Upcoming Agent Spotlight Interviews & Guest Posts

  • Syrone Harvey Agent Spotlight Interview and Query Critique Giveaway on 9/7/2026
  • Tali Shammas Agent Spotlight Interview and Query Critique Giveaway on 9/21/2028
  • Jenny Lewis Agent Spotlight Interview and Query Critique Giveaway on 10/14/2026
  • Cate Hart Agent Spotlight Interview and Query Critique Giveaway on 10/19/2026
  • Riley Jay Davis Agent Spotlight Interview and Query Critique Giveaway on 11/11/2026
  • Hannah Teachout Agent Spotlight Interview and Query Critique Giveaway on 11/23/2026
  • Hollie Michaels Agent Spotlight Interview and Query Critique Giveaway on 12/7/2026

Agent Spotlight & Agent Spotlight Updates

  • Agent Spotlights & Interviews were all edited in 2021. Every year since then, I update some of them. I also regularly add information regarding changes in their agency as I find it. Agents spotlights and interviews been updated through most of the letter "R" as of 5/12/2026 and many have been reviewed by the agents. Look for more information as I find the time to update more agent spotlights.

Interview with Agent Marietta Zacker

Marietta Zacker is a literary agent for the Nancy Gallt Literary Agency. You can view her Agent Spotlight profile here, which features further information about Ms. Zacker. Now, without further adieu - the interview!

The masses want to know, who is Agent Marietta Zacker?

Marietta ZackerThe intertwined worlds of writing and publishing have been a part of me as far back as I can remember as both my paternal grandfather and maternal grandmother wrote incessantly. Abuelo wrote because it was impossible for him not to, it was an innate characteristic. When his work was not being published, he took it upon himself to get his writing in front of readers one way or another. Abuela still writes – at the young age of 90 – because, she too, can’t imagine what life would be like without sharing her knowledge and her stories. As an adult, I found myself bringing literature and storytelling into my classrooms with every chance I got, regardless of the grade level or subject matter I was currently teaching. Introducing the world to the creative forces behind the words and art of some of my favorite children’s books became a passion. The publishing world was a natural next step. Now bringing together all the pieces of the puzzle as an agent feels like the perfect home for me.

How long have you had the (assumed) pleasure of being an agent, and how did you get your start?

Officially, I have been working as an agent for 8 months. My start…Craig Virden found me, then Nancy Gallt opened her doors wide for me. Before I met Craig and Nancy, I worked in publishing and with children’s books, authors and illustrators for over 15 years.

We know you love and specialize in children’s literature. That makes you welcome company ‘round this blog. What kick started your passion for kid lit?

The children I taught (and who taught me more in return), the writers and illustrators who surrounded me (and inspired me) and the professors who took me back in time to understand the how it all began kick started my passion. Many others have driven that passion to unimaginable places.

What range of projects do you represent? If we promise not to target what you’re looking for (everyone promise!), will you enlighten us on any particular interests you have? Keep it general, if you like.

I represent authors and illustrators and their writing and artwork are as varied as they come. I admit that I don’t know what I’ll like until I see it or read it – and sometimes, I surprise myself by some of the things that captivate me, so that is definitely a tough question for me. Having said that, as for particular interests, I hope to help usher in a set of voices and depictions that will allow children and young adults of all backgrounds, ethnicities and countries to see themselves within the pages of our books. It is imperative that the voices and illustrations represent the population of children and young adults who crave to find themselves in the books they read - authentic voices and illustrations that move us beyond the stereotypes and are as real as the world we live in.

What are you tired of seeing in the slush? Please, take advantage of this question. I’m sure you’re vamped- and zombied-out as much as the next literary agent (no offence paranormal writers!).

I admit that I am more tired of some of the things I see in queries and cover letters, than I am about any particular subject matter within manuscripts. It is difficult for me to ask to see a manuscript or get excited about what I am about to read when the query or cover letter has no soul or personality. I understand that everyone is trying to be respectful and professional and I certainly appreciate that, but if I had to choose, I would prefer to know who you are rather than the word count or to what book your manuscript can most be compared.

Would you describe yourself as an “editorial agent”? To what extent?

Yes. I love the process of writing as much as I love connecting the dots. I love talking through issues that are not quite ironed out in manuscripts, zeroing in on places where things need to be tweaked and helping writers put their best foot forward. However, it is also true that I neither want to be a member of the writer’s critique group nor take the place of an editor who will take the book in the direction that works best for them and their publishing house. These are fine lines to walk, to be sure and sometimes difficult to discern.

Preferences and pet peeves, we all have them. What are yours when it comes to submissions?

I’ll stick with the mundane here… unpaged manuscripts and single-spaced manuscripts. Then I’ll direct you to my answer above about what I’m tired of seeing in the slush.

How much contact do you have with your clients, and what is your preferred method of correspondence?

We are in touch often. E-mail is the most efficient. Phone conversations are a definite treat for me so I frequently pick up the phone and simply call. Face-to-face interactions (if at all possible) are the most fun.

I’m all about promoting agent research. What are the top two or three things, in your opinion, aspiring authors should research when considering an agent?

Try to find out who the person behind the agent is and whether or not your styles match. Remember that it is a relationship built on trust. An agent doesn’t necessarily need to become a friend, but given what you are entrusting an agent with, make sure you feel comfortable handing off your writing or your artwork.

Are you presently accepting unsolicited submissions? What are your submission requirements, and how can prospective clients get a hold of you?

Yes, I am accepting unsolicited manuscripts. Snail mail seems to best work for me.

(See the Nancy Gallt Literary website for submission information).

Now, a couple fun questions, if you’ll humor me.

Team Edward or Team Jacob? I’m just kidding. What have you read recently and loved?

Honestly, some amazing manuscripts (and I mean that sincerely). But I don’t think that’s your question. I recently reread THE WIND IN THE WILLOWS and fell in love with it again. As for something more current, I am going to keep that information to myself!

We’re out chatting it up and I buy you a drink. What do you choose?

A glass of lemonade or a dark beer, depending on my mood. Then again, it might be hard to say no to a really good glass of wine. And I’ll be happy to pay for my own.

Aspiring authors are always hungry for more. Any closing comments or advice you’d like to add?

Please sit at a library or bookstore, go to the genre which you are currently writing for, start with A and just read. When you are tired, leave, come back the next day or week and pick up where you left off. Keep doing that until you get to Z.

A huge thank you for your time Ms. Zacker. It's been so nice getting to know you better.

Stop By Monday & Some Updates

This coming Monday I have a special treat for you.  It might just happen to be an interview with one of our spotlighted agents, so you might want to stop by to check it out!

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Now, here's a list of things that have been updated.

Links:  I've been using Google Reader for awhile now (highly recommended), so I decided to replace the blog rolls I had for simple link lists.  You will now find lists of Writerly Friends, Bloggy Agents, Bloggy Editors, and Resources.  If you're an agent, editor, or someone with a helpful blog and would like to be added, pop into the comments.  If you're a writer who has been commenting on my blog regularly or I comment on your blog regularly, same.  I know I'm missing people!  Also, if you're already on one of the lists or are wanting to be added, let me know if you'd like to be listed by your name or your blog name.

Sidebars:  I moved a few things around, deleted a couple extraneous things, and added more fabulous links to the resource list. 

About:  I finally linked the "About" tab to a post about me, rather than just my Blogger profile.  If you have any questions about me or a suggestion of something I should add, let me know here or there.

Agent Spotlight:  I've been working through the spotlights, updating information, deleting old conference dates, rearranging how they are laid out.  The main thing I've done, that might interest you, is I've added recent sales information on each agent from Publisher's Marketplace as available.

That's all for now.  Don't forget to come back Monday!

Friday Teen Files

I'll put up something next week, but today it's your turn!  Tell me a teen story, whether it be yours or someone else's - funny, heartwarming, sad, whatev.

If you have pictures (oh, how I'd love pictures) feel free to post on your blog and then let us know where to go!

Agent Spotlight: Kelly Sonnack

This week's Agent Spotlight features Kelly Sonnack of the Andrea Brown Literary Agency, Inc
Status: Update on 2/26/2025: Kelly Sonnack is now the president of Andrea Brown Literary Agency. She is currently closed to submissions. Please check the agency website to find out when she reopens to submissions.
About: "Kelly Sonnack started her career in publishing as a Life Sciences editor at an academic publisher where she learned she loved working with authors, but that post-graduate textbooks and monographs were never going to be as near and dear to her heart as children's books. So, with a great leap of faith, she re-launched her career at the front desk of a local literary agency where she figured out that agenting was the perfect blend of creative and business for her. Nearly 15 years later, and a Senior Literary Agent at the Andrea Brown Literary Agency since 2009, Kelly has never looked back.
"Kelly is consistently ranked by Publishers Marketplace as one of the top five selling agents in the US. She champions creators of children's literature for nearly every category, format, and age group and she represents debut authors and illustrators, as well as bestsellers and award-winning clients." (Link)
About the Agency:
“The Andrea Brown Literary Agency was founded in August 1981 and has offices in the San Francisco Bay area, San Diego, Los Angeles, New York, and Chicago.
“Our agency works to bring to light the voices and perspectives of new writers as well as to nurture and develop the careers of experienced authors. Our goal, whether seeking to secure a publishing contract for a first book or a fiftieth book, is to make sure that clients are not only published, but published well.
“Our philosophy is to remain a ‘small’ agency at heart. We invest a great deal of personal care and attention in each project, and we are hands-on in all aspects of our interactions with clients. We work closely with clients in an editorial capacity and we devise a strategy at every stage of the writing process that will enable us to find the best publisher for each book. In doing so, we think about both short term and long term goals for our clients, always keeping the trajectory of a successful career in mind.
“Our agents have backgrounds in New York publishing, editing, academia, business, teaching, writing and film, and one of our strengths as an agency is that we work collaboratively. Our clients have the benefit not only of their individual agent's expertise but of the combined experience and vision of the group.
“As a West Coast based agency, we follow a tradition of West Coast innovation in our passion for discovering new voices, in our efforts to make New York publishing more inclusive of voices from other parts of the country, and in our attempt to see publishing trends that result from this broader perspective. We combine this approach with access, standing, and visibility in the publishing community at large. Our agents make regular trips to New York, attend industry conventions, and participate as faculty at writers' conferences all over the country. We ensure a high profile for our clients and actively keep our fingers on the pulse of publishing.” (Link)
What She's Looking For:
From Her Bio Page on the Agency Website:
Graphic novels, illustrations, novels in verse
 “Kelly is open to submissions in these categories:
1) graphic novels - YA, MG, and chapter book, including nonfiction and verse
2) illustration - those who are looking to write and illustrate and have a dummy to consider, as well as artists looking to illustrate other people's manuscripts
3) novels in verse
"Graphic novel creators Kelly represents include James Burks, whose graphic novel series Bird & Squirrel is in its 6th book (Graphix/Scholastic); Mike Lawrence, author-illustrator of the 3-book graphic novel series, Star Scouts (First Second/Macmillan) and an upcoming non-fiction graphic novel in the Maker Comics series called SURVIVE THE OUTDOORS (First Second/Macmillan); Sophie Escabasse, author of the upcoming graphic novel trilogy The Witches of Brooklyn (Graphic/PRH); Michelle Mee Nutter, illustrator of the upcoming graphic novel ALLERGIC written by Megan Wagner Lloyd (Graphix/Scholastic); and Jarad Greene, author-illustrator of his graphic novel debut, SCULLION (Oni Press).
"Kelly also represents a number of illustrators including Joy Ang, illustrator of the Wings of Fire novels (Scholastic), the NYT bestselling THE ATLAS OBSCURA EXPLORER'S GUIDE FOR THE WORLD'S MOST ADVENTUROUS KID (Workman), the Mustache Baby picture books (Clarion/HMH), and MULAN: THE LEGEND OF THE WOMAN WARRIOR (HarperCollins); Jessika von Innerebner who is the illustrator of the Miranda and Maude chapter book series (Abrams) and whose hilarious debut as an author-illustrator, IT'S NOT ALL UNICORNS, comes out this year (Dial/PRH in the U.S. and Scholastic in Canada); Kim Smith, NYT bestselling illustrator of the Builder Brothers picture books (HarperCollins), artist for the Quirk Pop Classic picture book adaptations that include HOME ALONE and BUFFY THE VAMPIRE SLAYER (Quirk), and whose debut as author-illustrator, BOXITECTS (Clarion/HMH in the U.S. and HarperCollins Publishers Ltd in Canada) is upcoming; and Kimberly Gee, illustrator of THE CLASS (Beach Lane/S&S), and creator of her own author-illustrated UP, UP, UP, DOWN (Putnam/PRH) as well as MAD, MAD BEAR! and its sequel GLAD, GLAD BEAR (both Beach Lane/S&S).
Some of the fiction writers Kelly represents include poet David Elliott, whose provocative YA novels in verse BULL and VOICES have received many starred reviews (Houghton/HMH); Christine Lynn Herman, author of the haunting YA, THE DEVOURING GRAY (Disney*Hyperion) and its upcoming sequel THE DECK OF OMENS; Sharon Cameron, YA author of several novels including the NYT bestselling THE FORGETTING and her upcoming THE LIGHT IN HIDDEN PLACES (Scholastic); Court Stevens whose courageous debut YA, FAKING NORMAL (HarperCollins) was a Golden Kite Honor and Kirkus Best Book and whose newest, THE JUNE BOYS, is upcoming in 2020 (Thomas Nelson); Jessica Young, author of the several chapter book series including Haggis and Tank Unleashed illustrated by client James Burks (Branches/Scholastic), as well as the upcoming Fairylight Friends series (Acorn/Scholastic); and Gina Bellisario, author of the superhero chapter book series, Ellie Ultra, with illustrations by client Jessika von Innerebner (Capstone).
"Picture book writers Kelly represents include Diane Adams, writer of the emotional TWO HANDS TO HOLD YOU and LOVE IS (both Chronicle); Alastair Heim, author of the funny books NO TOOTING AT TEA and THE GREAT PUPPY INVASION, illustrated by client Kim Smith (Clarion/HMH); and Jessica Young, author of imaginative books like MY BLUE IS HAPPY (Candlewick) and the companion books PLAY THIS BOOK and PET THIS BOOK (Bloomsbury).
"Kelly spent over ten years in her childhood in Singapore. Now she lives with her family in San Diego, and is on the Advisory Board for UCSD's certificate in Writing and Illustrating for Children. She is also a founder of the City Heights Young Writers Workshop and is a frequent speaker at conferences, including SCBWI's national and regional conferences. She can be found talking about children's books and being gluten free on Facebook (agentsonnack) and Twitter (@KSonnack)."(Link)
See her Manuscript Wish List. As of this date, it may not be current because it indicates other genres that she is interested in. You should also check her personal website which states that she is closed to submissions.
What She Isn't Looking For:
At this time, Kelly is not accepting submissions for adult fiction or adult non-fiction.
Editorial Agent?
Yes.  She reportedly does edits until a project is as good as can be before sending it out.
Web Presence:
Andrea Brown Agency website.
Publisher's Marketplace page.
Facebook.
Personal Website.
Twitter.
#mswl on Twitter.
Instagram.
AgentQuery, QueryTracker.
Clients:
Ms. Sonnack lists a number of her clients in her bio. There is also a select list of Andrea Brown Lit titles on the website.
Query Methods:
E-mail: No.
Snail-Mail: No.
Online-Form: Yes.
Submission Guidelines (always verify):
“We accept email queries only. Please direct your e-query to ONE agent at our agency, and include the following:
“Fiction: query letter and first 10 pages.”
Please see the Andrea Brown Literary website for complete, up-to-date submission guidelines as well as the agency's Submission AdviceDos and Dont’s, and Tips

Response Times:
The agency tries to respond within 4-8 weeks but does not guarantee a response due to the large number of submissions they receive. If you have not heard back in 8 weeks, assume rejection. (Link)
What's the Buzz?
Kelly Sonnack is a highly respected agent at a top-notch agency.  Her clients seem quite happy with her representation.
Worth Your Time:
Interviews:
SCBWI Exclusive with Kelly Sonnack Agent at SCBWI Insight (Date unknown).
Pre-Conference interview with Kelly Sonnack at SCBWI Midsouth (09/2010).
Audio Interview with Kelly Sonnack and Elizabeth Gilbert at Pen on Fire (02/2010).
Contact:
Please see the Andrea Brown Literary Agency website or Ms. Sonnack's website for contact and query information.
Profile Details:
Last updated: 6/1/2020
Agent Contacted For Review? Yes.
Reviewed By Agent? 6/2/2020
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Have any experience with this agent? See something that needs updating? Please leave a comment or e-mail me at natalieiaguirre7(at)gmail(dot)com

Note: These agent profiles presently focus on agents who accept children's fiction. They are not interviews. Please take the time to verify anything you might use here before querying an agent. The information found herein is subject to change.

Is it Really Ready?

In yesterday's comments, PJ Hoover mentioned that's it's hard to know when a manuscript is ready for querying.  "Is it ever ready?" she asked.  As I responded there, no, it's never going to be 100% ready.  You could revise and rewrite something your entire life.  Truly, you could.  But I think we often know in our gut if we're jumping the gun, if we're skimping on revisions or edits or passes we know we should do. 

I honestly believe there's a point you get to, when you've done everything you can with the help and resources you have available, where you can be reasonably confident it's ready.  You've revised, you've had the MS read and critiqued, you've revised again, you've line edited, you've set it aside for awhile and tweaked it yet again, and you can read through it and enjoy it without pause, without wanting to stop and adjust.  If you're not feeling pretty darn confident it's ready to go, it's probably not ready to go. 

I was pleasantly surprised when I opened up my Google Reader and found a new post by Darcy Patterson of Fiction Notes (previously Revision Notes) called "How Many Times Do You Revise?"  She shares some of the same sentiments and puts it better than I ever could - check it out!  Actually, check out the entire Fiction Notes site.  There is post after post of golden advice on revision.  I could post a linkfest of favorites.

I feel I have to add a disclaimer here, I've never queried - none of my projects have been ready (I can say that with certainty).  So I'd like to elicit the opinion of those who have experience on both sides, do you agree or disagree with my feelings on this?   How did you know (or not know) your manuscript was ready for querying?

Wednesday's Word Count

As weird of a week as I've had (a bit off schedule), I'm surprisingly okay with it being Wednesday today. I'm not okay with the fact that next Wednesday is the first of July. Oi.

Prior Goal: 10 revised pages a day and swap with Heather.

Accomplished: 59 pages - sort of.

Goal for new week: 10 revised pages a day.

Excuses / comments: I'm having some structural and plot problems, so I've had to brainstorm and then go back to rewrite sections I had already revised (hence the sort of). It's pretty exciting though - this second draft is quickly becoming a stranger to the first. I'm definitely not going to have my first pass of revisions done by the 30th like I wanted but I'm going to truck on and try to do as much as I can. Once I hit that date, a new goal will be set (if you haven't noticed, goals keep me sane).

Since I'm in the deep end of it, I'd love to hear about your processes for revision. How do you tackle it? How long do you generally devote to the whole shebang?

Preparing to Query

Samantha Clark, who chimed in on yesterday's conversation, wrote a fabulous post today called "Preparation is Key."  She reminds writers that we generally only have one shot with each agent (or agency as it may be) for each project (an intimidating notion if you have a short list of agents), and gives great advice on making sure your manuscript is ready and that you've done the proper research. 

Towards the bottom of the post, Samantha admits she previously sent out work that wasn't ready and was "roundly rejected."  This happens to A LOT of writers, and for many, that's the way they learn to write a better book, to take the process seriously, and to do the research they didn't do before.

I can't guarantee you'll get published by following "the rules" - this business is subjective and relies on writing a publishable book, after all - and I can't guarantee you won't have to write another book (or three) to develop the required skills to do so, but you might be able to save yourself some time, rejection, and grief by stepping up your game and removing any and all avoidable mistakes from your journey to publication.  Like querying before you're really ready.

Check out Samantha's blog, Day By Day Writer, and make sure to wish her the best on her newly well-prepared-for search for representation.