid outdoor adventurer and nature lover. She volunteers for the Old-Growth Forest Network and the National Audubon Society. For more information on her books, online courses, speaking, and events, visit her at: www.donnagalanti.com. 

Giveaway Details

Donna is generously offering a paperback of The Secret Winners Club for a giveaway. To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by March 14th. If I do not have your email (I can no longer get it from your Google Profile), you must leave it in the comments to enter the contest. Please be sure I have your email address. 

If you mention this contest on Twitter, Facebook, or other social media sites and/or follow me on Twitter or Bluesky or follow Donna on her social media sites, mention this in the comments, and I'll give you an extra entry for each. You must be 13 years old or older to enter. This book giveaway is U.S. 

Marvelous Middle Grade Monday is hosted by Greg Pattridge. You can find the participating blogs on his blog 

Upcoming Interviews, Guest Posts, and Blog Hops 

Wednesday, March 4, I have an interview with Stacey Lee and a giveaway of her YA Heiress of Nowhere 

Monday, March 9, I have an interview with Ciera Burch and a giveaway of her MG Olivia Gray Will Not Fade Away 

Wednesday, March 11, I have an agent spotlight interview with Lindsey Aduskevich and a query critique giveaway 

Monday, March 16, I’m participating in the Chasing Rainbows Giveaway Hop 

Monday, March 23, I have a guest post by Aaron Starmer and a giveaway of his MG You Are Now Old Enough to Hear 

Wednesday, March 25, I have an agent spotlight interview with Rob Broder and a query critique giveaway 

Monday, March 30, I’m participating in the Honey Bunny Giveaway Hop 

I hope to see you on Wednesday!

 

 

Lady Luck Giveaway Hop

 


Happy Sunday Everyone! Today I'm excited to participate in the Lady Luck Giveaway Hop hosted by MamatheFox and MomDoesReviews. I hope you're doing well. I've had a good two weeks. The sun has been shining, and our temperatures are above average--in the 30's and 40's. It's amazing how good a bit warmer weather and sunshine can do to improve my mood.

Book of Your Choice or Amazon Gift Card Giveaway 

I’ve got a lot of exciting newly released MG and YA book choices this month that you might like. You can also choose another book in the series by these authors or a book of your choice. You can find descriptions of these books on Goodreads. Here are your choices:


















If you haven't found a book you want, you can win a $10 Amazon Gift Card.

 


Giveaway Details

To enter, all you need to do is be a follower of my blog (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment by March 15th telling me whether you want a book, and if so, which one, or the Amazon gift card and your email address. Be sure to include your email address. If I do not have your email (I can no longer get it from your Google Profile), you must leave it in the comments to enter the contest. Please be sure I have your email address. 

If you mention this contest on Twitter, Facebook, or other social media sites and/or follow me on Twitter or Bluesky, mention this in the comments and I'll give you an extra entry for each. You must be 13 years old or older to enter. The book giveaway is U.S. only and the Amazon gift card giveaway is International.

Upcoming Interviews, Guest Posts, and Blog Hops 

Monday, March 2, I have a guest post by Donna Galanti and a giveaway of her MG The Secret Winners Club 

Wednesday, March 4, I have an interview with Stacey Lee and a giveaway of her YA Heiress of Nowhere 

Monday, March 9, I have an interview with Ciera Burch and a giveaway of her MG Olivia Gray Will Not Fade Away 

Wednesday, March 11, I have an agent spotlight interview with Lindsey Aduskevich and a query critique giveaway

Monday, March 16, I’m participating in the Chasing Rainbows Giveaway Hop 

I hope to see you on Monday!

And here are all the blogs participating in this blog hop: 



MamatheFox, Mom Does Reviews, and all participating blogs are not held responsible for sponsors who fail to fulfill their prize obligations.

Literary Agent Interview: Renee Runge Interview and Query Critique Giveaway

Today I’m thrilled to have agent Renee Runge here. She’s an associate agent at Spencerhill Associates Literary Agency. 

Hi­ Renee! Thanks so much for joining us. 

About Renee: 

1. Tell us how you became an agent, how long you’ve been one, and what you’ve been doing as an agent. 

I took a pretty traditional path to agenting; I spent a year as an intern at Red Fox Literary and another year as Ali Herring’s assistant at Spencerhill before our president offered me an associate agent role. I officially became an agent in May 2025, so it’s been about 9 months of building a client list, preparing them for submissions to editors, and for a few clients, negotiating deals… 

About the Agency: 

2. Share a bit about your agency and what it offers to its authors. 

Spencerhill Associates was founded in 2001 by Karen Solem, and we originally specialized in commercial women’s fiction and romance. Now, we represent (almost) all audiences and genres, and I’m proud to be contributing to our efforts to expand our influence in the children’s sphere. We offer individualized attention to all of our authors and aim for career relationships no matter where a client is coming from in their publishing journey. 

What She’s Looking For: 

3. What age groups do you represent—picture books, MG, and/or YA? What genres do you represent, and what are you looking for in submissions for these genres? 

At this time, I represent solely MG and YA; however, I am hoping to soon expand into picture books and graphic/illustrated novels, as well as children’s nonfiction. I’m actively acquiring in all genres, with particular interest at this time in contemporary, romance, dystopian, historical, and thriller/horror. 

4.  Is there anything you would be especially excited to seeing in the genres you are interested in? 

I’m STILL looking for my MG animal fantasy epic series, which I think I’ve become slightly known for in the writing community.

What She Isn’t Looking For: 

5. What types of submissions are you not interested in? 

I’m generally not very interested in fairytale/mythological retellings, novels-in-verse, or romantasy. I also do not enjoy stories that see pets experiencing sad situations, and people send me these quite a bit when they see that I like animal fiction. 

Agent Philosophy: 

6. What is your philosophy as an agent both in terms of the authors you want to work with and the books you want to represent? 

I want to work with people who enjoy being challenged. Problem-solving tough edits is such a fun process but can only be that way if the client is willing to accept criticism and actively interrogate how they can become more effective as a writer. One of my favorite ways of connecting with my clients is brainstorming! 

The kinds of books I want to represent are those that you want to finish in one sitting because they’re just so addictive. I want stories that actually speak to today’s children, with issues that they can relate to – even in fantasy contexts. 

Editorial Agent: 

7. Are you an editorial agent? If so, what is your process like when you’re working with your authors before submitting to editors? 

I’m a highly editorial agent; I almost feel like you need to be these days, with how selective editors are due to their heavy workload. I want the projects I submit to be as close to what the client and I consider “perfect” before it hits editors’ inboxes! I typically do 1-2 rounds of developmental edits and a round of line edits with my clients, but every client’s process looks a little different based on their own editing style and whether they prefer check-ins, deadlines, or to disappear for a while and come back to me with a complete new draft. 

Query Methods and Submission Guidelines: (Always verify before submitting) 

8. How should authors query you and what do you want to see with the query letter? 

Authors should ONLY query me via QueryTracker. I promptly delete queries that are emailed to me without my express permission, and I don’t read them first. In your query letter, I want to know your hook, including the stakes for the main character, comp titles, and an engaging introduction (mini synopsis) of what to expect in terms of plot. 

9.  Do you have any specific dislikes in query letters or the first pages submitted to you? 

If I could be so hypocritical for a moment: avoid cliches! People love to start their stories with characters waking up from dreams, or hearing the bell ring to start a school day… boring! I also need to see a decent balance of exposition and dialogue, and to learn about what’s at stake for the main character quickly, but naturally. 

Response Time: 

10. What’s your response time to queries and requests for more pages of a manuscript? 

It depends. I bounce around my inbox depending on what I’m most in the mood to see. I do respond to all queries, though, and I ask that you allow 6 months before nudging me. 

Self-Published and Small Press Authors: 

11.  Are you open to representing authors who have self-published or been published by smaller presses? What advice do you have for them if they want to try to find an agent to represent them? 

I will say that I am generally less interested in representing authors who have self-published or who have been published by smaller presses. This is simply because it gives them a sales record, and low sales can make selling future work much more challenging without rebranding under a new pseudonym, which can feel like a big ask for authors. I do have a client who has published with a smaller press, and another whose self-published work was recently acquired by a large publisher, so I’d never completely close the door to authors with prior writing credits in non-traditional spaces! 

Clients: 

12. How many authors do you represent? 

I currently represent six clients, and at the time of this interview, have recently extended another offer of representation! 

Interviews and Guest Posts: 

13. Please share the links to any interviews, guest posts, and podcasts you think would be helpful to writers interested in querying you.

n/a 

Links and Contact Info: 

14. Please share how writers should contact you to submit a query and your links on the Web. 

Query Renee Runge at Spencerhill Associates 

Additional Advice: 

15. Is there any other advice you’d like to share with aspiring authors that we haven’t covered? 

We covered opening pages earlier, so I wanted to add that some of the best writing advice I ever heard re: opening pages was from an agent at a conference a few years ago that I attended as a writer. She said to try to make your opening lines capture the mood of the entire story, which is now something I always challenge my writers to do. My favorite example, and the one that was used during this presentation, is The Outsiders, which opens with: 

“When I stepped out into the bright sunlight from the darkness of the movie house, I had only two things on my mind: Paul Newman and a ride home." 

It’s deceptively simple, but look how much you learn about Ponyboy from this one sentence right from the get-go. 

Thanks for sharing all your advice, Renee. 

Giveaway Details

­Renee is generously offering a query critique to one lucky winner. To enter, all you need to do is be a follower (via the follower gadget, email, or bloglovin’ on the right sidebar) and leave a comment through March 7th. If you do not want to enter the contest, that’s okay. Just let me know in the comments. If I do not have your email (I can no longer get it from your Google Profile), you must leave it in the comments to enter the contest. Please be sure I have your email address.

If you follow me on Twitter or Bluesky or mention this contest on Twitter, Facebook, or your blog, mention this in the comments and I'll give you an extra entry. This is an international giveaway. 

Have any experience with this agent? See something that needs updating? Please leave a comment or email me at natalieiaguirre7@gmail.com 

Note: These agent profiles and interviews presently focus on agents who accept children's fiction. Please take the time to verify anything you might use here before querying an agent. The information found here is subject to change.

 Upcoming Interviews, Guest Posts, and Blog Hops 

Sunday, March 1, I’m participating in the Lady Luck Giveaway Hop 

Monday, March 2, I have a guest post by Donna Galanti and a giveaway of her MG The Secret Winners Club 

Wednesday, March 4, I have an interview with Stacey Lee and a giveaway of her YA Heiress of Nowhere 

Monday, March 9, I have an interview with Ciera Burch and a giveaway of her MG Olivia Gray Will Not Fade Away 

Wednesday, March 11, I have an agent spotlight interview with Lindsey Aduskevich and a query critique giveaway

Monday, March 16, I’m participating in the Chasing Rainbows Giveaway Hop 

I hope to see you on Sunday!